Fair Constance of Rome, Parts 1 and 2: Difference between revisions

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<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>
<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>


[[category:all]][[category:Serial plays]][[category:Henslowe's records]]
[[category:all]][[category:Serial/Sequel plays]][[category:Henslowe's records]]





Revision as of 10:39, 13 September 2012

Fair Constance, Part I

Thomas Dekker, Michael Drayton, Richard Hathaway, Anthony Munday (1600)

Fair Constance, Part II

Richard Hathaway (1600)


Historical Records

<Reproduce relevant documentary evidence from historical records here. (For example, entries from Henslowe's Diary).>


Theatrical Provenance

<Enter information about which company performed the play, and where/when it was performed, etc.>


Probable Genre(s)

<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>


Possible Narrative and Dramatic Sources or Analogues

<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>


References to the Play

<List any known or conjectured references to the lost play here.>


Critical Commentary

<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>


For What It's Worth

<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>


Works Cited

<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu.>

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