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Jugurtha, King of Numidia - Revision history
2024-03-29T15:23:08Z
Revision history for this page on the wiki
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Rlknutson: /* Works Cited */
2020-12-09T17:28:53Z
<p><span dir="auto"><span class="autocomment">Works Cited</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:28, 9 December 2020</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[category:all]] [[Category:Partial_payment]] [[Category:Autograph_signature]] [[category:Admiral's]] [[category:Rose]][[category:Classical]][[category:Roslyn L. Knutson]][[category:John Payne Collier]][[category:Plays]][[category:Update]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[category:all]] [[Category:Partial_payment]] [[Category:Autograph_signature]] [[category:Admiral's]] [[category:Rose]][[category:Classical]][[category:Roslyn L. Knutson]][[category:John Payne Collier]][[category:Plays]][[category:Update]]</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[category:Henslowe's records]] [[category:Herbert's records]][[category:William Bird]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[category:Henslowe's records]] [[category:Herbert's records]][[category:William Bird<ins style="font-weight: bold; text-decoration: none;">]][[category:William Boyle</ins>]]</div></td></tr>
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Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Jugurtha,_King_of_Numidia&diff=22927&oldid=prev
Rlknutson: /* Works Cited */
2020-12-09T17:27:34Z
<p><span dir="auto"><span class="autocomment">Works Cited</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:27, 9 December 2020</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Site created and maintained by [[Roslyn L. Knutson]], Professor Emerita, University of Arkansas at Little Rock; updated 4 March 2013. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Site created and maintained by [[Roslyn L. Knutson]], Professor Emerita, University of Arkansas at Little Rock; updated 4 March 2013. </div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[category:all]] [[Category:Partial_payment]] [[Category:Autograph_signature]] [[category:Admiral's]] [[category:Rose]][[category:Classical]][[category:Roslyn L. Knutson]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[category:all]] [[Category:Partial_payment]] [[Category:Autograph_signature]] [[category:Admiral's]] [[category:Rose]][[category:Classical]][[category:Roslyn L. Knutson<ins style="font-weight: bold; text-decoration: none;">]][[category:John Payne Collier]][[category:Plays]][[category:Update</ins>]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[category:Henslowe's records]] [[category:Herbert's records]][[category:William Bird]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[category:Henslowe's records]] [[category:Herbert's records]][[category:William Bird]]</div></td></tr>
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Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Jugurtha,_King_of_Numidia&diff=22926&oldid=prev
Rlknutson: /* For What It's Worth */
2020-12-09T17:24:32Z
<p><span dir="auto"><span class="autocomment">For What It's Worth</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:24, 9 December 2020</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== For What It's Worth ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== For What It's Worth ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Scholars since Chalmers have been inclined to identify the 1600 "Jugurtha" by Boyle with the "Jugurtha" licensed by Herbert because it is referred to as an old play formerly licensed by Sir George Buc. Scholars also have assumed that the book burning specified in Chalmers's note on the "Jugurtha" in 1624 refers to the fire at the Fortune in 1621. Bentley <del style="font-weight: bold; text-decoration: none;">describes </del>a manuscript entitled ''Jugurtha or the Faitless [sic] Cosen German a Tragedy'', which is preserved in the Bodleian Library (Bodleian MS. Rawl. poet.195). He <del style="font-weight: bold; text-decoration: none;">connects </del>this manuscript to the play licensed by Herbert, labeling the manuscript "an incomplete and inexpert Restoration adaptation of Boyle's old play" (3.38). The manuscript in the Bodleian Library ends at IV.i, with "three or four sketched-in scenes following, and, after a break of three pages, four smaller pages of rought unintegrated material" (<del style="font-weight: bold; text-decoration: none;">Bentley, </del>3.37). Bentley <del style="font-weight: bold; text-decoration: none;">provides </del>the list of characters from the manuscript, second folio, verso:</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Scholars since Chalmers have been inclined to identify the 1600 "Jugurtha" by Boyle with the "Jugurtha" licensed by Herbert because it is referred to as an old play formerly licensed by Sir George Buc. Scholars also have assumed that the book burning specified in Chalmers's note on the "Jugurtha" in 1624 refers to the fire at the Fortune in 1621. <ins style="font-weight: bold; text-decoration: none;">[[WorksCited|</ins>Bentley<ins style="font-weight: bold; text-decoration: none;">, ''JCS'']] described </ins>a manuscript entitled ''Jugurtha or the Faitless [sic] Cosen German a Tragedy'', which is preserved in the Bodleian Library (Bodleian MS. Rawl. poet.195). He <ins style="font-weight: bold; text-decoration: none;">connected </ins>this manuscript to the play licensed by Herbert, labeling the manuscript "an incomplete and inexpert Restoration adaptation of Boyle's old play" (3.38). The manuscript in the Bodleian Library ends at IV.i, with "three or four sketched-in scenes following, and, after a break of three pages, four smaller pages of rought unintegrated material" (3.37). Bentley <ins style="font-weight: bold; text-decoration: none;">provided </ins>the list of characters from the manuscript, second folio, verso:</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{| {{table}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{| {{table}}</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l118">Line 118:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| Lysandra||||Seraphina's Woman of Honour and Confident to Atherball</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| Lysandra||||Seraphina's Woman of Honour and Confident to Atherball</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Concerning two scenic notations ("Scane Thala or thereabouts," "Actus primus Scen''e'' a pallace"), Bentley <del style="font-weight: bold; text-decoration: none;">believes </del>both are marks of a post-, not pre-, Restoration play (3.28).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Concerning two scenic notations ("Scane Thala or thereabouts," "Actus primus Scen''e'' a pallace"), Bentley <ins style="font-weight: bold; text-decoration: none;">believed </ins>both are marks of a post-, not pre-, Restoration play (3.28).</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Gurr, gathering the evidence that links the undated Bodleian manuscript and Herbert license in 1624 to the 1600 play by Boyle, adds that "Heywood published a translation of Sallust's history of the Catiline conspiracy and the life of Jugurtha of Numidia in 1608" (<del style="font-weight: bold; text-decoration: none;">250n</del>). He shares a popular opinion that after the fire at the Fortune, Palgrave's men had "a struggle to retrieve copies" and suggests that "''Jugurtha'' and probably others they re-copied from old manuscripts that survived and had re-<del style="font-weight: bold; text-decoration: none;">licenses</del>" (<del style="font-weight: bold; text-decoration: none;">271n</del>).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Gurr, gathering the evidence that links the undated Bodleian manuscript and Herbert license in 1624 to the 1600 play by Boyle, adds that "Heywood published a translation of Sallust's history of the Catiline conspiracy and the life of Jugurtha of Numidia in 1608" (<ins style="font-weight: bold; text-decoration: none;">p. 250, #145, n.109</ins>). He shares a popular opinion that after the fire at the Fortune, Palgrave's men had "a struggle to retrieve copies" and suggests that "''Jugurtha'' and probably others they re-copied from old manuscripts that survived and had re-<ins style="font-weight: bold; text-decoration: none;">licensed</ins>" (<ins style="font-weight: bold; text-decoration: none;">p. 271, #215, n.147</ins>).</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><br></ins><br></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Works Cited ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Works Cited ==</div></td></tr>
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Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Jugurtha,_King_of_Numidia&diff=22925&oldid=prev
Rlknutson: /* Critical Commentary */
2020-12-09T17:06:52Z
<p><span dir="auto"><span class="autocomment">Critical Commentary</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:06, 9 December 2020</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Fleay<del style="font-weight: bold; text-decoration: none;">''' </del>identifies the play at the Rose with the item licensed by Buc and theorizes further that "Boyle" is "merely a ''nom de plume'' for" William Bird (alias, Borne), who was a player with and writer of dramatic bits for the Admiral's men ([http://www.archive.org/stream/abiographicalch01fleagoog#page/n44/mode/2up ''BCED'', I.33]).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[WorksCited|Collier]], impressed by the fact that William Boyle</ins>'<ins style="font-weight: bold; text-decoration: none;">s name does not appear again in the diary, surmised that Henslowe "</ins>'<ins style="font-weight: bold; text-decoration: none;">disliked</ins>' <ins style="font-weight: bold; text-decoration: none;">the piece, and that W. Birde ...was obviged to refund the money" (p. 164, n.2).</ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><br><br></del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[WorksCited|</ins>Fleay<ins style="font-weight: bold; text-decoration: none;">]] </ins>identifies the play at the Rose with the item licensed by Buc and theorizes further that "Boyle" is "merely a ''nom de plume'' for" William Bird (alias, Borne), who was a player with and writer of dramatic bits for the Admiral's men ([http://www.archive.org/stream/abiographicalch01fleagoog#page/n44/mode/2up ''BCED'', I.33]).</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''<del style="font-weight: bold; text-decoration: none;">'Bentley'</del>'', repeating the information in Herbert's entry and notation, <del style="font-weight: bold; text-decoration: none;">sees </del>reason to identify the lost Admiral's play with the item allowed by Herbert in 1624 (3.36). He <del style="font-weight: bold; text-decoration: none;">observes </del>that the fire "was probably" the fire at the Fortune on 9 December 1621 (3.36), there being "no good evidence" that the fire might have been at Buc's office (3.37). Hinting at acceptance of Fleay's identification of Boyle as Bird/Borne, Bentley <del style="font-weight: bold; text-decoration: none;">suggests </del>that the proximity of Bird's tenure with the former Admiral's company to Buc's licensing in 1624 encourages the identification of Buc's "Jugurth" with the 1600 play (3.36). He <del style="font-weight: bold; text-decoration: none;">supports </del>further the link between the play handled by Herbert and the allusion to "Jugurth" in Edmund Gayton's ''Pleasant Notes upon Don Quixot'' (1654). From the play in manuscript at the Bodleian, Bentley <del style="font-weight: bold; text-decoration: none;">transcribes </del>the list of characters as well as a couple of stage directions (see [[#For What It's Worth|For What It's Worth]], below). He <del style="font-weight: bold; text-decoration: none;">concludes </del>that features of the Bodleian manuscript text distance the identification of it from the Admiral's play rather than tighten the identification: "various features suggest "a Restoration rather than a Jacobean or a Caroline, much less an Elizabethan, play" (3.38). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[WorksCited|Bentley, </ins>''<ins style="font-weight: bold; text-decoration: none;">JCS</ins>''<ins style="font-weight: bold; text-decoration: none;">]]</ins>, repeating the information in Herbert's entry and notation, <ins style="font-weight: bold; text-decoration: none;">saw </ins>reason to identify the lost Admiral's play with the item allowed by Herbert in 1624 (3.36). He <ins style="font-weight: bold; text-decoration: none;">observed </ins>that the fire "was probably" the fire at the Fortune on 9 December 1621 (3.36), there being "no good evidence" that the fire might have been at Buc's office (3.37). Hinting at acceptance of Fleay's identification of Boyle as Bird/Borne, Bentley <ins style="font-weight: bold; text-decoration: none;">suggested </ins>that the proximity of Bird's tenure with the former Admiral's company to Buc's licensing in 1624 encourages the identification of Buc's "Jugurth" with the 1600 play (3.36). He <ins style="font-weight: bold; text-decoration: none;">supported </ins>further the link between the play handled by Herbert and the allusion to "Jugurth" in Edmund Gayton's ''Pleasant Notes upon Don Quixot'' (1654). From the play in manuscript at the Bodleian, Bentley <ins style="font-weight: bold; text-decoration: none;">transcribed </ins>the list of characters as well as a couple of stage directions (see [[#For What It's Worth|For What It's Worth]], below). He <ins style="font-weight: bold; text-decoration: none;">concluded </ins>that features of the Bodleian manuscript text distance the identification of it from the Admiral's play rather than tighten the identification: "various features suggest "a Restoration rather than a Jacobean or a Caroline, much less an Elizabethan, play" (3.38). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Carson''' theorizes that Boyle, who is not otherwise known as a dramatist, was paid so little for his play because he was a novice (60). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Carson''' theorizes that Boyle, who is not otherwise known as a dramatist, was paid so little for his play because he was a novice (<ins style="font-weight: bold; text-decoration: none;">p. </ins>60). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Knutson''' sees a plausible responsiveness of "Jugurtha" to offerings in the repertory of the Chamberlain's Men in 1600 such as ''Julius Caesar'' (on the basis of Roman history), ''Titus Andronicus'' (North African characters), and [[Tartarian Cripple, The (Emperor of Constantinople) | "The Tartarian Cripple"]] ("motifs of conquest and exotic warlords" [25]).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Knutson''' sees a plausible responsiveness of "Jugurtha" to offerings in the repertory of the Chamberlain's Men in 1600 such as ''Julius Caesar'' (on the basis of Roman history), ''Titus Andronicus'' (North African characters), and [[Tartarian Cripple, The (Emperor of Constantinople) | "The Tartarian Cripple"]] ("motifs of conquest and exotic warlords" [<ins style="font-weight: bold; text-decoration: none;">p. </ins>25]).</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''<del style="font-weight: bold; text-decoration: none;">'Wiggins'</del>'' (#1234) finds that "Bentley, who bent over backwards in search of anything which might represent Elizabethan material incorporated into a later palimpsest play, could only point to the clown scene (4.1), which has little to do with the Jugurtha plot and could have come from anywhere." He decides that "the extant ''Jugurtha'' seems most unlikely to have anything to do with the lost Admiral's Men ''<del style="font-weight: bold; text-decoration: none;">Jugurtha</del>.''</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[WorksCited|Wiggins, </ins>''<ins style="font-weight: bold; text-decoration: none;">Catalogue</ins>'' (#1234)<ins style="font-weight: bold; text-decoration: none;">]] </ins>finds that "Bentley, who bent over backwards in search of anything which might represent Elizabethan material incorporated into a later palimpsest play, could only point to the clown scene (4.1), which has little to do with the Jugurtha plot and could have come from anywhere." He decides that "the extant ''Jugurtha'' seems most unlikely to have anything to do with the lost Admiral's Men ''<ins style="font-weight: bold; text-decoration: none;">Jugurth</ins>.''<ins style="font-weight: bold; text-decoration: none;">"</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Kiefer''' presents the most detailed argument currently available to suggest that "William Boyle's 1600 ''Jugurtha'' may be "lost," but its avatar may survive in the Bodleian manuscript" (25). Labeling his proposal "speculation" (22), he opines that "it seems just a little odd that anyone would have wanted to write a new play about an ancient historical figure whose career had been dramatized six decades earlier" (22). He observes that the story of the historical Jugurtha is so complex that a seventeenth-century playwright might have been intimidated had he not "had at hand an extant play about Jugurth" (23). He thus offers for consideration that the Bodleian manuscript, ''Jugurtha, or the Faithless Cousin German'', "may preserve some version of the play performed before the closing of the theaters in 1642" (22).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Kiefer''' presents the most detailed argument currently available to suggest that "William Boyle's 1600 ''Jugurtha'' may be "lost," but its avatar may survive in the Bodleian manuscript" (<ins style="font-weight: bold; text-decoration: none;">p. </ins>25). Labeling his proposal "speculation" (<ins style="font-weight: bold; text-decoration: none;">p. </ins>22), he opines that "it seems just a little odd that anyone would have wanted to write a new play about an ancient historical figure whose career had been dramatized six decades earlier" (<ins style="font-weight: bold; text-decoration: none;">p. </ins>22). He observes that the story of the historical Jugurtha is so complex that a seventeenth-century playwright might have been intimidated had he not "had at hand an extant play about Jugurth" (<ins style="font-weight: bold; text-decoration: none;">p. </ins>23). He thus offers for consideration that the Bodleian manuscript, ''Jugurtha, or the Faithless Cousin German'', "may preserve some version of the play performed before the closing of the theaters in 1642" (<ins style="font-weight: bold; text-decoration: none;">p. </ins>22).</div></td></tr>
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</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Jugurtha,_King_of_Numidia&diff=22924&oldid=prev
Rlknutson: /* References to the Play */
2020-12-09T16:52:08Z
<p><span dir="auto"><span class="autocomment">References to the Play</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:52, 9 December 2020</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l60">Line 60:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== References to the Play ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== References to the Play ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In 1654, in ''Pleasant Notes upon Don Quixot'', Edmund Gayton says the following: <del style="font-weight: bold; text-decoration: none;"><blockquote> </del>"I have known upon one of these ''Festivals'', but especially at ''Shrovetide'', where the Players have been appointed, nothwithstanding their bils to the contrary, to act what the major part of the company had a mind to; sometimes ''Tamerlane'', sometimes ''Jugurth'', sometimes the Jew of ''Malta'', and sometimes parts of all these, and at last, none of the three taking, they were forc'd to undresse and put off their Tragick habits and conclude the day with the merry milk-maides" (Bentley, 3.37).<del style="font-weight: bold; text-decoration: none;"></blockquote> </del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In 1654, in ''Pleasant Notes upon Don Quixot'', Edmund Gayton says the following: </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">: </ins>"I have known upon one of these ''Festivals'', but especially at ''Shrovetide'', where the Players have been appointed, nothwithstanding their bils to the contrary, to act what the major part of the company had a mind to; sometimes ''Tamerlane'', sometimes ''Jugurth'', sometimes the Jew of ''Malta'', and sometimes parts of all these, and at last, none of the three taking, they were forc'd to undresse and put off their Tragick habits and conclude the day with the merry milk-maides" (<ins style="font-weight: bold; text-decoration: none;">[[WorksCited|</ins>Bentley, <ins style="font-weight: bold; text-decoration: none;">''JCS'' </ins>3.37<ins style="font-weight: bold; text-decoration: none;">]]</ins>).</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Because ''The Jew of Malta'' and ''Tamburlaine'' were still being performed post-1624<del style="font-weight: bold; text-decoration: none;">, </del>when the "Jugurtha" licensed by Herbert was current, it is not clear whether Gayton was referring to the 1624 or the 1600 play. However, his anecdote does support stage performances of some version of a play on the Numidian king.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Because ''The Jew of Malta'' and ''Tamburlaine'' were still being performed post-1624 when the "Jugurtha" licensed by Herbert was current, it is not clear whether Gayton was referring to the 1624 or the 1600 play. However, his anecdote does support stage performances of some version of a play on the Numidian king.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><br></ins><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Critical Commentary ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Critical Commentary ==</div></td></tr>
</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Jugurtha,_King_of_Numidia&diff=22923&oldid=prev
Rlknutson: /* Probable Genre(s) */
2020-12-09T16:49:26Z
<p><span dir="auto"><span class="autocomment">Probable Genre(s)</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:49, 9 December 2020</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Probable Genre(s) ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Probable Genre(s) ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Tragedy&nbsp;? (Harbage), Classical Tragedy (Knutson) </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Tragedy&nbsp;? (<ins style="font-weight: bold; text-decoration: none;">[[WorksCited|</ins>Harbage<ins style="font-weight: bold; text-decoration: none;">]]</ins>), Classical Tragedy (Knutson) </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><br> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><br></ins><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Possible Narrative and Dramatic Sources or Analogues ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Possible Narrative and Dramatic Sources or Analogues ==</div></td></tr>
</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Jugurtha,_King_of_Numidia&diff=22922&oldid=prev
Rlknutson: /* Historical Records */
2020-12-09T16:47:57Z
<p><span dir="auto"><span class="autocomment">Historical Records</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<col class="diff-content" />
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:47, 9 December 2020</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Historical Records ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Historical Records ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>===Payments <del style="font-weight: bold; text-decoration: none;">to Playwrights (''Henslowe's Diary'')</del>===</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>===Payments===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'<del style="font-weight: bold; text-decoration: none;">''F. 67<sup>v</del><<del style="font-weight: bold; text-decoration: none;">/sup</del>> <del style="font-weight: bold; text-decoration: none;">([http://www.archive.org/stream/henslowesdiary00unkngoog#page/n178/mode/1up Greg I.118])''' </del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">====To playwrights in Philip Henslowe</ins>'<ins style="font-weight: bold; text-decoration: none;">s diary====</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><<ins style="font-weight: bold; text-decoration: none;">br</ins>></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:lent vnto me W birde the 9 of febreary 1599 to paye </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Fol. 67<sup>v</sup> [http://www.archive.org/stream/henslowesdiary00unkngoog#page/n178/mode/1up (Greg I.1180] </ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">:</del>for a new booke to Will: Boyle. cald Jugurth xxx<sup>s</sup> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">:</del>w<sup>c</sup> if yo<sup>u</sup> dislike Ile repaye it back ... <del style="font-weight: bold; text-decoration: none;">xxx<sup>s</sup></del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:</ins>:<ins style="font-weight: bold; text-decoration: none;">{|</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">|-</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">| </ins>lent vnto me W birde the 9 of febreary 1599 to paye <ins style="font-weight: bold; text-decoration: none;">||}</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">|-</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">| </ins>for a new booke to Will: Boyle. cald Jugurth xxx<sup>s</sup> <ins style="font-weight: bold; text-decoration: none;">||} xxx<sup>s</sup></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">|-</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">| </ins>w<sup>c</sup> if yo<sup>u</sup> dislike Ile repaye it back ... <ins style="font-weight: bold; text-decoration: none;">||}</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">|-</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">|}</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>=== Dramatic Records of Henry Herbert <del style="font-weight: bold; text-decoration: none;"> </del>===</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">===Government Documents===</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=</ins>===Dramatic Records of <ins style="font-weight: bold; text-decoration: none;">Sir </ins>Henry Herbert<ins style="font-weight: bold; text-decoration: none;">=</ins>===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:</ins>:{| width="450" border="0" cellpadding="1" cellspacing="1"</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:{| width="450" border="0" cellpadding="1" cellspacing="1"</div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| 1624, May 3. "An Old Play, called, Jugurth, King of Numidia, formerly allowed by Sir George Bucke." ([http://www.archive.org/stream/dramaticrecordso00greaiala#page/28/mode/2up Herbert 28])</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| 1624, May 3. "An Old Play, called, Jugurth, King of Numidia, formerly allowed by Sir George Bucke." ([http://www.archive.org/stream/dramaticrecordso00greaiala#page/28/mode/2up Herbert 28])</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><br> Citing George Chalmers (''A Supplemental Apology for the Believers in the Shakspeare-Papers''. London, 1799, 218), Adams adds the following in a footnote: </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><br> </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><blockquote></del>"Elsewhere Chalmers writes (S. A. 203): 'On the 3d of May, 1624, Sir Henry Herbert states, that he had licensed, without a fee, ''Jugurth'', an old play, allowed by Sir George Bucke, and ''burnt, with his other books''.'" Adams then quotes the entry in Henslowe's ''Diary'' (above) for the payment to William Boyle and adds: "Apparently this is the play now licensed by Herbert" ([http://archive.org/stream/dramaticrecordso00greaiala#page/28/mode/1up Herbert 28]). <del style="font-weight: bold; text-decoration: none;"></blockquote> </del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Citing George Chalmers (''A Supplemental Apology for the Believers in the Shakspeare-Papers''. London, 1799, 218), Adams adds the following in a footnote: </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">::</ins>"Elsewhere Chalmers writes (S. A. 203): 'On the 3d of May, 1624, Sir Henry Herbert states, that he had licensed, without a fee, ''Jugurth'', an old play, allowed by Sir George Bucke, and ''burnt, with his other books''.'" Adams then quotes the entry in Henslowe's ''Diary'' (above) for the payment to William Boyle and adds: "Apparently this is the play now licensed by Herbert" ([http://archive.org/stream/dramaticrecordso00greaiala#page/28/mode/1up Herbert <ins style="font-weight: bold; text-decoration: none;">p. </ins>28]).</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> </ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>See also Bawcutt, which adds "''burnt, with his other books''" to the Herbert entry (above) on 3 May 1624 (151, <del style="font-weight: bold; text-decoration: none;">item </del>99). Bawcutt adds the clarification by Bentley (below) that "the books destroyed by fire were those belonging to the Fortune theatre, burnt down on 9 Dec. 1621, not those in the private library of Sir George Buc" (note to <del style="font-weight: bold; text-decoration: none;">item </del>99).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>See also Bawcutt, which adds "''burnt, with his other books''" to the Herbert entry (above) on 3 May 1624 (<ins style="font-weight: bold; text-decoration: none;">p. </ins>151, <ins style="font-weight: bold; text-decoration: none;">#</ins>99). Bawcutt adds the clarification by Bentley (below) that "the books destroyed by fire were those belonging to the Fortune theatre, burnt down on 9 Dec. 1621, not those in the private library of Sir George Buc" (note to <ins style="font-weight: bold; text-decoration: none;">#</ins>99).</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br> <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br> <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Jugurtha,_King_of_Numidia&diff=22706&oldid=prev
Rlknutson: /* Works Cited */
2020-11-27T20:21:36Z
<p><span dir="auto"><span class="autocomment">Works Cited</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:21, 27 November 2020</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l115">Line 115:</td>
<td colspan="2" class="diff-lineno">Line 115:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Gurr, Andrew. ''Shakespeare’s Opposites: The Admiral’s Company 1594-1625''. Cambridge: Cambridge University Press, 2009. </div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Gurr, Andrew. ''Shakespeare’s Opposites: The Admiral’s Company 1594-1625''. Cambridge: Cambridge University Press, 2009. </div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Kiefer, Frederick, "Lost and Found: William Boyle's ''Jugurth''," ''Medieval and Renaissance Drama in England'' 28 (2015): 17-29.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Kiefer, Frederick, "Lost and Found: William Boyle's ''Jugurth''," ''Medieval and Renaissance Drama in England'' 28 (2015): 17-29.</div></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Knutson, Roslyn L. “Toe to Toe Across Maid Lane: Repertorial Competition at the Rose and Globe, 1599-1600<del style="font-weight: bold; text-decoration: none;">,</del>” <del style="font-weight: bold; text-decoration: none;">in June Schlueter and Paul Nelsen (eds) </del>''Acts of Criticism: Performance Matters in Shakespeare and His Contemporaries'' <del style="font-weight: bold; text-decoration: none;">(</del>Madison &amp; Teaneck: Fairleigh Dickinson University Press, 2005<del style="font-weight: bold; text-decoration: none;">), </del>21-37. </div></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Knutson, Roslyn L. “Toe to Toe Across Maid Lane: Repertorial Competition at the Rose and Globe, 1599-1600<ins style="font-weight: bold; text-decoration: none;">.</ins>” ''Acts of Criticism: Performance Matters in Shakespeare and His Contemporaries<ins style="font-weight: bold; text-decoration: none;">.</ins>'' <ins style="font-weight: bold; text-decoration: none;">Ed. June Schlueter and Paul Nelsen. </ins>Madison &amp; Teaneck: Fairleigh Dickinson University Press, 2005<ins style="font-weight: bold; text-decoration: none;">. </ins>21-37. </div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Pollard, Alfred. ''The Catiline and Jugurtha of Sallust, Translated into English''. London: Macmillan and Co., 1882. [http://www.archive.org/stream/catilinejugurtha00salluoft#page/114/mode/2up Internet Archive]</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Pollard, Alfred. ''The Catiline and Jugurtha of Sallust, Translated into English''. London: Macmillan and Co., 1882. [http://www.archive.org/stream/catilinejugurtha00salluoft#page/114/mode/2up Internet Archive]</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br> </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br> </div></td></tr>
</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Jugurtha,_King_of_Numidia&diff=3773&oldid=prev
Rlknutson: /* Works Cited */
2015-10-28T19:22:50Z
<p><span dir="auto"><span class="autocomment">Works Cited</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:22, 28 October 2015</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l114">Line 114:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Chalmers, George. ''A Supplemental Apology for the Believers in the Shakspeare-Papers'''. London, 1799.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Chalmers, George. ''A Supplemental Apology for the Believers in the Shakspeare-Papers'''. London, 1799.</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Gurr, Andrew. ''Shakespeare’s Opposites: The Admiral’s Company 1594-1625''. Cambridge: Cambridge University Press, 2009. </div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Gurr, Andrew. ''Shakespeare’s Opposites: The Admiral’s Company 1594-1625''. Cambridge: Cambridge University Press, 2009. </div></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div style="padding-left: 2em; text-indent: -2em">Kiefer, Frederick, "Lost and Found: William Boyle's ''Jugurth''," ''Medieval and Renaissance Drama in England'' 28 (2015): 17-29.</div></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Knutson, Roslyn L. “Toe to Toe Across Maid Lane: Repertorial Competition at the Rose and Globe, 1599-1600,” in June Schlueter and Paul Nelsen (eds) ''Acts of Criticism: Performance Matters in Shakespeare and His Contemporaries'' (Madison &amp; Teaneck: Fairleigh Dickinson University Press, 2005), 21-37. </div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Knutson, Roslyn L. “Toe to Toe Across Maid Lane: Repertorial Competition at the Rose and Globe, 1599-1600,” in June Schlueter and Paul Nelsen (eds) ''Acts of Criticism: Performance Matters in Shakespeare and His Contemporaries'' (Madison &amp; Teaneck: Fairleigh Dickinson University Press, 2005), 21-37. </div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Pollard, Alfred. ''The Catiline and Jugurtha of Sallust, Translated into English''. London: Macmillan and Co., 1882. [http://www.archive.org/stream/catilinejugurtha00salluoft#page/114/mode/2up Internet Archive]</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Pollard, Alfred. ''The Catiline and Jugurtha of Sallust, Translated into English''. London: Macmillan and Co., 1882. [http://www.archive.org/stream/catilinejugurtha00salluoft#page/114/mode/2up Internet Archive]</div></div></td></tr>
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</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Jugurtha,_King_of_Numidia&diff=3772&oldid=prev
Rlknutson: /* Critical Commentary */
2015-10-28T19:18:27Z
<p><span dir="auto"><span class="autocomment">Critical Commentary</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:18, 28 October 2015</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Fleay''' identifies the play at the Rose with the item licensed by Buc and theorizes further that "Boyle" is "merely a ''nom de plume'' for" William Bird (alias, Borne), who was a player with and writer of dramatic bits for the Admiral's men ([http://www.archive.org/stream/abiographicalch01fleagoog#page/n44/mode/2up ''BCED'', I.33]).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Fleay''' identifies the play at the Rose with the item licensed by Buc and theorizes further that "Boyle" is "merely a ''nom de plume'' for" William Bird (alias, Borne), who was a player with and writer of dramatic bits for the Admiral's men ([http://www.archive.org/stream/abiographicalch01fleagoog#page/n44/mode/2up ''BCED'', I.33]).</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><br></ins><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Bentley''', repeating the information in Herbert's entry and notation, sees reason to identify the lost Admiral's play with the item allowed by Herbert in 1624 (3.36). He observes that the fire "was probably" the fire at the Fortune on 9 December 1621 (3.36), there being "no good evidence" that the fire might have been at Buc's office (3.37). Hinting at acceptance of Fleay's identification of Boyle as Bird/Borne, Bentley suggests that the proximity of Bird's tenure with the former Admiral's company to Buc's licensing in 1624 encourages the identification of Buc's "Jugurth" with the 1600 play (3.36). He supports further the link between the play handled by Herbert and the allusion to "Jugurth" in Edmund Gayton's ''Pleasant Notes upon Don Quixot'' (1654). From the play in manuscript at the Bodleian, Bentley transcribes the list of characters as well as a couple of stage directions (see [[#For What It's Worth|For What It's Worth]], below). He concludes that features of the Bodleian manuscript text distance the identification of it from the Admiral's play rather than tighten the identification: "various features suggest "a Restoration rather than a Jacobean or a Caroline, much less an Elizabethan, play" (3.38). </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Bentley''', repeating the information in Herbert's entry and notation, sees reason to identify the lost Admiral's play with the item allowed by Herbert in 1624 (3.36). He observes that the fire "was probably" the fire at the Fortune on 9 December 1621 (3.36), there being "no good evidence" that the fire might have been at Buc's office (3.37). Hinting at acceptance of Fleay's identification of Boyle as Bird/Borne, Bentley suggests that the proximity of Bird's tenure with the former Admiral's company to Buc's licensing in 1624 encourages the identification of Buc's "Jugurth" with the 1600 play (3.36). He supports further the link between the play handled by Herbert and the allusion to "Jugurth" in Edmund Gayton's ''Pleasant Notes upon Don Quixot'' (1654). From the play in manuscript at the Bodleian, Bentley transcribes the list of characters as well as a couple of stage directions (see [[#For What It's Worth|For What It's Worth]], below). He concludes that features of the Bodleian manuscript text distance the identification of it from the Admiral's play rather than tighten the identification: "various features suggest "a Restoration rather than a Jacobean or a Caroline, much less an Elizabethan, play" (3.38). </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><br><br></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Carson''' theorizes that Boyle, who is not otherwise known as a dramatist, was paid so little for his play because he was a novice (60). </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Carson''' theorizes that Boyle, who is not otherwise known as a dramatist, was paid so little for his play because he was a novice (60). </div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Knutson''' sees a plausible responsiveness of "Jugurtha" to offerings in the repertory of the Chamberlain's Men in 1600 such as ''Julius Caesar'' (on the basis of Roman history), ''Titus Andronicus'' (North African characters), and [[Tartarian Cripple, The (Emperor of Constantinople) | "The Tartarian Cripple"]] ("motifs of conquest and exotic warlords" [25]). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Knutson''' sees a plausible responsiveness of "Jugurtha" to offerings in the repertory of the Chamberlain's Men in 1600 such as ''Julius Caesar'' (on the basis of Roman history), ''Titus Andronicus'' (North African characters), and [[Tartarian Cripple, The (Emperor of Constantinople) | "The Tartarian Cripple"]] ("motifs of conquest and exotic warlords" [25]<ins style="font-weight: bold; text-decoration: none;">).</ins></div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''Wiggins''' (#1234) finds that "Bentley, who bent over backwards in search of anything which might represent Elizabethan material incorporated into a later palimpsest play, could only point to the clown scene (4.1), which has little to do with the Jugurtha plot and could have come from anywhere." He decides that "the extant ''Jugurtha'' seems most unlikely to have anything to do with the lost Admiral's Men ''Jugurtha.''</ins></div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''Kiefer''' presents the most detailed argument currently available to suggest that "William Boyle's 1600 ''Jugurtha'' may be "lost," but its avatar may survive in the Bodleian manuscript" (25). Labeling his proposal "speculation" (22), he opines that "it seems just a little odd that anyone would have wanted to write a new play about an ancient historical figure whose career had been dramatized six decades earlier" (22). He observes that the story of the historical Jugurtha is so complex that a seventeenth-century playwright might have been intimidated had he not "had at hand an extant play about Jugurth" (23). He thus offers for consideration that the Bodleian manuscript, ''Jugurtha, or the Faithless Cousin German'', "may preserve some version of the play performed before the closing of the theaters in 1642" (22</ins>).</div></td></tr>
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</table>
Rlknutson