Difference between revisions of "Three Plays in One"
|Line 15:||Line 15:|
the , and was .
Revision as of 11:14, 26 March 2012
Chrystmas, Twelftyde & Shrouetyde and making choyse 5 of plaies Anno Regni Regine Elizabethe: xxvijo 1584
- The Charges of those tymes viz. betwene the laste daie of October 1584. Anno xxvjto Regni Regine Elizabethe and the —— of ffebruary .1584. Annoque Regni Regine Elizabethe predicte xxvijo did rise aswell by meanes of attending making choyse, reforminge and altering of suche plaies Comodies maskes and inventions as ere prepared sett furth and presented before her maiestie at the tymes aforesaid. ...
An Inuention of three playes in one prepared to haue ben shewed before her highnes on Shroue sondaye at night and to haue ben enacted by her maiesties servauntes at Somerset place. But the Quene came not abroad that night. yet was ymployed on the same one howse & a battlement.
The Queen's players, formed in March 1583, began immediately to dominate the performance calendar at court in terms of adult companies. In 1583-4 they gave four performances (plays unnamed); in 1584-5 they gave five. The accounts of the Revels Office, unusually detailed in 1584-5, indicate not only the titles of the plays given through that holiday season but also the date and venue of performance. The Queen's players had Three Plays in One ready for the festivities at Somerset House on Shrove Sunday (21 February), 1585, but the performance was cancelled due to the queen's decision not to make a public appearance.
<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>
Possible Narrative and Dramatic Sources or Analogues
<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>
References to the Play
<List any known or conjectured references to the lost play here.>
<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>
For What It's Worth
<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>
<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu.>
<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary:>
Site created and maintained by your name, affiliation; updated DD Month YYYY.