Woman's Plot, The

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Massinger, Philip (1621)


Historical Records

Payments for Court Performance

That "The Woman's Plot" by Massinger was performed at Whitehall by the King's company on 05 November 1621 is confirmed by several sources (Bentley 7.41).

Chamber Accounts, Payments to Players, etc

Item 149a (Cook 76):

To Iohn Hemyngs in the behalfe of himselfe and the rest of his fellowes his Mate sevaunts for presenting sixe severall Plaies before his Matie by warrt of the xxvijth of Marche 1622 ..... lxli

Inner Temple Library MS 515, no.7

This MS, found by Murray (English Dramatic Companies 2.193), adds detail to the Chamber Accounts payment above:

The womas Plott plaid before his Matie 5o Novembris last


Stationers' Register

09 September 1653 (S.R.II, 1.429 CLIO)

Master Mosely Entred also . . . the severall playes following . . xxs vjd
...
The Noble choice, or the orator }
The wandring lovers or the painter }
The Italian night-peece, or, the unfortunate piety }
Alexius, the chast gallant, or The bashfull lover }
A very woman, or, the woman's plot. } by Phill. Massinger.
The Judge, or Believe as you list }
The Prisoner, or the Faire Anchoress }
The citie honest man, or the guardian }
The Spanish Viceroy or the honor of women }
Minerva's sacrifice, or the forc'd lady }
The Maids Tragedie, 2d part.



Warburton's list

"The Woman's Plot" appears as the 26th play noted by John Warburton (1682-1759) in his list of the unprinted MS plays allegedly in his collection until destroyed by Warburton’s cook (Greg, "The Bakings of Betsy" 231):

St. Geõ. For England by Will. Smithe
The Parliamt of Love by Wm. Rowley
The Widows Prise C. Wm Sampson
The Inconstant Lady Wm. (sic) Wilson
The Womans Plott Phill. Massinger


See the full list from British Library Lansdowne MS. 807 here.


Theatrical Provenance

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Probable Genre(s)

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Possible Narrative and Dramatic Sources or Analogues

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References to the Play

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Critical Commentary

Fleay notes that a play called The Very Woman, or The Prince of Tarent was licensed by Herbert on 06 June 1634 and later published with The Bashful Lover and The Guardian under Massinger's name in 1655. He argues that the 1653 Stationers' Register entry was in error, and that The Very Woman and "The Woman's Plot" are different plays (BCED 1.215).


For What It's Worth

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Works Cited

Cook, David and F. P. Wilson, eds. "Dramatic Records in the Declared Accounts of the Treasurer of the Chamber 1558-1642". Malone Society Collections VI. Oxford: Oxford UP, 1961.

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