Difference between revisions of "The Miller"

(20 intermediate revisions by the same user not shown)
Line 6: Line 6:
 
|venue=Rose
 
|venue=Rose
 
|company=Admiral's
 
|company=Admiral's
|probableGenres=Comedy?
+
|probableGenres=Comedy
 
|wigginsNo=#1104
 
|wigginsNo=#1104
 
|gregNo=#128
 
|gregNo=#128
Line 12: Line 12:
 
}}
 
}}
 
== Historical Records ==
 
== Historical Records ==
 +
===Payments===
 +
====To playwrights (perhaps a player) in Philip Henslowe's diary====
  
 +
:Fol. 44<sup>v</sup> ([https://archive.org/details/henslowesdiary00unkngoog/page/n144/mode/1up?view=theater Greg I.84])
 +
 +
::{| {{table}}
 +
| Layd owt vnto Robarte lee the 22 of febreary 1598||}||
 +
|-
 +
| for a boocke called the myller some of . . . . . . . . . . .||}||&nbsp;&nbsp;&nbsp; xx<sup>s</sup>
 +
|-
 +
|}
 +
<br><br>
  
 
== Theatrical Provenance ==
 
== Theatrical Provenance ==
  
 +
Presumably Henslowe was buying "The Miller" for the Admiral's men to offer at the Rose. However, there is no documentary evidence of its performance there.
 +
 +
Given its price, "The Miller" was an old piece. Any previous performance history is guesswork based on Robert Lee and his career. Lee (also "Leigh") first appears in theatrical records in the plot of "Dead Man's Fortune." However, due to the absence of a date and company affiliation for that plot (1590-92?), theater historians do not know what sort of marker it is for Lee's early career. Eccles calculates his birth date as 1569, based on Lee's dating himself as 54 in 1623 (p. 296). He has been identified as the man who signed a bond with John Alleyn and Thomas Goodale in 1593 (Nungezer, p. 235). By 1598 he may have belonged to Worcester's men (Nungezer, p. 235). He is not associated with the authorship and/or sale of any other play.
 +
<br><br>
  
 
== Probable Genre(s) ==
 
== Probable Genre(s) ==
 
<!-- This template outputs the probable genres entered in the data section above. You can replace this comment and the line below if you'd like to write about the probable genres in more detail -->
 
<!-- This template outputs the probable genres entered in the data section above. You can replace this comment and the line below if you'd like to write about the probable genres in more detail -->
{{Play/Probable Genres}}
+
{{Play/Probable Genres}} [[WorksCited|Harbage]]
 +
<br>
 +
<br>
  
 
== Possible Narrative and Dramatic Sources or Analogues ==
 
== Possible Narrative and Dramatic Sources or Analogues ==
  
 +
:The title is the only clue to its subject matter, and that title suggests the cultural associations with millers (none good). [[WorksCited|Wiggins, ''Catalogue'' #1104]] offers two possibilities: dishonesty and promiscuity.<br><br>
 +
<br><br>
  
 
== References to the Play ==
 
== References to the Play ==
  
 +
:None known.<br><br>
  
 
== Critical Commentary ==
 
== Critical Commentary ==
  
 +
[[WorksCited|Malone]] has no opinion on "The Miller" (p. 308), nor does [[WorksCited|Collier (p. 119)]]. [[WorksCited|Fleay, ''BCED'']] lists "The Miller" twice, claiming the play was "bought of" but "not written by" Robert Lee (2.307, #206); yet also suggesting that Lee "''may'' have been the author" of the play (2.370). [[WorksCited|Greg II]] locates Lee with the Chamberlain's men at the time of the sale, notes the small amount of the payment, and opines that "there is no reason to suppose [Lee] was the author" (p. 191, #128).
 +
<br>
 +
 +
[[WorksCited|Wiggins #1104)]] suggests several interpretations of the small fee received by Robert Lee, two of which do assume that the item was a play, the third of which offers the possibility that it was a jig.
 +
 +
<br><br>
  
 
== For What It's Worth ==
 
== For What It's Worth ==
  
 +
<br>
 +
<br>
  
 
== Works Cited ==
 
== Works Cited ==
 +
 +
<div style="padding-left: 2em; text-indent: -2em">Eccles, Mark."Elizabethan Actors III: K-R." ''Notes and Queries'', 237 (1992): 293-303).</div>
 +
<div style="padding-left: 2em; text-indent: -2em">Nungezer, Edwin. ‘’A Dictionary of Actors’’. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).</div>
 +
 +
<br>[[category:Roslyn L. Knutson]][[category:Folk characters]][[category:Henslowe's records]]
  
 
<!-- This template adds an automatic attribution line -->
 
<!-- This template adds an automatic attribution line -->
 
{{Play/Attribution}}
 
{{Play/Attribution}}

Revision as of 14:59, 30 August 2022

Anon. Play Titles A (1598)Property "Documentary Source" (as page type) with input value "{{{documentarySources}}}" contains invalid characters or is incomplete and therefore can cause unexpected results during a query or annotation process.Property "Paratext" (as page type) with input value "{{{paratexts}}}" contains invalid characters or is incomplete and therefore can cause unexpected results during a query or annotation process.Property "Contributor" (as page type) with input value "{{{contributors}}}" contains invalid characters or is incomplete and therefore can cause unexpected results during a query or annotation process.Property "Partnering Institution" (as page type) with input value "{{{partneringInstitutions}}}" contains invalid characters or is incomplete and therefore can cause unexpected results during a query or annotation process.

Historical Records

Payments

To playwrights (perhaps a player) in Philip Henslowe's diary

Fol. 44v (Greg I.84)
Layd owt vnto Robarte lee the 22 of febreary 1598 }
for a boocke called the myller some of . . . . . . . . . . . }     xxs



Theatrical Provenance

Presumably Henslowe was buying "The Miller" for the Admiral's men to offer at the Rose. However, there is no documentary evidence of its performance there.

Given its price, "The Miller" was an old piece. Any previous performance history is guesswork based on Robert Lee and his career. Lee (also "Leigh") first appears in theatrical records in the plot of "Dead Man's Fortune." However, due to the absence of a date and company affiliation for that plot (1590-92?), theater historians do not know what sort of marker it is for Lee's early career. Eccles calculates his birth date as 1569, based on Lee's dating himself as 54 in 1623 (p. 296). He has been identified as the man who signed a bond with John Alleyn and Thomas Goodale in 1593 (Nungezer, p. 235). By 1598 he may have belonged to Worcester's men (Nungezer, p. 235). He is not associated with the authorship and/or sale of any other play.

Probable Genre(s)

Comedy Harbage

Possible Narrative and Dramatic Sources or Analogues

The title is the only clue to its subject matter, and that title suggests the cultural associations with millers (none good). Wiggins, Catalogue #1104 offers two possibilities: dishonesty and promiscuity.



References to the Play

None known.

Critical Commentary

Malone has no opinion on "The Miller" (p. 308), nor does Collier (p. 119). Fleay, BCED lists "The Miller" twice, claiming the play was "bought of" but "not written by" Robert Lee (2.307, #206); yet also suggesting that Lee "may have been the author" of the play (2.370). Greg II locates Lee with the Chamberlain's men at the time of the sale, notes the small amount of the payment, and opines that "there is no reason to suppose [Lee] was the author" (p. 191, #128).

Wiggins #1104) suggests several interpretations of the small fee received by Robert Lee, two of which do assume that the item was a play, the third of which offers the possibility that it was a jig.



For What It's Worth



Works Cited

Eccles, Mark."Elizabethan Actors III: K-R." Notes and Queries, 237 (1992): 293-303).
Nungezer, Edwin. ‘’A Dictionary of Actors’’. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).



Site created and maintained by Roslyn L. Knutson; Last updated by Rlknutson on 5 October 2022 19:42:20