Conquest of Brute, Parts 1 and 2: Difference between revisions

Line 43: Line 43:


====For apparel in Philip Henslowe's diary====
====For apparel in Philip Henslowe's diary====
 
[[category:Diuers thinges]]
Fol. 52<sup>v</sup> ([http://www.archive.org/stream/henslowesdiary00unkngoog#page/n160/mode/2up Greg 1.100])
Fol. 52<sup>v</sup> ([http://www.archive.org/stream/henslowesdiary00unkngoog#page/n160/mode/2up Greg 1.100])



Revision as of 10:40, 6 October 2022

John Day, Henry Chettle (1598)


Historical Records

Payments

To playwrights in Philip Henslowe's diary

Fol. 49 (Greg I.93)

Lent the company the 30 of July 1598 to
bye a Boocke of John daye called the con
queste of brute wth the first fyndinge of the
bathe the some of….. xxxxs


Fol. 50 (Greg I.95)

Lent vnto hary cheattell the 8 of [aguste] 1598
in earneste of a Boocke called Brute
the some of………………………………. ixs
Lent vnto hary cheattell the 9 of [aguste] septmbȝ 1598 in
earneste of a Bocke called Brute at the
a poyntment of Johne synger the some of…..... xxs
Lent vnto hary cheattell the 16 of septmbȝ 1598
in earneste of a Boocke called Brute………vs

Fol. 51 (Greg I.97)

Lent vnto the companey the 12 of octobȝ 1598
to geve harey cheattell in parte of payment for
<for> his playe called Brutte some of…. xs
Layde owt for the company the 18 of octobȝ
1598 for a boocke called Brutte the
some of to harey chettell……. iijll
Lent vnto the company the 22 of octobȝ 1598 to
paye harey cheattell for his boocke called Brute
in fulle payment the some of………… ls

For apparel in Philip Henslowe's diary

Fol. 52v (Greg 1.100)

dd vnto same Rowley the 12 desembȝ 1598
to bye diuers thinges for to macke cottes
for gyants in brvtte the some of… xxiiijs

Theatrical Provenance

<Enter information about which company performed the play, and where/when it was performed, etc.>


Probable Genre(s)

<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>


Possible Narrative and Dramatic Sources or Analogues

<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>


References to the Play

<List any known or conjectured references to the lost play here.>


Critical Commentary

<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>


For What It's Worth

<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>


Works Cited

Site created and maintained by your name, affiliation; updated DD Month Y