https://lostplays.folger.edu/_mw/index.php?title=Category:Sussex%27s&feed=atom&action=historyCategory:Sussex's - Revision history2024-03-29T05:04:32ZRevision history for this page on the wikiMediaWiki 1.39.6https://lostplays.folger.edu/_mw/index.php?title=Category:Sussex%27s&diff=24924&oldid=prevRlknutson at 17:15, 1 April 20222022-04-01T17:15:04Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1585-1593==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1585-1593==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Henry Radcliffe acceded to the earldom (1583-93) at his father's death, and players advertising his patronage were touring by 1586. They too had a vigorous presence in the provinces, visiting many of their predecessor's favorite venues but extending their reach by traveling on the southwest circuit to Winchester ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n334/mode/1up Murray I.308]), Lyme Regis, and Exeter; on the West Midlands circuit to Kendal; on the Northern circuit to York and Newcastle upon Tyne ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]). In addition the records document additional stops on the southeastern circuit at Hythe, Lydd, and New Romney (''MSC'' VII. 88, 109, 140). The company toured not only widely and often but also in good company. On three occasions Sussex's players performed with the Queen's men: Gloucester, 1590-1; Bristol, between 28 February and 6 March 1592; and Coventry, 24 March 1592 ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]). The names of players with Sussex's, 1586-93, are not known. When they joined the Queen's men intermittently in 1590-92, their old fellow, Tarlton, had died in 1588; but another, John Adams, might still have been acting with the Queen's men. Sussex's appeared at court on 2 January 1592. On 29 April 1593 the company acquired a license to travel "where the infection is not" (Chambers, IV.314) but by 27 December they were in London. Their patron, the fourth earl of Sussex, had died less that two weeks before (14 December), yet they were poised for a lengthy run at the Rose playhouse. <br><br><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Henry Radcliffe acceded to the earldom (1583-93) at his father's death, and players advertising his patronage were touring by 1586. They too had a vigorous presence in the provinces, visiting many of their predecessor's favorite venues but extending their reach by traveling on the southwest circuit to Winchester ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n334/mode/1up Murray I.308]), Lyme Regis, and Exeter; on the West Midlands circuit to Kendal; on the Northern circuit to York and Newcastle upon Tyne ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]). In addition the records document additional stops on the southeastern circuit at Hythe, Lydd, and New Romney (''MSC'' VII. 88, 109, 140). The company toured not only widely and often but also in good company. On three occasions Sussex's players performed with the Queen's men: Gloucester, 1590-1; Bristol, between 28 February and 6 March 1592; and Coventry, 24 March 1592 ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]). The names of players with Sussex's, 1586-93, are not known. When they joined the Queen's men intermittently in 1590-92, their old fellow, Tarlton<ins style="font-weight: bold; text-decoration: none;">[[category:Richard Tarlton]]</ins>, had died in 1588; but another, John Adams<ins style="font-weight: bold; text-decoration: none;">[[category:John Adams]]</ins>, might still have been acting with the Queen's men. Sussex's appeared at court on 2 January 1592. On 29 April 1593 the company acquired a license to travel "where the infection is not" (Chambers, IV.314) but by 27 December they were in London. Their patron, the fourth earl of Sussex, had died less that two weeks before (14 December), yet they were poised for a lengthy run at the Rose playhouse. <br><br><br></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==At the Rose, 1593-4==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==At the Rose, 1593-4==</div></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Sussex%27s&diff=24906&oldid=prevRlknutson: /* At the Rose, 1593-4 */2022-03-31T16:09:17Z<p><span dir="auto"><span class="autocomment">At the Rose, 1593-4</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==At the Rose, 1593-4==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==At the Rose, 1593-4==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Scholars have been puzzled that Sussex players acquired the lease of the Rose in late December 1593 because they had no apparent ties to Philip Henslowe (owner) and Edward Alleyn (lead player of Strange's men, the company most recently at the Rose). McMillin suggests that Alleyn had temporarily joined Sussex's (220); Andrew Gurr suggests that "conceivably … Richard Burbage and even Shakespeare" had also (28n). What is certain is that Sussex's players—now under the patronage of the fifth earl, Robert Radcliffe (1593-1629)—arrived at the Rose with twelve plays already in production, and they opened the run "with ten days of uninterrupted performance" (Knutson 463). Only one of these twelve certainly survives: ''George a Greene'' (S. R. 1 April 1595, Q1599). The lost plays are listed below. It is possible that <del style="font-weight: bold; text-decoration: none;">''</del>William the Conqueror<del style="font-weight: bold; text-decoration: none;">'' </del>is now in print as ''Fair Em'', the subtitle of which advertises a love plot involving William the Conqueror (Knutson 465, 466n). The company also played ''The Jew of Malta'' at what turned out to be the end of their run; and they introduced ''Titus Andronicus'', which Henslowe marked as "ne." Following a hiatus of two months, Sussex's players were again at the Rose for Easter Week (1 -8 April), now "to geather" with the Queen's men (Foakes 21). The joined companies repeated ''The Jew of Malta'', but only one of the remaining four plays performed was a carry-over from Sussex's earlier 1594 run: <del style="font-weight: bold; text-decoration: none;">''</del>The Fair Maid of Italy<del style="font-weight: bold; text-decoration: none;">''</del>.<br><br><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Scholars have been puzzled that Sussex players acquired the lease of the Rose in late December 1593 because they had no apparent ties to Philip Henslowe (owner) and Edward Alleyn (lead player of Strange's men, the company most recently at the Rose). McMillin suggests that Alleyn had temporarily joined Sussex's (<ins style="font-weight: bold; text-decoration: none;">p. </ins>220); Andrew Gurr suggests that "conceivably … Richard Burbage and even Shakespeare" had also (<ins style="font-weight: bold; text-decoration: none;">p. </ins>28n). What is certain is that Sussex's players—now under the patronage of the fifth earl, Robert Radcliffe (1593-1629)—arrived at the Rose with twelve plays already in production, and they opened the run "with ten days of uninterrupted performance" (Knutson<ins style="font-weight: bold; text-decoration: none;">, p. </ins>463). Only one of these twelve certainly survives: ''George a Greene'' (S. R. 1 April 1595, Q1599). The lost plays are listed below. It is possible that <ins style="font-weight: bold; text-decoration: none;">"</ins>William the Conqueror<ins style="font-weight: bold; text-decoration: none;">" </ins>is now in print as ''Fair Em'', the subtitle of which advertises a love plot involving William the Conqueror (Knutson<ins style="font-weight: bold; text-decoration: none;">, pp. </ins>465, 466n). The company also played ''The Jew of Malta'' at what turned out to be the end of their run; and they introduced ''Titus Andronicus'', which Henslowe marked as "ne." Following a hiatus of two months, Sussex's players were again at the Rose for Easter Week (1 -8 April), now "to geather" with the Queen's men (Foakes<ins style="font-weight: bold; text-decoration: none;">, p. </ins>21). The joined companies repeated ''The Jew of Malta'', but only one of the remaining four plays performed was a carry-over from Sussex's earlier 1594 run: <ins style="font-weight: bold; text-decoration: none;">"</ins>The Fair Maid of Italy<ins style="font-weight: bold; text-decoration: none;">"</ins>.<br><br><br></div></td></tr>
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</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Sussex%27s&diff=24905&oldid=prevRlknutson: /* 1569-1583 */2022-03-31T16:04:03Z<p><span dir="auto"><span class="autocomment">1569-1583</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:04, 31 March 2022</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br><div style="text-align: center;">[[Adult_Playing_Companies|'''Return to Adult Playing Companies''']]</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br><div style="text-align: center;">[[Adult_Playing_Companies|'''Return to Adult Playing Companies''']]</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1569-1583==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1569-1583==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Thomas Radcliffe, third earl of Sussex (1557-1583) and Lord Chamberlain (1572-83), was the patron of a company of players apparently from 1569 to his death in 1583. The company had a high profile both on tour and at court. Appearing in provincial records as early as 1568-9, the company performed under the name of Sussex at Cambridge, Gloucester, Bristol, Folkestone, Faversham, Bath, Norwich, Oxford, and Coventry ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]); at Ipswich (''MSC'' II.3, pp. 267-9); at Canterbury, Dover, Faversham, and Folkestone (''MSC'' VII, 14, 44, 60, 70); at Hengrave and Sudbury (''MSC'' XI, 166, 197); and at Nottingham, Leicester, Abingdon, and Southampton ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n333/mode/1up Murray I.307]). During the middle 1570s the company was often called the Chamberlain's players, as at Coventry, Fordwich, Rye, Bath, Bristol, Faversham, and Norwich ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), Ipswich (''MSC'' II.3, pp. 269-70, 272), and Canterbury and Faversham (''MSA'' VII.15, 61). At Bristol, the company performed <del style="font-weight: bold; text-decoration: none;">''</del>The Red Knight<del style="font-weight: bold; text-decoration: none;">'' </del>([http://link.library.utoronto.ca/reed/event.cfm?EventListID=2055 REED PP]). The company's appearances at court coincide with their patron's becoming Lord Chamberlain. The players performed at court thirteen times between Shrovetide 1573 and January 1583, often on Candlemas (2 February). The Revels Accounts record some titles of their plays: <del style="font-weight: bold; text-decoration: none;">''</del>Phedrastus<del style="font-weight: bold; text-decoration: none;">''</del>, <del style="font-weight: bold; text-decoration: none;">''</del>Phigon and Lucia<del style="font-weight: bold; text-decoration: none;">''</del>, <del style="font-weight: bold; text-decoration: none;">''</del>Philemon and Felicia<del style="font-weight: bold; text-decoration: none;">''</del>, <del style="font-weight: bold; text-decoration: none;">''</del>The Cynocephali<del style="font-weight: bold; text-decoration: none;">''</del>, <del style="font-weight: bold; text-decoration: none;">''</del>The Cruelty of a Stepmother<del style="font-weight: bold; text-decoration: none;">''</del>, <del style="font-weight: bold; text-decoration: none;">''</del>The Duke of Milan and the Marquis of Mantua<del style="font-weight: bold; text-decoration: none;">''</del>, <del style="font-weight: bold; text-decoration: none;">''</del>Murderous Michael<del style="font-weight: bold; text-decoration: none;">''</del>, <del style="font-weight: bold; text-decoration: none;">''</del>The Rape of the Second Helen<del style="font-weight: bold; text-decoration: none;">''</del>, <del style="font-weight: bold; text-decoration: none;">''</del>Portio and Demorantes<del style="font-weight: bold; text-decoration: none;">''</del>, <del style="font-weight: bold; text-decoration: none;">''</del>Sarpedon<del style="font-weight: bold; text-decoration: none;">''</del>, and <del style="font-weight: bold; text-decoration: none;">''</del>A History of Ferrar<del style="font-weight: bold; text-decoration: none;">''</del>. The company had the two most talented clowns in the profession: Richard Tarlton and John Adams. Both men joined the Queen's players at their formation in March 1583, a shift in loyalties that preceded the death of their patron by several months (June). The instantaneous hegemony of the Queen's players and the demise of the third earl of Sussex closed this period of the company's history.<br><br><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Thomas Radcliffe, third earl of Sussex (1557-1583) and Lord Chamberlain (1572-83), was the patron of a company of players apparently from 1569 to his death in 1583. The company had a high profile both on tour and at court. Appearing in provincial records as early as 1568-9, the company performed under the name of Sussex at Cambridge, Gloucester, Bristol, Folkestone, Faversham, Bath, Norwich, Oxford, and Coventry ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]); at Ipswich (''MSC'' II.3, pp. 267-9); at Canterbury, Dover, Faversham, and Folkestone (''MSC'' VII, 14, 44, 60, 70); at Hengrave and Sudbury (''MSC'' XI, 166, 197); and at Nottingham, Leicester, Abingdon, and Southampton ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n333/mode/1up Murray I.307]). During the middle 1570s the company was often called the Chamberlain's players, as at Coventry, Fordwich, Rye, Bath, Bristol, Faversham, and Norwich ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), Ipswich (''MSC'' II.3, pp. 269-70, 272), and Canterbury and Faversham (''MSA'' VII.15, 61). At Bristol, the company performed <ins style="font-weight: bold; text-decoration: none;">"</ins>The Red Knight<ins style="font-weight: bold; text-decoration: none;">" </ins>([http://link.library.utoronto.ca/reed/event.cfm?EventListID=2055 REED PP]). The company's appearances at court coincide with their patron's becoming Lord Chamberlain. The players performed at court thirteen times between Shrovetide 1573 and January 1583, often on Candlemas (2 February). The Revels Accounts record some titles of their plays: <ins style="font-weight: bold; text-decoration: none;">"</ins>Phedrastus<ins style="font-weight: bold; text-decoration: none;">"</ins>, <ins style="font-weight: bold; text-decoration: none;">"</ins>Phigon and Lucia<ins style="font-weight: bold; text-decoration: none;">"</ins>, <ins style="font-weight: bold; text-decoration: none;">"</ins>Philemon and Felicia<ins style="font-weight: bold; text-decoration: none;">"</ins>, <ins style="font-weight: bold; text-decoration: none;">"</ins>The Cynocephali<ins style="font-weight: bold; text-decoration: none;">"</ins>, <ins style="font-weight: bold; text-decoration: none;">"</ins>The Cruelty of a Stepmother<ins style="font-weight: bold; text-decoration: none;">"</ins>, <ins style="font-weight: bold; text-decoration: none;">"</ins>The Duke of Milan and the Marquis of Mantua<ins style="font-weight: bold; text-decoration: none;">"</ins>, <ins style="font-weight: bold; text-decoration: none;">"</ins>Murderous Michael<ins style="font-weight: bold; text-decoration: none;">"</ins>, <ins style="font-weight: bold; text-decoration: none;">"</ins>The Rape of the Second Helen<ins style="font-weight: bold; text-decoration: none;">"</ins>, <ins style="font-weight: bold; text-decoration: none;">"</ins>Portio and Demorantes<ins style="font-weight: bold; text-decoration: none;">"</ins>, <ins style="font-weight: bold; text-decoration: none;">"</ins>Sarpedon<ins style="font-weight: bold; text-decoration: none;">"</ins>, and <ins style="font-weight: bold; text-decoration: none;">"</ins>A History of Ferrar<ins style="font-weight: bold; text-decoration: none;">"</ins>. The company had the two most talented clowns in the profession: Richard Tarlton and John Adams. Both men joined the Queen's players at their formation in March 1583, a shift in loyalties that preceded the death of their patron by several months (June). The instantaneous hegemony of the Queen's players and the demise of the third earl of Sussex closed this period of the company's history.<br><br><br></div></td></tr>
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</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Sussex%27s&diff=6970&oldid=prevRlknutson: /* Scholarship */2012-02-09T22:17:34Z<p><span dir="auto"><span class="autocomment">Scholarship</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:17, 9 February 2012</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Scholarship==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Scholarship==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Gurr, Andrew. ''Shakespeare's Opposites: The Admiral's Company 1594-1625''. Cambridge: Cambridge <del style="font-weight: bold; text-decoration: none;">University Press</del>, 2009.<br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Gurr, Andrew. ''Shakespeare's Opposites: The Admiral's Company 1594-1625''. Cambridge: Cambridge <ins style="font-weight: bold; text-decoration: none;">UP</ins>, 2009.<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Knutson, Roslyn L. "What So Special About 1594?" ''Shakespeare Quarterly'' 61 (2010): 449-67.<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Knutson, Roslyn L. "What So Special About 1594?" ''Shakespeare Quarterly'' 61 (2010): 449-67.<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''Malone Society Collections'' II.3. Oxford: Oxford <del style="font-weight: bold; text-decoration: none;">University Press</del>, 1907.<br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''Malone Society Collections'' II.3. Oxford: Oxford <ins style="font-weight: bold; text-decoration: none;">UP</ins>, 1907.<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''Malone Society Collections'' VII. Oxford: Oxford <del style="font-weight: bold; text-decoration: none;">University Press</del>, 1965. <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''Malone Society Collections'' VII. Oxford: Oxford <ins style="font-weight: bold; text-decoration: none;">UP</ins>, 1965. <br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''Malone Society Collections'' XI. Oxford: Oxford <del style="font-weight: bold; text-decoration: none;">University Press</del>, 1980-1. <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''Malone Society Collections'' XI. Oxford: Oxford <ins style="font-weight: bold; text-decoration: none;">UP</ins>, 1980-1. <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>McMillin, Scott,"Sussex's Men in 1594: The Evidence of ''Titus Andronicus'' and ''The Jew of Malta''." ''Theatre Survey'' 32 (1991): 214-23.<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>McMillin, Scott,"Sussex's Men in 1594: The Evidence of ''Titus Andronicus'' and ''The Jew of Malta''." ''Theatre Survey'' 32 (1991): 214-23.<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Murray, John Tucker. ''English Dramatic Companies 1558-1642''. 2 vols. 1910, New York: Russell & Russell, 1963. [http://www.archive.org/stream/englishdramatic00murrgoog#page/n8/mode/2up Vol. I]<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Murray, John Tucker. ''English Dramatic Companies 1558-1642''. 2 vols. 1910, New York: Russell & Russell, 1963. [http://www.archive.org/stream/englishdramatic00murrgoog#page/n8/mode/2up Vol. I]<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Lost Plays==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Lost Plays==</div></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Sussex%27s&diff=6969&oldid=prevRlknutson at 15:22, 6 July 20112011-07-06T15:22:48Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 10:22, 6 July 2011</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><br><br><div style="text-align: center;">[[Adult_Playing_Companies|'''Return to Adult Playing Companies''']]</div></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1569-1583==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1569-1583==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Thomas Radcliffe, third earl of Sussex (1557-1583) and Lord Chamberlain (1572-83), was the patron of a company of players apparently from 1569 to his death in 1583. The company had a high profile both on tour and at court. Appearing in provincial records as early as 1568-9, the company performed under the name of Sussex at Cambridge, Gloucester, Bristol, Folkestone, Faversham, Bath, Norwich, Oxford, and Coventry ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]); at Ipswich (''MSC'' II.3, pp. 267-9); at Canterbury, Dover, Faversham, and Folkestone (''MSC'' VII, 14, 44, 60, 70); at Hengrave and Sudbury (''MSC'' XI, 166, 197); and at Nottingham, Leicester, Abingdon, and Southampton ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n333/mode/1up Murray I.307]). During the middle 1570s the company was often called the Chamberlain's players, as at Coventry, Fordwich, Rye, Bath, Bristol, Faversham, and Norwich ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), Ipswich (''MSC'' II.3, pp. 269-70, 272), and Canterbury and Faversham (''MSA'' VII.15, 61). At Bristol, the company performed ''The Red Knight'' ([http://link.library.utoronto.ca/reed/event.cfm?EventListID=2055 REED PP]). The company's appearances at court coincide with their patron's becoming Lord Chamberlain. The players performed at court thirteen times between Shrovetide 1573 and January 1583, often on Candlemas (2 February). The Revels Accounts record some titles of their plays: ''Phedrastus'', ''Phigon and Lucia'', ''Philemon and Felicia'', ''The Cynocephali'', ''The Cruelty of a Stepmother'', ''The Duke of Milan and the Marquis of Mantua'', ''Murderous Michael'', ''The Rape of the Second Helen'', ''Portio and Demorantes'', ''Sarpedon'', and ''A History of Ferrar''. The company had the two most talented clowns in the profession: Richard Tarlton and John Adams. Both men joined the Queen's players at their formation in March 1583, a shift in loyalties that preceded the death of their patron by several months (June). The instantaneous hegemony of the Queen's players and the demise of the third earl of Sussex closed this period of the company's history.<br><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Thomas Radcliffe, third earl of Sussex (1557-1583) and Lord Chamberlain (1572-83), was the patron of a company of players apparently from 1569 to his death in 1583. The company had a high profile both on tour and at court. Appearing in provincial records as early as 1568-9, the company performed under the name of Sussex at Cambridge, Gloucester, Bristol, Folkestone, Faversham, Bath, Norwich, Oxford, and Coventry ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]); at Ipswich (''MSC'' II.3, pp. 267-9); at Canterbury, Dover, Faversham, and Folkestone (''MSC'' VII, 14, 44, 60, 70); at Hengrave and Sudbury (''MSC'' XI, 166, 197); and at Nottingham, Leicester, Abingdon, and Southampton ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n333/mode/1up Murray I.307]). During the middle 1570s the company was often called the Chamberlain's players, as at Coventry, Fordwich, Rye, Bath, Bristol, Faversham, and Norwich ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), Ipswich (''MSC'' II.3, pp. 269-70, 272), and Canterbury and Faversham (''MSA'' VII.15, 61). At Bristol, the company performed ''The Red Knight'' ([http://link.library.utoronto.ca/reed/event.cfm?EventListID=2055 REED PP]). The company's appearances at court coincide with their patron's becoming Lord Chamberlain. The players performed at court thirteen times between Shrovetide 1573 and January 1583, often on Candlemas (2 February). The Revels Accounts record some titles of their plays: ''Phedrastus'', ''Phigon and Lucia'', ''Philemon and Felicia'', ''The Cynocephali'', ''The Cruelty of a Stepmother'', ''The Duke of Milan and the Marquis of Mantua'', ''Murderous Michael'', ''The Rape of the Second Helen'', ''Portio and Demorantes'', ''Sarpedon'', and ''A History of Ferrar''. The company had the two most talented clowns in the profession: Richard Tarlton and John Adams. Both men joined the Queen's players at their formation in March 1583, a shift in loyalties that preceded the death of their patron by several months (June). The instantaneous hegemony of the Queen's players and the demise of the third earl of Sussex closed this period of the company's history.<br><br><br></div></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Sussex%27s&diff=6968&oldid=prevRlknutson at 15:21, 6 July 20112011-07-06T15:21:01Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 10:21, 6 July 2011</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1569-1583==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1569-1583==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Thomas Radcliffe, third earl of Sussex (1557-1583) and Lord Chamberlain (1572-83), was the patron of a company of players apparently from 1569 to his death in 1583. The company had a high profile both on tour and at court. Appearing in provincial records as early as 1568-9, the company performed under the name of Sussex at Cambridge, Gloucester, Bristol, Folkestone, Faversham, Bath, Norwich, Oxford, and Coventry ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]); at Ipswich (''MSC'' II.3, pp. 267-9); at Canterbury, Dover, Faversham, and Folkestone (''MSC'' VII, 14, 44, 60, 70); at Hengrave and Sudbury (''MSC'' XI, 166, 197); and at Nottingham, Leicester, Abingdon, and Southampton ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n333/mode/1up Murray I.307]). During the middle 1570s the company was often called the Chamberlain's players, as at Coventry, Fordwich, Rye, Bath, Bristol, Faversham, and Norwich ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), Ipswich (''MSC'' II.3, pp. 269-70, 272), and Canterbury and Faversham (''MSA'' VII.15, 61). At Bristol, the company performed ''The Red Knight'' ([http://link.library.utoronto.ca/reed/event.cfm?EventListID=2055 REED PP]). The company's appearances at court coincide with their patron's becoming Lord Chamberlain. The players performed at court thirteen times between Shrovetide 1573 and January 1583, often on Candlemas (2 February). The Revels Accounts record some titles of their plays: ''Phedrastus'', ''Phigon and Lucia'', ''Philemon and Felicia'', ''The Cynocephali'', ''The Cruelty of a Stepmother'', ''The Duke of Milan and the Marquis of Mantua'', ''Murderous Michael'', ''The Rape of the Second Helen'', ''Portio and Demorantes'', ''Sarpedon'', and ''A History of Ferrar''. The company had the two most talented clowns in the profession: Richard Tarlton and John Adams. Both men joined the Queen's players at their formation in March 1583, a shift in loyalties that preceded the death of their patron by several months (June). The instantaneous hegemony of the Queen's players and the demise of the third earl of Sussex closed this period of the company's history.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Thomas Radcliffe, third earl of Sussex (1557-1583) and Lord Chamberlain (1572-83), was the patron of a company of players apparently from 1569 to his death in 1583. The company had a high profile both on tour and at court. Appearing in provincial records as early as 1568-9, the company performed under the name of Sussex at Cambridge, Gloucester, Bristol, Folkestone, Faversham, Bath, Norwich, Oxford, and Coventry ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]); at Ipswich (''MSC'' II.3, pp. 267-9); at Canterbury, Dover, Faversham, and Folkestone (''MSC'' VII, 14, 44, 60, 70); at Hengrave and Sudbury (''MSC'' XI, 166, 197); and at Nottingham, Leicester, Abingdon, and Southampton ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n333/mode/1up Murray I.307]). During the middle 1570s the company was often called the Chamberlain's players, as at Coventry, Fordwich, Rye, Bath, Bristol, Faversham, and Norwich ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), Ipswich (''MSC'' II.3, pp. 269-70, 272), and Canterbury and Faversham (''MSA'' VII.15, 61). At Bristol, the company performed ''The Red Knight'' ([http://link.library.utoronto.ca/reed/event.cfm?EventListID=2055 REED PP]). The company's appearances at court coincide with their patron's becoming Lord Chamberlain. The players performed at court thirteen times between Shrovetide 1573 and January 1583, often on Candlemas (2 February). The Revels Accounts record some titles of their plays: ''Phedrastus'', ''Phigon and Lucia'', ''Philemon and Felicia'', ''The Cynocephali'', ''The Cruelty of a Stepmother'', ''The Duke of Milan and the Marquis of Mantua'', ''Murderous Michael'', ''The Rape of the Second Helen'', ''Portio and Demorantes'', ''Sarpedon'', and ''A History of Ferrar''. The company had the two most talented clowns in the profession: Richard Tarlton and John Adams. Both men joined the Queen's players at their formation in March 1583, a shift in loyalties that preceded the death of their patron by several months (June). The instantaneous hegemony of the Queen's players and the demise of the third earl of Sussex closed this period of the company's history.<ins style="font-weight: bold; text-decoration: none;"><br><br><br></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1585-1593==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1585-1593==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Henry Radcliffe acceded to the earldom (1583-93) at his father's death, and players advertising his patronage were touring by 1586. They too had a vigorous presence in the provinces, visiting many of their predecessor's favorite venues but extending their reach by traveling on the southwest circuit to Winchester ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n334/mode/1up Murray I.308]), Lyme Regis, and Exeter; on the West Midlands circuit to Kendal; on the Northern circuit to York and Newcastle upon Tyne ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]). In addition the records document additional stops on the southeastern circuit at Hythe, Lydd, and New Romney (''MSC'' VII. 88, 109, 140). The company toured not only widely and often but also in good company. On three occasions Sussex's players performed with the Queen's men: Gloucester, 1590-1; Bristol, between 28 February and 6 March 1592; and Coventry, 24 March 1592 ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]). The names of players with Sussex's, 1586-93, are not known. When they joined the Queen's men intermittently in 1590-92, their old fellow, Tarlton, had died in 1588; but another, John Adams, might still have been acting with the Queen's men. Sussex's appeared at court on 2 January 1592. On 29 April 1593 the company acquired a license to travel "where the infection is not" (Chambers, IV.314) but by 27 December they were in London. Their patron, the fourth earl of Sussex, had died less that two weeks before (14 December), yet they were poised for a lengthy run at the Rose playhouse. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Henry Radcliffe acceded to the earldom (1583-93) at his father's death, and players advertising his patronage were touring by 1586. They too had a vigorous presence in the provinces, visiting many of their predecessor's favorite venues but extending their reach by traveling on the southwest circuit to Winchester ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n334/mode/1up Murray I.308]), Lyme Regis, and Exeter; on the West Midlands circuit to Kendal; on the Northern circuit to York and Newcastle upon Tyne ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]). In addition the records document additional stops on the southeastern circuit at Hythe, Lydd, and New Romney (''MSC'' VII. 88, 109, 140). The company toured not only widely and often but also in good company. On three occasions Sussex's players performed with the Queen's men: Gloucester, 1590-1; Bristol, between 28 February and 6 March 1592; and Coventry, 24 March 1592 ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]). The names of players with Sussex's, 1586-93, are not known. When they joined the Queen's men intermittently in 1590-92, their old fellow, Tarlton, had died in 1588; but another, John Adams, might still have been acting with the Queen's men. Sussex's appeared at court on 2 January 1592. On 29 April 1593 the company acquired a license to travel "where the infection is not" (Chambers, IV.314) but by 27 December they were in London. Their patron, the fourth earl of Sussex, had died less that two weeks before (14 December), yet they were poised for a lengthy run at the Rose playhouse. <ins style="font-weight: bold; text-decoration: none;"><br><br><br></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==At the Rose, 1593-4==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==At the Rose, 1593-4==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Scholars have been puzzled that Sussex players acquired the lease of the Rose in late December 1593 because they had no apparent ties to Philip Henslowe (owner) and Edward Alleyn (lead player of Strange's men, the company most recently at the Rose). McMillin suggests that Alleyn had temporarily joined Sussex's (220); Andrew Gurr suggests that "conceivably … Richard Burbage and even Shakespeare" had also (28n). What is certain is that Sussex's players—now under the patronage of the fifth earl, Robert Radcliffe (1593-1629)—arrived at the Rose with twelve plays already in production, and they opened the run "with ten days of uninterrupted performance" (Knutson 463). Only one of these twelve certainly survives: ''George a Greene'' (S. R. 1 April 1595, Q1599). The lost plays are listed below. It is possible that ''William the Conqueror'' is now in print as ''Fair Em'', the subtitle of which advertises a love plot involving William the Conqueror (Knutson 465, 466n). The company also played ''The Jew of Malta'' at what turned out to be the end of their run; and they introduced ''Titus Andronicus'', which Henslowe marked as "ne." Following a hiatus of two months, Sussex's players were again at the Rose for Easter Week (1 -8 April), now "to geather" with the Queen's men (Foakes 21). The joined companies repeated ''The Jew of Malta'', but only one of the remaining four plays performed was a carry-over from Sussex's earlier 1594 run: ''The Fair Maid of Italy''.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Scholars have been puzzled that Sussex players acquired the lease of the Rose in late December 1593 because they had no apparent ties to Philip Henslowe (owner) and Edward Alleyn (lead player of Strange's men, the company most recently at the Rose). McMillin suggests that Alleyn had temporarily joined Sussex's (220); Andrew Gurr suggests that "conceivably … Richard Burbage and even Shakespeare" had also (28n). What is certain is that Sussex's players—now under the patronage of the fifth earl, Robert Radcliffe (1593-1629)—arrived at the Rose with twelve plays already in production, and they opened the run "with ten days of uninterrupted performance" (Knutson 463). Only one of these twelve certainly survives: ''George a Greene'' (S. R. 1 April 1595, Q1599). The lost plays are listed below. It is possible that ''William the Conqueror'' is now in print as ''Fair Em'', the subtitle of which advertises a love plot involving William the Conqueror (Knutson 465, 466n). The company also played ''The Jew of Malta'' at what turned out to be the end of their run; and they introduced ''Titus Andronicus'', which Henslowe marked as "ne." Following a hiatus of two months, Sussex's players were again at the Rose for Easter Week (1 -8 April), now "to geather" with the Queen's men (Foakes 21). The joined companies repeated ''The Jew of Malta'', but only one of the remaining four plays performed was a carry-over from Sussex's earlier 1594 run: ''The Fair Maid of Italy''.<ins style="font-weight: bold; text-decoration: none;"><br><br><br></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1602 and following==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1602 and following==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In currently available theatrical records ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), a company under the patronage of Robert Radcliffe, fifth earl of Sussex, may be found intermittently on tour in the provinces in 1602-3 (Coventry), 1608-9 (Norwich, Bristol), and 1616-18 (Leominster, Carlisle, Kendal, Hythe). In 1606-8, they also visited Canterbury and Dover (in Dover, they were paid 5s. ''not'' to play [''MSC'' VII. 18, 49]); and Dunwich (''MSC'' XI. 158). In 1615, they visited Leicester ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n334/mode/1up Murray I.308]). Some configuration of Sussex's players had had a long history with these towns except for Leominster and Carlisle. Nothing is known of the company players or their repertory over these years.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In currently available theatrical records ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), a company under the patronage of Robert Radcliffe, fifth earl of Sussex, may be found intermittently on tour in the provinces in 1602-3 (Coventry), 1608-9 (Norwich, Bristol), and 1616-18 (Leominster, Carlisle, Kendal, Hythe). In 1606-8, they also visited Canterbury and Dover (in Dover, they were paid 5s. ''not'' to play [''MSC'' VII. 18, 49]); and Dunwich (''MSC'' XI. 158). In 1615, they visited Leicester ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n334/mode/1up Murray I.308]). Some configuration of Sussex's players had had a long history with these towns except for Leominster and Carlisle. Nothing is known of the company players or their repertory over these years.<ins style="font-weight: bold; text-decoration: none;"><br><br><br></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>== <del style="font-weight: bold; text-decoration: none;">Works Cited</del>==</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>==<ins style="font-weight: bold; text-decoration: none;">Scholarship</ins>==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Gurr, Andrew. ''Shakespeare's Opposites: The Admiral's Company 1594-1625''. Cambridge: Cambridge University Press, 2009.<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Gurr, Andrew. ''Shakespeare's Opposites: The Admiral's Company 1594-1625''. Cambridge: Cambridge University Press, 2009.<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Knutson, Roslyn L. "What So Special About 1594?" ''Shakespeare Quarterly'' 61 (2010): 449-67.<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Knutson, Roslyn L. "What So Special About 1594?" ''Shakespeare Quarterly'' 61 (2010): 449-67.<br></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l19">Line 19:</td>
<td colspan="2" class="diff-lineno">Line 19:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>McMillin, Scott,"Sussex's Men in 1594: The Evidence of ''Titus Andronicus'' and ''The Jew of Malta''." ''Theatre Survey'' 32 (1991): 214-23.<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>McMillin, Scott,"Sussex's Men in 1594: The Evidence of ''Titus Andronicus'' and ''The Jew of Malta''." ''Theatre Survey'' 32 (1991): 214-23.<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Murray, John Tucker. ''English Dramatic Companies 1558-1642''. 2 vols. 1910, New York: Russell & Russell, 1963. [http://www.archive.org/stream/englishdramatic00murrgoog#page/n8/mode/2up Vol. I]<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Murray, John Tucker. ''English Dramatic Companies 1558-1642''. 2 vols. 1910, New York: Russell & Russell, 1963. [http://www.archive.org/stream/englishdramatic00murrgoog#page/n8/mode/2up Vol. I]<br></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><br><br></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">==Lost Plays==</ins></div></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Sussex%27s&diff=6967&oldid=prevRlknutson: /* Bibliography */2011-06-29T14:42:36Z<p><span dir="auto"><span class="autocomment">Bibliography</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:42, 29 June 2011</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l11">Line 11:</td>
<td colspan="2" class="diff-lineno">Line 11:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In currently available theatrical records ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), a company under the patronage of Robert Radcliffe, fifth earl of Sussex, may be found intermittently on tour in the provinces in 1602-3 (Coventry), 1608-9 (Norwich, Bristol), and 1616-18 (Leominster, Carlisle, Kendal, Hythe). In 1606-8, they also visited Canterbury and Dover (in Dover, they were paid 5s. ''not'' to play [''MSC'' VII. 18, 49]); and Dunwich (''MSC'' XI. 158). In 1615, they visited Leicester ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n334/mode/1up Murray I.308]). Some configuration of Sussex's players had had a long history with these towns except for Leominster and Carlisle. Nothing is known of the company players or their repertory over these years.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In currently available theatrical records ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), a company under the patronage of Robert Radcliffe, fifth earl of Sussex, may be found intermittently on tour in the provinces in 1602-3 (Coventry), 1608-9 (Norwich, Bristol), and 1616-18 (Leominster, Carlisle, Kendal, Hythe). In 1606-8, they also visited Canterbury and Dover (in Dover, they were paid 5s. ''not'' to play [''MSC'' VII. 18, 49]); and Dunwich (''MSC'' XI. 158). In 1615, they visited Leicester ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n334/mode/1up Murray I.308]). Some configuration of Sussex's players had had a long history with these towns except for Leominster and Carlisle. Nothing is known of the company players or their repertory over these years.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>== <del style="font-weight: bold; text-decoration: none;">Bibliography</del>==</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>== <ins style="font-weight: bold; text-decoration: none;">Works Cited</ins>==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Gurr, Andrew. ''Shakespeare's Opposites: The Admiral's Company 1594-1625''. Cambridge: Cambridge University Press, 2009.<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Gurr, Andrew. ''Shakespeare's Opposites: The Admiral's Company 1594-1625''. Cambridge: Cambridge University Press, 2009.<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Knutson, Roslyn L. "What So Special About 1594?" ''Shakespeare Quarterly'' 61 (2010): 449-67.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Knutson, Roslyn L. "What So Special About 1594?" ''Shakespeare Quarterly'' 61 (2010): 449-67.<ins style="font-weight: bold; text-decoration: none;"><br></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Malone Society Collections'' II.3. Oxford: Oxford University Press, 1907.<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Malone Society Collections'' II.3. Oxford: Oxford University Press, 1907.<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Malone Society Collections'' VII. Oxford: Oxford University Press, 1965. <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Malone Society Collections'' VII. Oxford: Oxford University Press, 1965. <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Malone Society Collections'' XI. Oxford: Oxford University Press, 1980-1. <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Malone Society Collections'' XI. Oxford: Oxford University Press, 1980-1. <br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>McMillin, Scott,"Sussex's Men in 1594: The Evidence of ''Titus Andronicus'' and ''The Jew of Malta''. ''Theatre Survey'' 32 (1991): 214-23.<br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>McMillin, Scott,"Sussex's Men in 1594: The Evidence of ''Titus Andronicus'' and ''The Jew of Malta''.<ins style="font-weight: bold; text-decoration: none;">" </ins>''Theatre Survey'' 32 (1991): 214-23.<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Murray, John Tucker. ''English Dramatic Companies 1558-1642''. 2 vols. 1910, New York: Russell & Russell, 1963. [http://www.archive.org/stream/englishdramatic00murrgoog#page/n8/mode/2up Vol. I]<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Murray, John Tucker. ''English Dramatic Companies 1558-1642''. 2 vols. 1910, New York: Russell & Russell, 1963. [http://www.archive.org/stream/englishdramatic00murrgoog#page/n8/mode/2up Vol. I]<br></div></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Sussex%27s&diff=6966&oldid=prevRlknutson: /* Bibliography */2011-06-28T17:26:23Z<p><span dir="auto"><span class="autocomment">Bibliography</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:26, 28 June 2011</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l19">Line 19:</td>
<td colspan="2" class="diff-lineno">Line 19:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>McMillin, Scott,"Sussex's Men in 1594: The Evidence of ''Titus Andronicus'' and ''The Jew of Malta''. ''Theatre Survey'' 32 (1991): 214-23.<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>McMillin, Scott,"Sussex's Men in 1594: The Evidence of ''Titus Andronicus'' and ''The Jew of Malta''. ''Theatre Survey'' 32 (1991): 214-23.<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Murray, John Tucker. ''English Dramatic Companies 1558-1642''. 2 vols. 1910, New York: Russell & Russell, 1963. [http://www.archive.org/stream/englishdramatic00murrgoog#page/n8/mode/2up Vol. I]<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Murray, John Tucker. ''English Dramatic Companies 1558-1642''. 2 vols. 1910, New York: Russell & Russell, 1963. [http://www.archive.org/stream/englishdramatic00murrgoog#page/n8/mode/2up Vol. I]<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Plays performed by the Earl of Sussex's Men</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Sussex%27s&diff=6965&oldid=prevRlknutson: /* 1602 and following */2011-06-28T16:53:40Z<p><span dir="auto"><span class="autocomment">1602 and following</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:53, 28 June 2011</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9">Line 9:</td>
<td colspan="2" class="diff-lineno">Line 9:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1602 and following==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1602 and following==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In currently available theatrical records ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), a company under the patronage of Robert Radcliffe, fifth earl of Sussex, may be found intermittently on tour in the provinces in 1602-3 (Coventry), 1608-9 (Norwich, Bristol), and 1616-18 (Leominster, Carlisle, Kendal, Hythe). In 1606-8, they also visited Canterbury and Dover (in Dover, they were paid 5s. ''not'' to play'' <del style="font-weight: bold; text-decoration: none;">[</del>MSC'' VII. 18, 49]; and Dunwich (''MSC'' XI. 158). In 1615, they visited Leicester ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n334/mode/1up Murray I.308]). Some configuration of Sussex's players had had a long history with these towns except for Leominster and Carlisle. Nothing is known of the players <del style="font-weight: bold; text-decoration: none;">with the company </del>over these years <del style="font-weight: bold; text-decoration: none;">or their repertory</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In currently available theatrical records ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), a company under the patronage of Robert Radcliffe, fifth earl of Sussex, may be found intermittently on tour in the provinces in 1602-3 (Coventry), 1608-9 (Norwich, Bristol), and 1616-18 (Leominster, Carlisle, Kendal, Hythe). In 1606-8, they also visited Canterbury and Dover (in Dover, they were paid 5s. ''not'' to play <ins style="font-weight: bold; text-decoration: none;">[</ins>''MSC'' VII. 18, 49]<ins style="font-weight: bold; text-decoration: none;">)</ins>; and Dunwich (''MSC'' XI. 158). In 1615, they visited Leicester ([http://www.archive.org/stream/englishdramatic00murrgoog#page/n334/mode/1up Murray I.308]). Some configuration of Sussex's players had had a long history with these towns except for Leominster and Carlisle. Nothing is known of the <ins style="font-weight: bold; text-decoration: none;">company </ins>players <ins style="font-weight: bold; text-decoration: none;">or their repertory </ins>over these years.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Bibliography==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Bibliography==</div></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Sussex%27s&diff=6964&oldid=prevRlknutson at 16:48, 28 June 20112011-06-28T16:48:48Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:48, 28 June 2011</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3">Line 3:</td>
<td colspan="2" class="diff-lineno">Line 3:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1585-1593==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1585-1593==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Henry Radcliffe acceded to the earldom (1583-93) at his father's death, and players advertising his patronage were touring by 1586. They too had a vigorous presence in the provinces, visiting many of their predecessor's favorite venues but extending their reach by traveling on the southwest circuit to Winchester ([http://www.archive.org/stream/englishdramatic00murrgoog#page/<del style="font-weight: bold; text-decoration: none;">n333</del>/mode/1up Murray I.308]), Lyme Regis, and Exeter; on the West Midlands circuit to Kendal; on the Northern circuit to York and Newcastle upon Tyne ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]). In addition the records document additional stops on the southeastern circuit at Hythe, Lydd, and New Romney (''MSC'' VII. 88, 109, 140). The company toured not only widely and often but also in good company. On three occasions Sussex's players performed with the Queen's men: Gloucester, 1590-1; Bristol, between 28 February and 6 March 1592; and Coventry, 24 March 1592 ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]). The names of players with Sussex's, 1586-93, are not known. When they joined the Queen's men intermittently in 1590-92, their old fellow, Tarlton, had died in 1588; but another, John Adams, might still have been acting with the Queen's men. Sussex's appeared at court on 2 January 1592. On 29 April 1593 the company acquired a license to travel "where the infection is not" (Chambers, IV.314) but by 27 December they were in London. Their patron, the fourth earl of Sussex, had died less that two weeks before (14 December), yet they were poised for a lengthy run at the Rose playhouse. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Henry Radcliffe acceded to the earldom (1583-93) at his father's death, and players advertising his patronage were touring by 1586. They too had a vigorous presence in the provinces, visiting many of their predecessor's favorite venues but extending their reach by traveling on the southwest circuit to Winchester ([http://www.archive.org/stream/englishdramatic00murrgoog#page/<ins style="font-weight: bold; text-decoration: none;">n334</ins>/mode/1up Murray I.308]), Lyme Regis, and Exeter; on the West Midlands circuit to Kendal; on the Northern circuit to York and Newcastle upon Tyne ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]). In addition the records document additional stops on the southeastern circuit at Hythe, Lydd, and New Romney (''MSC'' VII. 88, 109, 140). The company toured not only widely and often but also in good company. On three occasions Sussex's players performed with the Queen's men: Gloucester, 1590-1; Bristol, between 28 February and 6 March 1592; and Coventry, 24 March 1592 ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]). The names of players with Sussex's, 1586-93, are not known. When they joined the Queen's men intermittently in 1590-92, their old fellow, Tarlton, had died in 1588; but another, John Adams, might still have been acting with the Queen's men. Sussex's appeared at court on 2 January 1592. On 29 April 1593 the company acquired a license to travel "where the infection is not" (Chambers, IV.314) but by 27 December they were in London. Their patron, the fourth earl of Sussex, had died less that two weeks before (14 December), yet they were poised for a lengthy run at the Rose playhouse. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==At the Rose, 1593-4==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==At the Rose, 1593-4==</div></td></tr>
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<td colspan="2" class="diff-lineno">Line 9:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1602 and following==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==1602 and following==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In currently available theatrical records ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), a company under the patronage of Robert Radcliffe, fifth earl of Sussex, may be found intermittently on tour in the provinces in 1602-3 (Coventry), 1608-9 (Norwich, Bristol), and 1616-18 (Leominster, Carlisle, Kendal, Hythe). In 1606-8, they also visited Canterbury and Dover (in Dover, they were paid 5s. ''not'' to play'' [MSC'' VII. 18, 49]; <del style="font-weight: bold; text-decoration: none;">Norwich </del>([http://www.archive.org/stream/englishdramatic00murrgoog#page/<del style="font-weight: bold; text-decoration: none;">n333</del>/mode/1up Murray I.308]<del style="font-weight: bold; text-decoration: none;">), and Dunwich (''MSC'' XI. 158). In 1615, they visited Leicester (Murray I.308</del>). Some configuration of Sussex's players had had a long history with these towns except for Leominster and Carlisle. Nothing is known of the players with the company over these years or their repertory.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In currently available theatrical records ([http://link.library.utoronto.ca/reed/Eventhits.cfm REED PP]), a company under the patronage of Robert Radcliffe, fifth earl of Sussex, may be found intermittently on tour in the provinces in 1602-3 (Coventry), 1608-9 (Norwich, Bristol), and 1616-18 (Leominster, Carlisle, Kendal, Hythe). In 1606-8, they also visited Canterbury and Dover (in Dover, they were paid 5s. ''not'' to play'' [MSC'' VII. 18, 49]; <ins style="font-weight: bold; text-decoration: none;"> and Dunwich (''MSC'' XI. 158). In 1615, they visited Leicester </ins>([http://www.archive.org/stream/englishdramatic00murrgoog#page/<ins style="font-weight: bold; text-decoration: none;">n334</ins>/mode/1up Murray I.308]). Some configuration of Sussex's players had had a long history with these towns except for Leominster and Carlisle. Nothing is known of the players with the company over these years or their repertory.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Bibliography==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Bibliography==</div></td></tr>
</table>Rlknutson