https://lostplays.folger.edu/_mw/index.php?title=Set_at_Maw,_The&feed=atom&action=history
Set at Maw, The - Revision history
2024-03-29T06:10:06Z
Revision history for this page on the wiki
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https://lostplays.folger.edu/_mw/index.php?title=Set_at_Maw,_The&diff=25826&oldid=prev
Rlknutson: /* Critical Commentary */
2022-09-15T20:31:46Z
<p><span dir="auto"><span class="autocomment">Critical Commentary</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:31, 15 September 2022</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Critical Commentary ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Critical Commentary ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Malone]] <del style="font-weight: bold; text-decoration: none;">commented </del>that "Maw" was a game of cards, and he <del style="font-weight: bold; text-decoration: none;">read </del>the second entry of the play title as "''seut'', i.e., "suit" (p. 296, n.4). He also <del style="font-weight: bold; text-decoration: none;">identified </del>"The Mack" as a play entitled for a "game at cards" (p. 296, n.5). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Malone]] <ins style="font-weight: bold; text-decoration: none;">comments </ins>that "Maw" was a game of cards, and he <ins style="font-weight: bold; text-decoration: none;">reads </ins>the second entry of the play title as "''seut'', i.e., "suit" (p. 296, n.4). He also <ins style="font-weight: bold; text-decoration: none;">identifies </ins>"The Mack" as a play entitled for a "game at cards" (p. 296, n.5). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Collier]] <del style="font-weight: bold; text-decoration: none;">agreed </del>that the title of "Set at Maw" <del style="font-weight: bold; text-decoration: none;">indicated </del>a card game but <del style="font-weight: bold; text-decoration: none;">rejected </del>Malone's reading of the second performance of the play in the manuscript as "seut" (p. 47, n.1). He <del style="font-weight: bold; text-decoration: none;">agreed </del>also that "The Mack" <del style="font-weight: bold; text-decoration: none;">referred </del>to a card game, and he <del style="font-weight: bold; text-decoration: none;">conjectured </del>that it "was perhaps written in consequence of the success of the Maw, already many times represented" (p. 49, n. 3). In fact, four performances is not very many.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Collier]] <ins style="font-weight: bold; text-decoration: none;">agrees </ins>that the title of "Set at Maw" <ins style="font-weight: bold; text-decoration: none;">indicates </ins>a card game but <ins style="font-weight: bold; text-decoration: none;">rejects </ins>Malone's reading of the second performance of the play in the manuscript as "seut" (p. 47, n.1). He <ins style="font-weight: bold; text-decoration: none;">agrees </ins>also that "The Mack" <ins style="font-weight: bold; text-decoration: none;">refers </ins>to a card game, and he <ins style="font-weight: bold; text-decoration: none;">conjectures </ins>that it "was perhaps written in consequence of the success of the Maw, already many times represented" (p. 49, n. 3). In fact, four performances is not very many.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Fleay, ''BCED'' [#61, 1.134-5)]], who <del style="font-weight: bold; text-decoration: none;">called </del>the play "The Set at Maw" (2.303, #161), <del style="font-weight: bold; text-decoration: none;">believed </del>that Thomas Dekker's ''Match me in London'' (Q1631) belonged to 1611 and that it was "pretty clearly an alteration of ''The Set at Maw''" because of its use of the language of card games (shuffling, dealing, cutting the cards, turning up a "Court card" [p. 135]). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Fleay, ''BCED'' [#61, 1.134-5)]], who <ins style="font-weight: bold; text-decoration: none;">calls </ins>the play "The Set at Maw" (2.303, #161), <ins style="font-weight: bold; text-decoration: none;">believes </ins>that Thomas Dekker's ''Match me in London'' (Q1631) belonged to 1611 and that it was "pretty clearly an alteration of ''The Set at Maw''" because of its use of the language of card games (shuffling, dealing, cutting the cards, turning up a "Court card" [p. 135]). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Hazlitt]] <del style="font-weight: bold; text-decoration: none;">indulged </del>in the practice of lumping "The Set at Maw" with other plays as well. In ''A Manual for the Collector and Amateur of Old English Plays '', he <del style="font-weight: bold; text-decoration: none;">suggested </del>that the item in Henslowe's diary was "similar, if not the same" as a play in the ''Revels Accounts'' on 26 December 1582 entered as "'A Comedy or Moral devised on a game of the Cards on St. Stephen's Night by the Children of the Chapel'" (p. 153 [https://archive.org/details/manualforcollect00hazl/page/153/mode/1up]). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Hazlitt]] <ins style="font-weight: bold; text-decoration: none;">indulges </ins>in the practice of lumping "The Set at Maw" with other plays as well. In ''A Manual for the Collector and Amateur of Old English Plays '', he <ins style="font-weight: bold; text-decoration: none;">suggests </ins>that the item in Henslowe's diary was "similar, if not the same" as a play in the ''Revels Accounts'' on 26 December 1582 entered as "'A Comedy or Moral devised on a game of the Cards on St. Stephen's Night by the Children of the Chapel'" (p. 153 [https://archive.org/details/manualforcollect00hazl/page/153/mode/1up]). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Greg II (#63, p. 172)]] <del style="font-weight: bold; text-decoration: none;">took </del>seriously Fleay's lumping of "The Set at Maw" with Thomas Dekker's ''Match me in London'' on the basis of its allusions to cards and "one specific reference to the game of maw." However, he <del style="font-weight: bold; text-decoration: none;">couldn</del>'t find additional evidence to support the connection. He <del style="font-weight: bold; text-decoration: none;">considered </del>evidence of revision in the Dekker play too slight to be persuasive, and he <del style="font-weight: bold; text-decoration: none;">deemed </del>the argument that the "Maw" play could have traveled with Dekker to Queen Anna's men more than a decade later to be irrelevant to the issue of lumping the plays. Greg <del style="font-weight: bold; text-decoration: none;">considered </del>the item, "j mawe gowne of calleco for the quene" in Henslowe's inventory of costumes on 10 March 1598/9 to "possibly" be for "The Set at Mawe" ([[WorksCited|Greg, ''Papers'']] APX, I. 1, p. 115, l. 31, n.31). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Greg II (#63, p. 172)]] <ins style="font-weight: bold; text-decoration: none;">takes </ins>seriously Fleay's lumping of "The Set at Maw" with Thomas Dekker's ''Match me in London'' on the basis of its allusions to cards and "one specific reference to the game of maw." However, he <ins style="font-weight: bold; text-decoration: none;">can</ins>'t find additional evidence to support the connection. He <ins style="font-weight: bold; text-decoration: none;">considers </ins>evidence of revision in the Dekker play too slight to be persuasive, and he <ins style="font-weight: bold; text-decoration: none;">deems </ins>the argument that the "Maw" play could have traveled with Dekker to Queen Anna's men more than a decade later to be irrelevant to the issue of lumping the plays. Greg <ins style="font-weight: bold; text-decoration: none;">considers </ins>the item, "j mawe gowne of calleco for the quene" in Henslowe's inventory of costumes on 10 March 1598/9 to "possibly" be for "The Set at Mawe" ([[WorksCited|Greg, ''Papers'']] APX, I. 1, p. 115, l. 31, n.31). </div></td></tr>
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</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Set_at_Maw,_The&diff=25825&oldid=prev
Rlknutson: /* Probable Genre(s) */
2022-09-15T20:27:10Z
<p><span dir="auto"><span class="autocomment">Probable Genre(s)</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:27, 15 September 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l55">Line 55:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Probable Genre(s) ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Probable Genre(s) ==</div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Harbage]] <del style="font-weight: bold; text-decoration: none;">suggested </del>that the play was a comedy.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Harbage]] <ins style="font-weight: bold; text-decoration: none;">suggests </ins>that the play was a comedy.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td></tr>
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</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Set_at_Maw,_The&diff=25824&oldid=prev
Rlknutson: /* Playlists in Philip Henslowe's diary */
2022-09-15T20:26:50Z
<p><span dir="auto"><span class="autocomment">Playlists in Philip Henslowe's diary</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:26, 15 September 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l20">Line 20:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| y<sup>e</sup> 14 of decembʒ 1594<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| y<sup>e</sup> 14 of decembʒ 1594<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| . . . ne . . . <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| . . . ne . . . <br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>| R''<del style="font-weight: bold; text-decoration: none;">d</del>'' at the maw . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>| R''<ins style="font-weight: bold; text-decoration: none;">es</ins>'' at the maw . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| xxxxiiij<sup>s</sup><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| xxxxiiij<sup>s</sup><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l31">Line 31:</td>
<td colspan="2" class="diff-lineno">Line 31:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| y<sup>e</sup> 2 of Jenewary 1594<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| y<sup>e</sup> 2 of Jenewary 1594<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| . . . . . . . . . <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| . . . . . . . . . <br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>| R''<del style="font-weight: bold; text-decoration: none;">d</del>'' at the seat at mawe . . . . . . . . . . . . . . . . . . . . . . <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>| R''<ins style="font-weight: bold; text-decoration: none;">es</ins>'' at the seat at mawe . . . . . . . . . . . . . . . . . . . . . . <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| xxiiij<sup>s</sup><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| xxiiij<sup>s</sup><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| y<sup>e</sup> 17 of Jenewary 1594<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| y<sup>e</sup> 17 of Jenewary 1594<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| <br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>| R''<del style="font-weight: bold; text-decoration: none;">d</del>'' at the mawe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>| R''<ins style="font-weight: bold; text-decoration: none;">es</ins>'' at the mawe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|xxv<sup>s</sup><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|xxv<sup>s</sup><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| y<sup>e</sup> 28 of Jenewary 1594<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| y<sup>e</sup> 28 of Jenewary 1594<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| <br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>| R''<del style="font-weight: bold; text-decoration: none;">d</del>'' at the mawe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>| R''<ins style="font-weight: bold; text-decoration: none;">es</ins>'' at the mawe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| xxvij<sup>s</sup><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| xxvij<sup>s</sup><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Set_at_Maw,_The&diff=24350&oldid=prev
Rlknutson: /* References to the Play */
2021-12-15T19:04:09Z
<p><span dir="auto"><span class="autocomment">References to the Play</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:04, 15 December 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l69">Line 69:</td>
<td colspan="2" class="diff-lineno">Line 69:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><sub>Subscript text</sub></del>== Critical Commentary ==</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>== Critical Commentary ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Malone]] commented that "Maw" was a game of cards, and he read the second entry of the play title as "''seut'', i.e., "suit" (p. 296, n.4). He also identified "The Mack" as a play entitled for a "game at cards" (p. 296, n.5). </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Malone]] commented that "Maw" was a game of cards, and he read the second entry of the play title as "''seut'', i.e., "suit" (p. 296, n.4). He also identified "The Mack" as a play entitled for a "game at cards" (p. 296, n.5). </div></td></tr>
</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Set_at_Maw,_The&diff=23699&oldid=prev
Rlknutson: /* Critical Commentary */
2021-03-20T18:49:26Z
<p><span dir="auto"><span class="autocomment">Critical Commentary</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 13:49, 20 March 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l69">Line 69:</td>
<td colspan="2" class="diff-lineno">Line 69:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>== Critical Commentary ==</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><sub>Subscript text</sub></ins>== Critical Commentary ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Malone]] commented that "Maw" was a game of cards, and he read the second entry of the play title as "''seut'', i.e., "suit" (p. 296, n.4). He also identified "The Mack" as a play entitled for a "game at cards" (p. 296, n.5). </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Malone]] commented that "Maw" was a game of cards, and he read the second entry of the play title as "''seut'', i.e., "suit" (p. 296, n.4). He also identified "The Mack" as a play entitled for a "game at cards" (p. 296, n.5). </div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l83">Line 83:</td>
<td colspan="2" class="diff-lineno">Line 83:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Greg II (#63, p. 172)]] took seriously Fleay's lumping of "The Set at Maw" with Thomas Dekker's ''Match me in London'' on the basis of its allusions to cards and "one specific reference to the game of maw." However, he couldn't find additional evidence to support the connection. He considered evidence of revision in the Dekker play too slight to be persuasive, and he deemed the argument that the "Maw" play could have traveled with Dekker to Queen Anna's men more than a decade later to be irrelevant to the issue of lumping the plays.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[WorksCited|Greg II (#63, p. 172)]] took seriously Fleay's lumping of "The Set at Maw" with Thomas Dekker's ''Match me in London'' on the basis of its allusions to cards and "one specific reference to the game of maw." However, he couldn't find additional evidence to support the connection. He considered evidence of revision in the Dekker play too slight to be persuasive, and he deemed the argument that the "Maw" play could have traveled with Dekker to Queen Anna's men more than a decade later to be irrelevant to the issue of lumping the plays<ins style="font-weight: bold; text-decoration: none;">. Greg considered the item, "j mawe gowne of calleco for the quene" in Henslowe's inventory of costumes on 10 March 1598/9 to "possibly" be for "The Set at Mawe" ([[WorksCited|Greg, ''Papers'']] APX, I. 1, p. 115, l. 31, n.31)</ins>. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Gurr''', crediting John Astington for the information, notes that "[t]he word 'mawe' inexplicably" appears in the description of a costume in Philip Henslowe's inventory of various suits "as 'j mawe gowne of calleco for the queen'" [https://archive.org/stream/henslowepapersbe00hensuoft#page/115/mode/2up (Greg, ''Papers'', APX. I, art. 1, p. 115, l. 31)]. It is not clear <del style="font-weight: bold; text-decoration: none;">whether </del>Gurr means to link that costume to "The Set at Maw<del style="font-weight: bold; text-decoration: none;">," or whether a footnote to the entry for the play in the appendix was just a convenient place to comment on </del>"<del style="font-weight: bold; text-decoration: none;">mawe" as a costume material </del>(#24, p. 212, n.31). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Gurr''', crediting John Astington for the information, notes that "[t]he word 'mawe' inexplicably" appears in the description of a costume in Philip Henslowe's inventory of various suits "as 'j mawe gowne of calleco for the queen'" [https://archive.org/stream/henslowepapersbe00hensuoft#page/115/mode/2up (Greg, ''Papers'', APX. I, art. 1, p. 115, l. 31)]. It is not clear <ins style="font-weight: bold; text-decoration: none;">that </ins>Gurr means to link that costume to "The Set at Maw" (#24, p. 212, n.31). </div></td></tr>
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</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Set_at_Maw,_The&diff=23698&oldid=prev
Rlknutson: /* Critical Commentary */
2021-03-20T18:39:04Z
<p><span dir="auto"><span class="autocomment">Critical Commentary</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 13:39, 20 March 2021</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Gurr''', crediting John Astington for the information, notes that "[t]he word 'mawe' inexplicably" appears in the description of a costume in Philip Henslowe's inventory of various suits"<del style="font-weight: bold; text-decoration: none;">: "</del>'j mawe gowne of calleco<del style="font-weight: bold; text-decoration: none;">...</del>' [https://archive.org/stream/henslowepapersbe00hensuoft#page/115/mode/2up (Greg, ''Papers'', APX. I, art. 1, p. 115, l. 31)].<del style="font-weight: bold; text-decoration: none;">" </del>Gurr <del style="font-weight: bold; text-decoration: none;">does not </del>link that costume to "The Set at Maw," <del style="font-weight: bold; text-decoration: none;">however </del>(#24, p. 212, n.31).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Gurr''', crediting John Astington for the information, notes that "[t]he word 'mawe' inexplicably" appears in the description of a costume in Philip Henslowe's inventory of various suits "<ins style="font-weight: bold; text-decoration: none;">as </ins>'j mawe gowne of calleco <ins style="font-weight: bold; text-decoration: none;">for the queen</ins>'<ins style="font-weight: bold; text-decoration: none;">" </ins>[https://archive.org/stream/henslowepapersbe00hensuoft#page/115/mode/2up (Greg, ''Papers'', APX. I, art. 1, p. 115, l. 31)]. <ins style="font-weight: bold; text-decoration: none;">It is not clear whether </ins>Gurr <ins style="font-weight: bold; text-decoration: none;">means to </ins>link that costume to "The Set at Maw," <ins style="font-weight: bold; text-decoration: none;">or whether a footnote to the entry for the play in the appendix was just a convenient place to comment on "mawe" as a costume material </ins>(#24, p. 212, n.31). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
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</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Set_at_Maw,_The&diff=23454&oldid=prev
Rlknutson: /* Cultural Context */
2021-01-26T17:34:38Z
<p><span dir="auto"><span class="autocomment">Cultural Context</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:34, 26 January 2021</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Robert Chambers commented in some detail about the cultural context of "Maw" ("Playing and Playing-Cards," December 28, p. 779 [https://archive.org/details/b22650477_0002/page/779/mode/1up ("Card-Playing and Playing-Cards," December 28, p. 779 )]. Emphasizing the popularity of card games during holidays, he cited Sir John Harrington's quip: "Maw,/ A game without civility or law;/ An odious play, and yet at court oft seen,/ A saucy Knave to trump both King and Queen." Noting that Maw replaced Primero in popularity, Chambers <del style="font-weight: bold; text-decoration: none;">adds </del>that "Maw was the favourite game of James I, who appears to have played at cards, just as he played with affairs of state, in an indolent manner; requiring in both cases someone to hold his cards, if not to prompt him what to play." Chambers <del style="font-weight: bold; text-decoration: none;">repeats </del>an anecdote about the king's joking at a game of Maw about the trial of Sir Thomas Monson; he also <del style="font-weight: bold; text-decoration: none;">quotes </del>from a contemporary pamphlet, ''Tom Tell-Truth,'' which scolds James for ineptitude in the language of Maw: </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Robert Chambers commented in some detail about the cultural context of "Maw" ("Playing and Playing-Cards," December 28, p. 779 [https://archive.org/details/b22650477_0002/page/779/mode/1up ("Card-Playing and Playing-Cards," December 28, p. 779 )]. Emphasizing the popularity of card games during holidays, he cited Sir John Harrington's quip: "Maw,/ A game without civility or law;/ An odious play, and yet at court oft seen,/ A saucy Knave to trump both King and Queen." Noting that Maw replaced Primero in popularity, Chambers <ins style="font-weight: bold; text-decoration: none;">added </ins>that "Maw was the favourite game of James I, who appears to have played at cards, just as he played with affairs of state, in an indolent manner; requiring in both cases someone to hold his cards, if not to prompt him what to play." Chambers <ins style="font-weight: bold; text-decoration: none;">repeated </ins>an anecdote about the king's joking at a game of Maw about the trial of Sir Thomas Monson; he also <ins style="font-weight: bold; text-decoration: none;">quoted </ins>from a contemporary pamphlet, ''Tom Tell-Truth,'' which scolds James for ineptitude in the language of Maw: </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:"Even in the very gaming ordinaries, where men have scarce leisure to say grace, yet they take a time to censure your majesty's actions, and that in their old-school terms. They say you have lost the fairest game at Maw that ever king had, for want of making the best advantage of five-finger, and playing the other helps in time. That your own card-holders play booty, and and give the sign out of your own hand."</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:"Even in the very gaming ordinaries, where men have scarce leisure to say grace, yet they take a time to censure your majesty's actions, and that in their old-school terms. They say you have lost the fairest game at Maw that ever king had, for want of making the best advantage of five-finger, and playing the other helps in time. That your own card-holders play booty, and and give the sign out of your own hand."</div></td></tr>
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</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Set_at_Maw,_The&diff=23453&oldid=prev
Rlknutson: /* Works Cited */
2021-01-26T17:05:04Z
<p><span dir="auto"><span class="autocomment">Works Cited</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:05, 26 January 2021</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em;">Cash, Cassidy. "How to Play Maw or Spoil Five." [https://drive.google.com/file/d/1VBcf0q00OYcJRTUFfNgEP8563axCucLE/view] </div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em;">Cash, Cassidy. "How to Play Maw or Spoil Five." [https://drive.google.com/file/d/1VBcf0q00OYcJRTUFfNgEP8563axCucLE/view] </div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Chambers, Robert. ''The Book of Days: A Miscellany of Popular Antiquities in Connection with the Calendar''. Edinburgh: W. & R. Chambers, 1879.[https://archive.org/details/b22650477_0002/page/779/mode/1up ("Playing and Playing-Cards," December 28, p. 779 )]</div></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Chambers, Robert. ''The Book of Days: A Miscellany of Popular Antiquities in Connection with the Calendar''. Edinburgh: W. & R. Chambers, 1879.[https://archive.org/details/b22650477_0002/page/779/mode/1up ("<ins style="font-weight: bold; text-decoration: none;">Card-</ins>Playing and Playing-Cards," December 28, p. 779 )]</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em;">''The Groome-porters lawes,'' ''EBBA'' [http://ebba.english.ucsb.edu/ballad/37082/image (#37082)]</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em;">''The Groome-porters lawes,'' ''EBBA'' [http://ebba.english.ucsb.edu/ballad/37082/image (#37082)]</div></div></td></tr>
</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Set_at_Maw,_The&diff=23452&oldid=prev
Rlknutson: /* Cultural Context */
2021-01-26T17:04:43Z
<p><span dir="auto"><span class="autocomment">Cultural Context</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:04, 26 January 2021</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Robert Chambers commented in some detail about the cultural context of "Maw" ("Playing and Playing-Cards," December 28, p. 779 [https://archive.org/details/b22650477_0002/page/779/mode/1up ("Playing and Playing-Cards," December 28, p. 779 )]. Emphasizing the popularity of card games during holidays, he cited Sir John Harrington's quip: "Maw,/ A game without civility or law;/ An odious play, and yet at court oft seen,/ A saucy Knave to trump both King and Queen." Noting that Maw replaced Primero in popularity, Chambers adds that "Maw was the favourite game of James I, who appears to have played at cards, just as he played with affairs of state, in an indolent manner; requiring in both cases someone to hold his cards, if not to prompt him what to play." Chambers repeats an anecdote about the king's joking at a game of Maw about the trial of Sir Thomas Monson; he also quotes from a contemporary pamphlet, ''Tom Tell-Truth,'' which scolds James for ineptitude in the language of Maw: </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Robert Chambers commented in some detail about the cultural context of "Maw" ("Playing and Playing-Cards," December 28, p. 779 [https://archive.org/details/b22650477_0002/page/779/mode/1up ("<ins style="font-weight: bold; text-decoration: none;">Card-</ins>Playing and Playing-Cards," December 28, p. 779 )]. Emphasizing the popularity of card games during holidays, he cited Sir John Harrington's quip: "Maw,/ A game without civility or law;/ An odious play, and yet at court oft seen,/ A saucy Knave to trump both King and Queen." Noting that Maw replaced Primero in popularity, Chambers adds that "Maw was the favourite game of James I, who appears to have played at cards, just as he played with affairs of state, in an indolent manner; requiring in both cases someone to hold his cards, if not to prompt him what to play." Chambers repeats an anecdote about the king's joking at a game of Maw about the trial of Sir Thomas Monson; he also quotes from a contemporary pamphlet, ''Tom Tell-Truth,'' which scolds James for ineptitude in the language of Maw: </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:"Even in the very gaming ordinaries, where men have scarce leisure to say grace, yet they take a time to censure your majesty's actions, and that in their old-school terms. They say you have lost the fairest game at Maw that ever king had, for want of making the best advantage of five-finger, and playing the other helps in time. That your own card-holders play booty, and and give the sign out of your own hand."</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:"Even in the very gaming ordinaries, where men have scarce leisure to say grace, yet they take a time to censure your majesty's actions, and that in their old-school terms. They say you have lost the fairest game at Maw that ever king had, for want of making the best advantage of five-finger, and playing the other helps in time. That your own card-holders play booty, and and give the sign out of your own hand."</div></td></tr>
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Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Set_at_Maw,_The&diff=23429&oldid=prev
Rlknutson: /* Works Cited */
2021-01-25T17:40:09Z
<p><span dir="auto"><span class="autocomment">Works Cited</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:40, 25 January 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l181">Line 181:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em;">Cash, Cassidy. "How to Play Maw or Spoil Five." [https://drive.google.com/file/d/1VBcf0q00OYcJRTUFfNgEP8563axCucLE/view] </div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em;">Cash, Cassidy. "How to Play Maw or Spoil Five." [https://drive.google.com/file/d/1VBcf0q00OYcJRTUFfNgEP8563axCucLE/view] </div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Chambers, Robert. ''The Book of Days: A Miscellany of Popular Antiquities in Connection with the Calendar''. Edinburgh: W. & R. Chambers, 1879.</div></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Chambers, Robert. ''The Book of Days: A Miscellany of Popular Antiquities in Connection with the Calendar''. Edinburgh: W. & R. Chambers, 1879.<ins style="font-weight: bold; text-decoration: none;">[https://archive.org/details/b22650477_0002/page/779/mode/1up ("Playing and Playing-Cards," December 28, p. 779 )]</ins></div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em;">''The Groome-porters lawes,'' ''EBBA'' [http://ebba.english.ucsb.edu/ballad/37082/image (#37082)]</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em;">''The Groome-porters lawes,'' ''EBBA'' [http://ebba.english.ucsb.edu/ballad/37082/image (#37082)]</div></div></td></tr>
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Rlknutson