Pope Joan: Difference between revisions

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==Theatrical Provenance==
==Theatrical Provenance==


''Henslowe's Diary'' reports that Lord Strange's Men performed this play at the Rose Theatre on March 1, 1591/92.  Since Henslowe does not mark it as a new play, ''Pope Joan'' was evidently performed earlier, but no record of that performance has survived.  Manley and Maclean speculate that given the play's anti-Catholic subject matter, it might have belonged to the "more staunchly Protestant repertory of Leicester's Men," a company that shared several members (George Bryan, Will Kempe, and Thomas Pope) with Lord Strange's Men (31, 146).
''Henslowe's Diary'' reports that Lord Strange's Men performed this play at the Rose Theatre on March 1, 1591/92.  Since Henslowe does not mark it as a new play, ''Pope Joan'' was evidently performed earlier, but no record of earlier performances has survived.  Manley and Maclean speculate that given the play's anti-Catholic subject matter, it might have belonged to the "more staunchly Protestant repertory of Leicester's Men," a company that shared several members (George Bryan, Will Kempe, and Thomas Pope) with Lord Strange's Men (31, 146).


==Probable Genre(s)==
==Probable Genre(s)==

Revision as of 16:55, 5 August 2016

Anon. (1592)


Historical Records

Performance Records (Henslowe's Diary)


Theatrical Provenance

Henslowe's Diary reports that Lord Strange's Men performed this play at the Rose Theatre on March 1, 1591/92. Since Henslowe does not mark it as a new play, Pope Joan was evidently performed earlier, but no record of earlier performances has survived. Manley and Maclean speculate that given the play's anti-Catholic subject matter, it might have belonged to the "more staunchly Protestant repertory of Leicester's Men," a company that shared several members (George Bryan, Will Kempe, and Thomas Pope) with Lord Strange's Men (31, 146).

Probable Genre(s)

<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>


Possible Narrative and Dramatic Sources or Analogues

<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>


References to the Play

<List any known or conjectured references to the lost play here.>


Critical Commentary

<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>


For What It's Worth

<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>


Works Cited

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citation goes here

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