Doublet, Breeches, and Shirt
Bodleian Library ms. Wood E.4, fol. 23 (Heylyn's memoirs), quoted by Elliott-Nelson, REED Oxford I.440:
November 23. Mr Stonehouse (magdalen college) chosen Lord & solemnely inaugurated in ye Christmas Holidaies, in whichi pomp I personated ye Duke of Helicon, the 1st peere of his principalitie & in Ianuary following, my shew of doublet, breeches & shirt was presented before them.
Produced at Magdalen College, Oxford, January 1620.
Christmas Show (Wagonheim rev. Harbage)
Possible Narrative and Dramatic Sources or Analogues
References to the Play
Only Heylin's memoirs, cited above.
Linda Woodbridge briefly refers to this play in the context of women's fashion, and particularly John Chamberlain's letters. Chamberlain wrote on 25 January 1620 that the King himself had urged the Bishop of London to have the church preach "against the insolencie of our women, and theyre wearing of brode brimd hats, pointed dublets, theyre haire cut short or shorne..." (etc.), and then again on February 12 that "to helpe the matter forward the players have likewise taken them to taske" (qtd. in Woodbridge 143-44). Although she notes that "extant evidence does not suggest a sudden increase in literary barbs aimed at man-clothed women" (144), Woodbridge does note in a footnote that:
A piece suggestively entitled Doublet, Breeches, and Shirt was acted at Magdalen College, Oxford, in January of that year. (150n)
For What It's Worth
Alfred Harbage, Sylvia S. Wagonheim, Samuel Schoenbaum. Annals of English Drama, 975-1700. London: Routledge, 1989. Print.
REED Oxford 1.
Linda Woodbridge. Women and the English Renaissance: Literature and the Nature of Womankind, 1540-1620. Sussex: The Harvester Press, 1984. Print.
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