Play about the Duke of Florence (BL Add MS 88878): Difference between revisions

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===BL Add MS 88878 (images)===
===BL Add MS 88878 (images)===
This play exists only as a manuscript fragment, being a single sheet of paper (2 folios / 4 pages) in length [http://searcharchives.bl.uk/IAMS_VU2:IAMS032-000005523 (BL Add MS 88878)]:
This manuscript play fragment exists only as a single sheet of paper (2 folios / 4 pages) in length. The first page features a number at the top (2) and begins part-way through a scene, implying that the surviving sheet was at least conceived of as part of a series, whether or not the play was continued. [http://searcharchives.bl.uk/IAMS_VU2:IAMS032-000005523 (BL Add MS 88878)]:


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==Theatrical Provenance==
==Theatrical Provenance==



Revision as of 04:24, 4 October 2019

Anon. (Webster?) (1630s)


Historical Records

BL Add MS 88878 (images)

This manuscript play fragment exists only as a single sheet of paper (2 folios / 4 pages) in length. The first page features a number at the top (2) and begins part-way through a scene, implying that the surviving sheet was at least conceived of as part of a series, whether or not the play was continued. (BL Add MS 88878):

BL Add MS 88878 1r.jpg BL Add MS 88878 1v.jpg
BL Add MS 88878, fol.1r. BL Add MS 88878, fol.1v.
BL Add MS 88878 2r.jpg BL Add MS 88878 2v.jpg
BL Add MS 88878, fol.2r. BL Add MS 88878, fol.2v.

All images (c) British Library. Reproduced by permission.


NB. The above images have been cropped into pages to display the text in order. The following openings illustrate the sheet of paper itself:

BL Add MS 88878 2v-1r.jpg BL Add MS 88878 1v-2r.jpg
BL Add MS 88878, fol.2v-1r. BL Add MS 88878, fol.1v-2r.




BL Add MS 88878 (transcription)





Theatrical Provenance

<Enter information about which company performed the play, and where/when it was performed, etc.>


Probable Genre(s)

Tragedy.


Possible Narrative and Dramatic Sources or Analogues

<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>


References to the Play

<List any known or conjectured references to the lost play here.>


Critical Commentary

<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>


For What It's Worth

<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>


Works Cited

<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu. Use the coding below to format the list>

citation goes here

<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary: >


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