https://lostplays.folger.edu/_mw/index.php?title=Category:Richard_Burbage&feed=atom&action=historyCategory:Richard Burbage - Revision history2024-03-28T09:20:53ZRevision history for this page on the wikiMediaWiki 1.39.6https://lostplays.folger.edu/_mw/index.php?title=Category:Richard_Burbage&diff=25016&oldid=prevRlknutson: /* Works Cited */2022-04-18T19:39:29Z<p><span dir="auto"><span class="autocomment">Works Cited</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:39, 18 April 2022</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em"> Berry, Herbert. "Aspects of the Design and Use of the First Public Playhouse." In ''The First Public Playhouse: The Theatre in Shoreditch 1576-1598.'' Ed. Herbert Berry. Montreal: McGill-Queen's University Press, 1979. pp. 29-45.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em"> Berry, Herbert. "Aspects of the Design and Use of the First Public Playhouse." In ''The First Public Playhouse: The Theatre in Shoreditch 1576-1598.'' Ed. Herbert Berry. Montreal: McGill-Queen's University Press, 1979. pp. 29-45.</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em"> ———. ''Shakespeare's Playhouses,'' with illustrations by C. Walter Hodges. New York: AMS Press, 1987.</div> </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em"> ———. ''Shakespeare's Playhouses,'' with illustrations by C. Walter Hodges. New York: AMS Press, 1987.</div> </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em"> ———. "Part Three: Playhouses, 1560-1660." In ''English Professional Theatre, 1530-1660''. Ed. Glynne Wickham, Herbert Berry, and William Ingram. Cambridge: Cambridge UP, 2000. pp. <del style="font-weight: bold; text-decoration: none;">297</del>-<del style="font-weight: bold; text-decoration: none;">403</del>.</div></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em"> ———. "Part Three: Playhouses, 1560-1660." In ''English Professional Theatre, 1530-1660''. Ed. Glynne Wickham, Herbert Berry, and William Ingram. Cambridge: Cambridge UP, 2000. pp. <ins style="font-weight: bold; text-decoration: none;">287</ins>-<ins style="font-weight: bold; text-decoration: none;">674</ins>.</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Bradley, David. ''From Text to Performance in the Elizabethan Theatre''. Cambridge, Cambridge University Press, 1992.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Bradley, David. ''From Text to Performance in the Elizabethan Theatre''. Cambridge, Cambridge University Press, 1992.</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Eccles, Mark. "Elizabethan Actors I: A-D," ''Notes and Queries'' 236.1 (1991): 38-48.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Eccles, Mark. "Elizabethan Actors I: A-D," ''Notes and Queries'' 236.1 (1991): 38-48.</div></div></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Richard_Burbage&diff=24992&oldid=prevRlknutson at 17:04, 14 April 20222022-04-14T17:04:13Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:04, 14 April 2022</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''For What It's Worth''': :Burbage appeared as himself (as does William Kempe) in the play, ''2 Return from Parnassus'' (1603). He appears as himself (as do William Sly, John Sincler, Henry Condell and John Lowin) in the Induction to ''The Malcontent,'' newly written in 1604 to advertise the circumstances behind their acquisition of the play from the Children of the Chapel (at Blackfriars).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''For What It's Worth''': :Burbage appeared as himself (as does William Kempe) in the play, ''2 Return from Parnassus'' (1603). He appears as himself (as do William Sly, John Sincler, Henry Condell and John Lowin) in the Induction to ''The Malcontent,'' newly written in 1604 to advertise the circumstances behind their acquisition of the play from the Children of the Chapel (at Blackfriars).</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><br></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''Roles'''<br></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Presumably, Burbage was the lead adult male player in the Chamberlain's men after its formation by June 1594 as well as in the King's men; a list of those roles being lengthy, the focus here is on his roles in lost plays.<br></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:?Urganda ?King Egereon, ?Eschines, [[Dead Man's Fortune, The|"The Dead Man's Fortune"]] (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97). <br></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:King Gorboduc ("Envy"), Tereus ("Lechery"), [[Second Part of the Seven Deadly Sins, The|"The Second Part of the Seven Deadly Sins"]]<br></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Lucy on his playing "Richard II" in the lost 1611 play; does she guess about "Gowrie," "Spanish Maze" etc??</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:The Globe —— Berry, "The first Globe," pp. 493-500; second Globe, 607-22; Munro on the company's decision to stay where they were</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:The Globe —— Berry, "The first Globe," pp. 493-500; second Globe, 607-22; Munro on the company's decision to stay where they were</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:"The second Blackfriars," Berry pp. 501-30.<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:"The second Blackfriars," Berry pp. 501-30.<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Closeness with brother Cuthbert: bought houses together in 1608, also 1617 (Eccles, 43)<br></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l34">Line 34:</td>
<td colspan="2" class="diff-lineno">Line 42:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:William, christened 6 November 1616<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:William, christened 6 November 1616<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Sara, christened 5 August 1619; buried 29 April 1625<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Sara, christened 5 August 1619; buried 29 April 1625<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:Richard (himself) buried 16 March 1618/9<del style="font-weight: bold; text-decoration: none;"><br> </del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:Richard (himself) buried 16 March 1618/9<ins style="font-weight: bold; text-decoration: none;">. </ins>Numerous elegies and elegiac references followed Richard Burbage's death for years afterwards; the most succinct: "Exit Burbage" (Nungezer, p. 73).<br> </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Numerous elegies and elegiac references followed Richard Burbage's death for years afterwards; the most succinct: "Exit Burbage" (Nungezer, p. 73). <del style="font-weight: bold; text-decoration: none;"><br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Closeness with brother Cuthbert: bought houses together in 1608, also 1617 (Eccles, 43)</del><br></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">'''Roles'''<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Presumably, Burbage was the lead adult male player in the Chamberlain's men after its formation by June 1594 as well as in the King's men; a list of those roles being lengthy, the focus here is on his roles in lost plays.<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">:?Urganda ?King Egereon, ?Eschines, [[Dead Man's Fortune, The|"The Dead Man's Fortune"]] (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97). <br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">:King Gorboduc ("Envy"), Tereus ("Lechery"), [[Second Part of the Seven Deadly Sins, The|"The Second Part of the Seven Deadly Sins"]]<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Lucy on his playing "Richard II" in the lost 1611 play; does she guess about "Gowrie," "Spanish Maze" etc??</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Works Cited====</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>====Works Cited====</div></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Richard_Burbage&diff=24991&oldid=prevRlknutson at 16:59, 14 April 20222022-04-14T16:59:15Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:59, 14 April 2022</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Player'''<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Player'''<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:1589-94: Richard Burbage first appears in theatrical records not as a player but as a brawler. The records are depositions by John Alleyn (brother of Edward Alleyn) in a 1589-90 lawsuit filed in the Court of Chancery concerning business at the Shoreditch playhouse, the Theater. Alleyn said that Burbage hurled abuse at two complainants in the suit (Margaret Brayne, Robert Myles) and threatened them with a broomstick. Theater historians have deduced from this testimony that Richard was "probably playing with the Admiral's men" at the time (Nungezer, p. 68). Burbage does not appear in theatrical records again until 1594, when he is named in the Declared Accounts of the Treasurer of the Chamber for March 1594 along with William Kempe and William Shakespeare as payees of £20 for performances at court by the Lord Chamberlain's men on the previous holidays of St. Stephen's Day and Holy Innocents (26, 27 December 1594). In the absence of evidence for 1591 to mid-1594, theater historians have found it appealing to consider him with the earl of Pembroke's men (1592-3) <del style="font-weight: bold; text-decoration: none;">in large part </del>because that company had versions of several plays in which William Shakespeare had a hand including ''The First Part of the Contention betwixt the Two Famous Houses of York and Lancaster'' and ''The True Tragedy of Richard, Duke of York, and the Death of Good King Henry VI.'' <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:1589-94: Richard Burbage first appears in theatrical records not as a player but as a brawler. The records are depositions by John Alleyn (brother of Edward Alleyn) in a 1589-90 lawsuit filed in the Court of Chancery concerning business at the Shoreditch playhouse, the Theater. Alleyn said that Burbage hurled abuse at two complainants in the suit (Margaret Brayne, Robert Myles) and threatened them with a broomstick. Theater historians have deduced from this testimony that Richard was "probably playing with the Admiral's men" at the time (Nungezer, p. 68). Burbage does not appear in theatrical records again until 1594, when he is named in the Declared Accounts of the Treasurer of the Chamber for March 1594 along with William Kempe and William Shakespeare as payees of £20 for performances at court by the Lord Chamberlain's men on the previous holidays of St. Stephen's Day and Holy Innocents (26, 27 December 1594). In the absence of evidence for 1591 to mid-1594, theater historians have found it appealing to consider him with the earl of Pembroke's men (1592-3) <ins style="font-weight: bold; text-decoration: none;">partly </ins>because that company had versions of several plays in which William Shakespeare had a hand including ''The First Part of the Contention betwixt the Two Famous Houses of York and Lancaster'' and ''The True Tragedy of Richard, Duke of York, and the Death of Good King Henry VI.'' <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:An anecdote that probably belongs to Burbage's early years as a Chamberlain's man, and which displays a different kind of confrontational behavior, was recorded in 1602-3 by John Manningham, a student of Middle Temple in his 1602-3 diary: "Vpon a tyme when Burbidge played Richard III. there was a citizen grone soe farr in liking with him, that before shee went from the play shee appointed him to come that night vnto hir by the name of Richard the Third. Shakespeare ouerhearing their conclusion went before, was intertained and at his game ere Burbidge came. Then message being brought that Richard the Third was at the dore, Shakespeare caused returne to be made that William the Conqueror was before Richard the Third. Shakespeare's name William" (Manningham, 13 March 1601). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:An anecdote that probably belongs to Burbage's early years as a Chamberlain's man, and which displays a different kind of confrontational behavior, was recorded in 1602-3 by John Manningham, a student of Middle Temple in his 1602-3 diary: "Vpon a tyme when Burbidge played Richard III. there was a citizen grone soe farr in liking with him, that before shee went from the play shee appointed him to come that night vnto hir by the name of Richard the Third. Shakespeare ouerhearing their conclusion went before, was intertained and at his game ere Burbidge came. Then message being brought that Richard the Third was at the dore, Shakespeare caused returne to be made that William the Conqueror was before Richard the Third. Shakespeare's name William" (Manningham, 13 March 1601). <ins style="font-weight: bold; text-decoration: none;"><br></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:1594-99: As lead player with the Chamberlain's men, Richard Burbage presumably took part in the decision to move to the playhouse at Newington in early June and to join (in some sense) the Admiral's men for a run of seven plays<del style="font-weight: bold; text-decoration: none;">, four </del>of <del style="font-weight: bold; text-decoration: none;">which </del>do not show up in records of the Admiral's men and thus might reasonably be assumed to belong to the Chamberlain's repertory post-June 13, with Burbage maintaining his accustomed parts. The company performed at some venues in the provinces during the summer; by fall they were most probably back in London at the Theater. As both lead player and member of the family with financial interests in both the Theater and Curtain, Burbage would have managed business decisions as well as performances in the coming years. The most serious of these decisions concerned the Theater (for details, see Berry, "The Theatre," Wickham, et. al., pp. 330-32). Giles Allen owned the property on which the Theater stood. The Burbages owned the playhouse. In 1598 Alleyn failed to come to terms about the lease, and Burbages acquired property south of the Thames on Maid Lane. Over Christmas of 1598, they dismantled the Theater, carting the pieces to their new site where they reassembled the playhouse with new parts and a new name: the Globe. In the months between a breakdown in talks and the opening of the new playhouse, Burbage and his company played at the Curtain (autumn 1598-May 1599). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:1594-99: As lead player with the Chamberlain's men, Richard Burbage presumably took part in the decision to move to the playhouse at Newington in early June and to join (in some sense) the Admiral's men for a run of seven plays<ins style="font-weight: bold; text-decoration: none;">. Four </ins>of <ins style="font-weight: bold; text-decoration: none;">these plays </ins>do not show up in records of the Admiral's men <ins style="font-weight: bold; text-decoration: none;">([[WorksCited|Foakes]]) </ins>and thus might reasonably be assumed to belong to the Chamberlain's repertory post-June 13, with Burbage maintaining his accustomed parts. The company performed at some venues in the provinces during the summer; by fall they were most probably back in London at the Theater. As both lead player and member of the family with financial interests in both the Theater and Curtain, Burbage would have managed business decisions as well as performances in the coming years. The most serious of these decisions concerned the Theater (for details, see Berry, "The Theatre," Wickham, et. al., pp. 330-32). Giles Allen owned the property on which the Theater stood. The Burbages owned the playhouse. In 1598 Alleyn failed to come to terms about the lease, and Burbages acquired property south of the Thames on Maid Lane. Over Christmas of 1598, they dismantled the Theater, carting the pieces to their new site where they reassembled the playhouse with new parts and a new name: the Globe. In the months between a breakdown in talks and the opening of the new playhouse, Burbage and his company played at the Curtain (autumn 1598-May 1599). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:1599-1619: </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:1599-1619: <ins style="font-weight: bold; text-decoration: none;">Theater historians assume that Burbage continued to play leading roles in the Chamberlain's -King's men into the last year of his life, and the elegies written at his death reinforce that assumption (see Munro for post-1603 roles, p. 16-17). As a result of his father's death (burial, 2 February 1597), Richard assumed a larger share of business decisions (with his brother, Cuthbert). The evidence of his influence on the repertorial choices of the company has not survived, but it is fair to assume he had some influence over his roles. See below, "Businessman," for the stages on which those roles were performed.<br></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">other</del>: <del style="font-weight: bold; text-decoration: none;">character with </del>Kempe in ''2 Return from <del style="font-weight: bold; text-decoration: none;">Parnasus</del>''<del style="font-weight: bold; text-decoration: none;">; </del>appears as <del style="font-weight: bold; text-decoration: none;">self </del>in Induction to ''The Malcontent'' 1604 <del style="font-weight: bold; text-decoration: none;">(with Condell and Lowin; 1618, pageant celebrating </del>the <del style="font-weight: bold; text-decoration: none;">announcement </del>of <del style="font-weight: bold; text-decoration: none;">Prince Henry as Prince </del>of <del style="font-weight: bold; text-decoration: none;">Wales<br></del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''For What It's Worth'''</ins>: <ins style="font-weight: bold; text-decoration: none;">:Burbage appeared as himself (as does William </ins>Kempe<ins style="font-weight: bold; text-decoration: none;">) </ins>in <ins style="font-weight: bold; text-decoration: none;">the play, </ins>''2 Return from <ins style="font-weight: bold; text-decoration: none;">Parnassus</ins>'' <ins style="font-weight: bold; text-decoration: none;">(1603). He </ins>appears as <ins style="font-weight: bold; text-decoration: none;">himself (as do William Sly, John Sincler, Henry Condell and John Lowin) </ins>in <ins style="font-weight: bold; text-decoration: none;">the </ins>Induction to ''The Malcontent<ins style="font-weight: bold; text-decoration: none;">,</ins>'' <ins style="font-weight: bold; text-decoration: none;">newly written in </ins>1604 <ins style="font-weight: bold; text-decoration: none;">to advertise </ins>the <ins style="font-weight: bold; text-decoration: none;">circumstances behind their acquisition </ins>of <ins style="font-weight: bold; text-decoration: none;">the play from the Children </ins>of <ins style="font-weight: bold; text-decoration: none;">the Chapel (at Blackfriars).</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Businessman'''<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Businessman'''<br></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:The Theater: Richard was still a teenager when his father fought with ——Berry, pp. 320-387</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:Blackfriars</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:The Curtain —— Berry, pp. 404-18</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:The Globe —— Berry, "The first Globe," pp. 493-500; second Globe, 607-22; Munro on the company's decision to stay where they were</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:"The second Blackfriars," Berry pp. 501-30.<br></ins></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Berry,"The Theatre," pp. 320-387; "The Curtain," pp. 404-18; "The first Globe," pp. 493-500; "The second Blackfriars," pp. 501-30.<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Theater<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Curtain<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Pembroke's men??<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Blackfriars<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Globe<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">2nd Blackfriars<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Family'''<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Family'''<br></div></td></tr>
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<td colspan="2" class="diff-lineno">Line 34:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:William, christened 6 November 1616<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:William, christened 6 November 1616<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Sara, christened 5 August 1619; buried 29 April 1625<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Sara, christened 5 August 1619; buried 29 April 1625<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:Richard (himself) buried 16 March <del style="font-weight: bold; text-decoration: none;">1619</del><br> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:Richard (himself) buried 16 March <ins style="font-weight: bold; text-decoration: none;">1618/9</ins><br> </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Numerous elegies and elegiac references followed Richard Burbage's death for years afterwards; the most succinct: "Exit Burbage" (Nungezer, p. 73). <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Numerous elegies and elegiac references followed Richard Burbage's death for years afterwards; the most succinct: "Exit Burbage" (Nungezer, p. 73). <br></div></td></tr>
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<td colspan="2" class="diff-lineno">Line 45:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:?Urganda ?King Egereon, ?Eschines, [[Dead Man's Fortune, The|"The Dead Man's Fortune"]] (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97). <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:?Urganda ?King Egereon, ?Eschines, [[Dead Man's Fortune, The|"The Dead Man's Fortune"]] (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97). <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:King Gorboduc ("Envy"), Tereus ("Lechery"), [[Second Part of the Seven Deadly Sins, The|"The Second Part of the Seven Deadly Sins"]]<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:King Gorboduc ("Envy"), Tereus ("Lechery"), [[Second Part of the Seven Deadly Sins, The|"The Second Part of the Seven Deadly Sins"]]<br></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Lucy on his playing "Richard II" in the lost 1611 play; does she guess about "Gowrie," "Spanish Maze" etc??</ins></div></td></tr>
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</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Richard_Burbage&diff=24979&oldid=prevRlknutson at 17:24, 12 April 20222022-04-12T17:24:10Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:24, 12 April 2022</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Player'''<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Player'''<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:Richard Burbage first appears in theatrical records not as a player but as a brawler. The records are depositions by John Alleyn (brother of Edward Alleyn) in a 1589-90 lawsuit filed in the Court of Chancery concerning business at the Shoreditch playhouse, the Theater. Alleyn said that Burbage hurled abuse at two complainants in the suit (Margaret Brayne, Robert Myles) and threatened them with a broomstick. Theater historians have deduced from this testimony that Richard was "probably playing with the Admiral's men" at the time (Nungezer, p. 68). Burbage does not appear in theatrical records again until 1594, when he is named in the Declared Accounts of the Treasurer of the Chamber for March 1594 along with William Kempe and William Shakespeare as payees of £20 for performances at court by the Lord Chamberlain's men on the previous holidays of St. Stephen's Day and Holy Innocents (26, 27 December 1594). In the absence of evidence for 1591 to mid-1594, theater historians have found it appealing to consider him with the earl of Pembroke's men (1592-3) in large part because that company had versions of several plays in which William Shakespeare had a hand including ''The First Part of the Contention betwixt the Two Famous Houses of York and Lancaster'' and ''The True Tragedy of Richard, Duke of York, and the Death of Good King Henry VI.'' <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:1589-94</ins>: Richard Burbage first appears in theatrical records not as a player but as a brawler. The records are depositions by John Alleyn (brother of Edward Alleyn) in a 1589-90 lawsuit filed in the Court of Chancery concerning business at the Shoreditch playhouse, the Theater. Alleyn said that Burbage hurled abuse at two complainants in the suit (Margaret Brayne, Robert Myles) and threatened them with a broomstick. Theater historians have deduced from this testimony that Richard was "probably playing with the Admiral's men" at the time (Nungezer, p. 68). Burbage does not appear in theatrical records again until 1594, when he is named in the Declared Accounts of the Treasurer of the Chamber for March 1594 along with William Kempe and William Shakespeare as payees of £20 for performances at court by the Lord Chamberlain's men on the previous holidays of St. Stephen's Day and Holy Innocents (26, 27 December 1594). In the absence of evidence for 1591 to mid-1594, theater historians have found it appealing to consider him with the earl of Pembroke's men (1592-3) in large part because that company had versions of several plays in which William Shakespeare had a hand including ''The First Part of the Contention betwixt the Two Famous Houses of York and Lancaster'' and ''The True Tragedy of Richard, Duke of York, and the Death of Good King Henry VI.'' <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:An anecdote that probably belongs to Burbage's early years as a Chamberlain's man, and which displays a different kind of confrontational behavior, was <del style="font-weight: bold; text-decoration: none;">told </del>in 1602-3 by John Manningham, a student of Middle Temple in his 1602-3 diary: "Vpon a tyme when Burbidge played Richard III. there was a citizen grone soe farr in liking with him, that before shee went from the play shee appointed him to come that night vnto hir by the name of Richard the Third. Shakespeare ouerhearing their conclusion went before, was intertained and at his game ere Burbidge came. Then message being brought that Richard the Third was at the dore, Shakespeare caused returne to be made that William the Conqueror was before Richard the Third. Shakespeare's name William" (Manningham, 13 March 1601). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:An anecdote that probably belongs to Burbage's early years as a Chamberlain's man, and which displays a different kind of confrontational behavior, was <ins style="font-weight: bold; text-decoration: none;">recorded </ins>in 1602-3 by John Manningham, a student of Middle Temple in his 1602-3 diary: "Vpon a tyme when Burbidge played Richard III. there was a citizen grone soe farr in liking with him, that before shee went from the play shee appointed him to come that night vnto hir by the name of Richard the Third. Shakespeare ouerhearing their conclusion went before, was intertained and at his game ere Burbidge came. Then message being brought that Richard the Third was at the dore, Shakespeare caused returne to be made that William the Conqueror was before Richard the Third. Shakespeare's name William" (Manningham, 13 March 1601). <ins style="font-weight: bold; text-decoration: none;"> </ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:<del style="font-weight: bold; text-decoration: none;">transition from </del>Theater to <del style="font-weight: bold; text-decoration: none;">Curtain </del>to Globe and <del style="font-weight: bold; text-decoration: none;">Blackfriars</del>, <del style="font-weight: bold; text-decoration: none;">Christmas </del>1598-1619</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:<ins style="font-weight: bold; text-decoration: none;">1594-99: As lead player with the Chamberlain's men, Richard Burbage presumably took part in the decision to move to the playhouse at Newington in early June and to join (in some sense) the Admiral's men for a run of seven plays, four of which do not show up in records of the Admiral's men and thus might reasonably be assumed to belong to the Chamberlain's repertory post-June 13, with Burbage maintaining his accustomed parts. The company performed at some venues in the provinces during the summer; by fall they were most probably back in London at the Theater. As both lead player and member of the family with financial interests in both the Theater and Curtain, Burbage would have managed business decisions as well as performances in the coming years. The most serious of these decisions concerned the Theater (for details, see Berry, "The Theatre," Wickham, et. al., pp. 330-32). Giles Allen owned the property on which the </ins>Theater <ins style="font-weight: bold; text-decoration: none;">stood. The Burbages owned the playhouse. In 1598 Alleyn failed </ins>to <ins style="font-weight: bold; text-decoration: none;">come to terms about the lease, and Burbages acquired property south of the Thames on Maid Lane. Over Christmas of 1598, they dismantled the Theater, carting the pieces </ins>to <ins style="font-weight: bold; text-decoration: none;">their new site where they reassembled the playhouse with new parts and a new name: the </ins>Globe<ins style="font-weight: bold; text-decoration: none;">. In the months between a breakdown in talks </ins>and <ins style="font-weight: bold; text-decoration: none;">the opening of the new playhouse</ins>, <ins style="font-weight: bold; text-decoration: none;">Burbage and his company played at the Curtain (autumn </ins>1598<ins style="font-weight: bold; text-decoration: none;">-May 1599). </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:1599</ins>-1619<ins style="font-weight: bold; text-decoration: none;">: </ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>other: character with Kempe in ''2 Return from Parnasus''; appears as self in Induction to ''The Malcontent'' 1604 (with Condell and Lowin; 1618, pageant celebrating the announcement of Prince Henry as Prince of Wales<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>other: character with Kempe in ''2 Return from Parnasus''; appears as self in Induction to ''The Malcontent'' 1604 (with Condell and Lowin; 1618, pageant celebrating the announcement of Prince Henry as Prince of Wales<br></div></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Richard_Burbage&diff=24978&oldid=prevRlknutson at 20:28, 8 April 20222022-04-08T20:28:27Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:28, 8 April 2022</td>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Richard Burbage, son of James Burbage and younger brother of Cuthbert Burbage, was the leading player of the Chamberlain's men as constituted in 1594; at his father's death (February 1597), Richard became <del style="font-weight: bold; text-decoration: none;">a </del>leading businessman with the company as well, having the Globe playhouse and later also Blackfriars Playhouse under his <del style="font-weight: bold; text-decoration: none;">and </del>his brother Cuthbert<del style="font-weight: bold; text-decoration: none;">'s control</del>. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Richard Burbage, son of James Burbage and younger brother of Cuthbert Burbage, was the leading player of the Chamberlain's men as constituted in 1594; at his father's death (February 1597), Richard became <ins style="font-weight: bold; text-decoration: none;">the </ins>leading businessman with the company as well, having the Globe playhouse and later also Blackfriars Playhouse under his <ins style="font-weight: bold; text-decoration: none;">control (along with </ins>his brother Cuthbert<ins style="font-weight: bold; text-decoration: none;">)</ins>. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Player'''<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Player'''<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">:1589-1594</del>: Richard Burbage first appears in theatrical records not as a player but as a brawler. The records are depositions by John Alleyn (brother of Edward Alleyn) in a 1589-90 lawsuit filed in the Court of Chancery concerning business at the Shoreditch playhouse, the Theater. Alleyn said that Burbage hurled abuse at two complainants in the suit (Margaret Brayne, Robert Myles) and threatened them with a broomstick. Theater historians have deduced from this testimony that Richard was "probably playing with the Admiral's men" at the time (Nungezer, p. 68). Burbage does not appear in theatrical records again until 1594, when he is named in the Declared Accounts of the Treasurer of the Chamber for March 1594 along with William Kempe and William Shakespeare as payees of £20 for performances at court by the Lord Chamberlain's men on the previous holidays of St. Stephen's Day and Holy Innocents (26, 27 December 1594). In the absence of evidence for 1591 to mid-1594, theater historians have found it appealing to consider him with the earl of Pembroke's men (1592-3) in large part because that company had versions of several plays in which William Shakespeare had a hand including ''The First Part of the Contention betwixt the Two Famous Houses of York and Lancaster'' and ''The True Tragedy of Richard, Duke of York, and the Death of Good King Henry VI.'' <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:Richard Burbage first appears in theatrical records not as a player but as a brawler. The records are depositions by John Alleyn (brother of Edward Alleyn) in a 1589-90 lawsuit filed in the Court of Chancery concerning business at the Shoreditch playhouse, the Theater. Alleyn said that Burbage hurled abuse at two complainants in the suit (Margaret Brayne, Robert Myles) and threatened them with a broomstick. Theater historians have deduced from this testimony that Richard was "probably playing with the Admiral's men" at the time (Nungezer, p. 68). Burbage does not appear in theatrical records again until 1594, when he is named in the Declared Accounts of the Treasurer of the Chamber for March 1594 along with William Kempe and William Shakespeare as payees of £20 for performances at court by the Lord Chamberlain's men on the previous holidays of St. Stephen's Day and Holy Innocents (26, 27 December 1594). In the absence of evidence for 1591 to mid-1594, theater historians have found it appealing to consider him with the earl of Pembroke's men (1592-3) in large part because that company had versions of several plays in which William Shakespeare had a hand including ''The First Part of the Contention betwixt the Two Famous Houses of York and Lancaster'' and ''The True Tragedy of Richard, Duke of York, and the Death of Good King Henry VI.'' <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:An anecdote that probably belongs to Burbage's early years as a Chamberlain's man, and which displays a different kind of confrontational behavior, was told in 1602-3 by John Manningham, a student of Middle Temple in his 1602-3 diary: "Vpon a tyme when Burbidge played Richard III. there was a citizen grone soe farr in liking with him, that before shee went from the play shee appointed him to come that night vnto hir by the name of Richard the Third. Shakespeare ouerhearing their conclusion went before, was intertained and at his game ere Burbidge came. Then message being brought that Richard the Third was at the dore, Shakespeare caused returne to be made that William the Conqueror was before Richard the Third. Shakespeare's name William" (Manningham, 13 March 1601). </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:An anecdote that probably belongs to Burbage's early years as a Chamberlain's man, and which displays a different kind of confrontational behavior, was told in 1602-3 by John Manningham, a student of Middle Temple in his 1602-3 diary: "Vpon a tyme when Burbidge played Richard III. there was a citizen grone soe farr in liking with him, that before shee went from the play shee appointed him to come that night vnto hir by the name of Richard the Third. Shakespeare ouerhearing their conclusion went before, was intertained and at his game ere Burbidge came. Then message being brought that Richard the Third was at the dore, Shakespeare caused returne to be made that William the Conqueror was before Richard the Third. Shakespeare's name William" (Manningham, 13 March 1601). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:<del style="font-weight: bold; text-decoration: none;">1594-1619: As lead actor for the Chamberlain's men when the company was formed (c. mid-May 1594), Burbage was undoubtedly a player in the repertory offered at the Newington playhouse </del>from <del style="font-weight: bold; text-decoration: none;">June 3 through June 13. Philip Henslowe recorded the performances in his memorandum book with the heading, "... begininge at newington my Lord Admeralle men & my Lorde chamberlen men ..." without a clue as </del>to <del style="font-weight: bold; text-decoration: none;">the performance features of the companies' joint venture. Because the Admiral's men subsequently performed three of the seven plays listed by Henslowe, theater historians have considered it likely that the remaining four were among the offerings of the Chamberlain's men as they sought venues in the provinces and in London in the months ahead. The story of the Chamberlain's men in London, 1594-99, is best followed by their access first </del>to <del style="font-weight: bold; text-decoration: none;">the Theater, then the Curtain, and finally the </del>Globe<del style="font-weight: bold; text-decoration: none;">; and its centerpiece is the dismantling of the Theater building and reconstructing it as the Globe, where the company would remain well past the stage lifetime of Richard Burbage. </del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:<ins style="font-weight: bold; text-decoration: none;">transition </ins>from <ins style="font-weight: bold; text-decoration: none;">Theater </ins>to <ins style="font-weight: bold; text-decoration: none;">Curtain </ins>to Globe and <ins style="font-weight: bold; text-decoration: none;">Blackfriars</ins>, <ins style="font-weight: bold; text-decoration: none;">Christmas 1598</ins>-<ins style="font-weight: bold; text-decoration: none;">1619</ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">:Burbage as a stage character: In ''2 Return from Parnassus'' (c.1602) two players, Dick Burbage </del>and <del style="font-weight: bold; text-decoration: none;">Will Kempe are approached by the main characters (two adrift Cambridge graduates) about the prospects of acting as a road to riches. In ''The Malcontent'' (c.1603)</del>, <del style="font-weight: bold; text-decoration: none;">Burbage plays himself in a newly</del>-<del style="font-weight: bold; text-decoration: none;">written Induction that "explains" to the audience how a play once in the repertory of a boys' company now belongs to the King's men. 1618, pageant celebrating the announcement of Prince Henry as Prince of Wales<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">other: character with Kempe in ''2 Return from Parnasus''; appears as self in Induction to ''The Malcontent'' 1604 (with Condell and Lowin; 1618, pageant celebrating the announcement of Prince Henry as Prince of Wales<br></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l45">Line 45:</td>
<td colspan="2" class="diff-lineno">Line 44:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:?Urganda ?King Egereon, ?Eschines, [[Dead Man's Fortune, The|"The Dead Man's Fortune"]] (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97). <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:?Urganda ?King Egereon, ?Eschines, [[Dead Man's Fortune, The|"The Dead Man's Fortune"]] (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97). <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:King Gorboduc ("Envy"), Tereus ("Lechery"), [[Second Part of the Seven Deadly Sins, The|"The Second Part of the Seven Deadly Sins"]]<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:King Gorboduc ("Envy"), Tereus ("Lechery"), [[Second Part of the Seven Deadly Sins, The|"The Second Part of the Seven Deadly Sins"]]<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">other lost plays assigned to the Chamberlain's King's men during Burbage's active stage life:</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">::</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> * "Hester and Ahasuerus"</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> * "Bad Beginning Makes a Good Ending"</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> * "Cardenio"</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> * "Cloth Breeches and Velvet Hose"</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> * </del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> </del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Richard_Burbage&diff=24977&oldid=prevRlknutson at 20:21, 8 April 20222022-04-08T20:21:17Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:21, 8 April 2022</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Player'''<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Player'''<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:Richard Burbage first appears in theatrical records not as a player but as a brawler. The records are depositions by John Alleyn (brother of Edward Alleyn) in a 1589-90 lawsuit filed in the Court of Chancery concerning business at the Shoreditch playhouse, the Theater. Alleyn said that Burbage hurled abuse at two complainants in the suit (Margaret Brayne, Robert Myles) and threatened them with a broomstick. Theater historians have deduced from this testimony that Richard was "probably playing with the Admiral's men" at the time (Nungezer, p. 68). Burbage does not appear in theatrical records again until 1594, when he is named in the Declared Accounts of the Treasurer of the Chamber for March 1594 along with William Kempe and William Shakespeare as payees of £20 for performances at court by the Lord Chamberlain's men on the previous holidays of St. Stephen's Day and Holy Innocents (26, 27 December 1594). In the absence of evidence for 1591 to mid-1594, theater historians have found it appealing to consider him with the earl of Pembroke's men (1592-3) in large part because that company had versions of several plays in which William Shakespeare had a hand including ''The First Part of the Contention betwixt the Two Famous Houses of York and Lancaster'' and ''The True Tragedy of Richard, Duke of York, and the Death of Good King Henry VI.'' <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:1589-1594</ins>: Richard Burbage first appears in theatrical records not as a player but as a brawler. The records are depositions by John Alleyn (brother of Edward Alleyn) in a 1589-90 lawsuit filed in the Court of Chancery concerning business at the Shoreditch playhouse, the Theater. Alleyn said that Burbage hurled abuse at two complainants in the suit (Margaret Brayne, Robert Myles) and threatened them with a broomstick. Theater historians have deduced from this testimony that Richard was "probably playing with the Admiral's men" at the time (Nungezer, p. 68). Burbage does not appear in theatrical records again until 1594, when he is named in the Declared Accounts of the Treasurer of the Chamber for March 1594 along with William Kempe and William Shakespeare as payees of £20 for performances at court by the Lord Chamberlain's men on the previous holidays of St. Stephen's Day and Holy Innocents (26, 27 December 1594). In the absence of evidence for 1591 to mid-1594, theater historians have found it appealing to consider him with the earl of Pembroke's men (1592-3) in large part because that company had versions of several plays in which William Shakespeare had a hand including ''The First Part of the Contention betwixt the Two Famous Houses of York and Lancaster'' and ''The True Tragedy of Richard, Duke of York, and the Death of Good King Henry VI.'' <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:An anecdote that probably belongs to Burbage's early years as a Chamberlain's man, and which displays a different kind of confrontational behavior, was told in 1602-3 by John Manningham, a student of Middle Temple in his 1602-3 diary: "Vpon a tyme when Burbidge played Richard III. there was a citizen grone soe farr in liking with him, that before shee went from the play shee appointed him to come that night vnto hir by the name of Richard the Third. Shakespeare ouerhearing their conclusion went before, was intertained and at his game ere Burbidge came. Then message being brought that Richard the Third was at the dore, Shakespeare caused returne to be made that William the Conqueror was before Richard the Third. Shakespeare's name William" (Manningham, 13 March 1601). </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:An anecdote that probably belongs to Burbage's early years as a Chamberlain's man, and which displays a different kind of confrontational behavior, was told in 1602-3 by John Manningham, a student of Middle Temple in his 1602-3 diary: "Vpon a tyme when Burbidge played Richard III. there was a citizen grone soe farr in liking with him, that before shee went from the play shee appointed him to come that night vnto hir by the name of Richard the Third. Shakespeare ouerhearing their conclusion went before, was intertained and at his game ere Burbidge came. Then message being brought that Richard the Third was at the dore, Shakespeare caused returne to be made that William the Conqueror was before Richard the Third. Shakespeare's name William" (Manningham, 13 March 1601). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:<del style="font-weight: bold; text-decoration: none;">transition </del>from Theater <del style="font-weight: bold; text-decoration: none;">to </del>Curtain <del style="font-weight: bold; text-decoration: none;">to </del>Globe and <del style="font-weight: bold; text-decoration: none;">Blackfriars</del>, <del style="font-weight: bold; text-decoration: none;">Christmas 1598</del>-<del style="font-weight: bold; text-decoration: none;">1619</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:<ins style="font-weight: bold; text-decoration: none;">1594-1619: As lead actor for the Chamberlain's men when the company was formed (c. mid-May 1594), Burbage was undoubtedly a player in the repertory offered at the Newington playhouse </ins>from <ins style="font-weight: bold; text-decoration: none;">June 3 through June 13. Philip Henslowe recorded the performances in his memorandum book with the heading, "... begininge at newington my Lord Admeralle men & my Lorde chamberlen men ..." without a clue as to the performance features of the companies' joint venture. Because the Admiral's men subsequently performed three of the seven plays listed by Henslowe, theater historians have considered it likely that the remaining four were among the offerings of the Chamberlain's men as they sought venues in the provinces and in London in the months ahead. The story of the Chamberlain's men in London, 1594-99, is best followed by their access first to the </ins>Theater<ins style="font-weight: bold; text-decoration: none;">, then the </ins>Curtain<ins style="font-weight: bold; text-decoration: none;">, and finally the Globe; and its centerpiece is the dismantling of the Theater building and reconstructing it as the </ins>Globe<ins style="font-weight: bold; text-decoration: none;">, where the company would remain well past the stage lifetime of Richard Burbage. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:Burbage as a stage character: In ''2 Return from Parnassus'' (c.1602) two players, Dick Burbage </ins>and <ins style="font-weight: bold; text-decoration: none;">Will Kempe are approached by the main characters (two adrift Cambridge graduates) about the prospects of acting as a road to riches. In ''The Malcontent'' (c.1603)</ins>, <ins style="font-weight: bold; text-decoration: none;">Burbage plays himself in a newly</ins>-<ins style="font-weight: bold; text-decoration: none;">written Induction that "explains" to the audience how a play once in the repertory of a boys' company now belongs to the King's men. 1618, pageant celebrating the announcement of Prince Henry as Prince of Wales<br></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">other: character with Kempe in ''2 Return from Parnasus''; appears as self in Induction to ''The Malcontent'' 1604 (with Condell and Lowin; 1618, pageant celebrating the announcement of Prince Henry as Prince of Wales<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l44">Line 44:</td>
<td colspan="2" class="diff-lineno">Line 45:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:?Urganda ?King Egereon, ?Eschines, [[Dead Man's Fortune, The|"The Dead Man's Fortune"]] (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97). <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:?Urganda ?King Egereon, ?Eschines, [[Dead Man's Fortune, The|"The Dead Man's Fortune"]] (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97). <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:King Gorboduc ("Envy"), Tereus ("Lechery"), [[Second Part of the Seven Deadly Sins, The|"The Second Part of the Seven Deadly Sins"]]<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:King Gorboduc ("Envy"), Tereus ("Lechery"), [[Second Part of the Seven Deadly Sins, The|"The Second Part of the Seven Deadly Sins"]]<br></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">other lost plays assigned to the Chamberlain's King's men during Burbage's active stage life:</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">::</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> * "Hester and Ahasuerus"</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> * "Bad Beginning Makes a Good Ending"</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> * "Cardenio"</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> * "Cloth Breeches and Velvet Hose"</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> * </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> </ins></div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
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</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Richard_Burbage&diff=24974&oldid=prevRlknutson at 16:51, 7 April 20222022-04-07T16:51:39Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:51, 7 April 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l37">Line 37:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Numerous elegies and elegiac references followed Richard Burbage's death for years afterwards; the most succinct: "Exit Burbage" (Nungezer, p. 73). <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Numerous elegies and elegiac references followed Richard Burbage's death for years afterwards; the most succinct: "Exit Burbage" (Nungezer, p. 73). <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Closeness with brother Cuthbert: bought houses together in 1608, also 1617 (Eccles, 43)<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Closeness with brother Cuthbert: bought houses together in 1608, also 1617 (Eccles, 43)<br></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><br></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Roles'''<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Roles'''<br></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l43">Line 43:</td>
<td colspan="2" class="diff-lineno">Line 44:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:?Urganda ?King Egereon, ?Eschines, [[Dead Man's Fortune, The|"The Dead Man's Fortune"]] (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97). <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:?Urganda ?King Egereon, ?Eschines, [[Dead Man's Fortune, The|"The Dead Man's Fortune"]] (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97). <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:King Gorboduc ("Envy"), Tereus ("Lechery"), [[Second Part of the Seven Deadly Sins, The|"The Second Part of the Seven Deadly Sins"]]<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:King Gorboduc ("Envy"), Tereus ("Lechery"), [[Second Part of the Seven Deadly Sins, The|"The Second Part of the Seven Deadly Sins"]]<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">:see anecdote above about his playing Richard II<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Richard_Burbage&diff=24973&oldid=prevRlknutson at 16:50, 7 April 20222022-04-07T16:50:01Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
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<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:50, 7 April 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Richard Burbage, son of James Burbage and younger brother of Cuthbert Burbage, was the leading player of the Chamberlain's men as constituted in 1594; at his father's death (February 1597), Richard became a leading businessman with the company as well, having the Globe playhouse and later also Blackfriars Playhouse under his and his brother Cuthbert's control. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Richard Burbage, son of James Burbage and younger brother of Cuthbert Burbage, was the leading player of the Chamberlain's men as constituted in 1594; at his father's death (February 1597), Richard became a leading businessman with the company as well, having the Globe playhouse and later also Blackfriars Playhouse under his and his brother Cuthbert's control. </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><br></ins><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Player'''<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Player'''<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:Richard Burbage first appears in theatrical records not as a player but as a brawler. The records are depositions by John Alleyn (brother of Edward Alleyn) in a 1589-90 lawsuit filed in the Court of Chancery concerning business at the Shoreditch playhouse, the Theater. Alleyn said that Burbage hurled abuse at two complainants in the suit (Margaret Brayne, Robert Myles) and threatened them with a broomstick. Theater historians have deduced from this testimony that Richard was "probably playing with the Admiral's men" at the time (Nungezer, p. 68). Burbage does not appear in theatrical records again until 1594, when he is named in the Declared Accounts of the Treasurer of the Chamber for March 1594 along with William Kempe and William Shakespeare as payees of £20 for performances at court by the Lord Chamberlain's men on the previous holidays of St. Stephen's Day and Holy Innocents (26, 27 December 1594). In the absence of evidence for 1591 to mid-1594, theater historians have found it appealing to consider him with the earl of Pembroke's men (1592-3) in large part because that company had versions of several plays in which William Shakespeare had a hand including ''The First Part of the Contention betwixt the Two Famous Houses of York and Lancaster'' and ''The True Tragedy of Richard, Duke of York, and the Death of Good King Henry VI.'' </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:Richard Burbage first appears in theatrical records not as a player but as a brawler. The records are depositions by John Alleyn (brother of Edward Alleyn) in a 1589-90 lawsuit filed in the Court of Chancery concerning business at the Shoreditch playhouse, the Theater. Alleyn said that Burbage hurled abuse at two complainants in the suit (Margaret Brayne, Robert Myles) and threatened them with a broomstick. Theater historians have deduced from this testimony that Richard was "probably playing with the Admiral's men" at the time (Nungezer, p. 68). Burbage does not appear in theatrical records again until 1594, when he is named in the Declared Accounts of the Treasurer of the Chamber for March 1594 along with William Kempe and William Shakespeare as payees of £20 for performances at court by the Lord Chamberlain's men on the previous holidays of St. Stephen's Day and Holy Innocents (26, 27 December 1594). In the absence of evidence for 1591 to mid-1594, theater historians have found it appealing to consider him with the earl of Pembroke's men (1592-3) in large part because that company had versions of several plays in which William Shakespeare had a hand including ''The First Part of the Contention betwixt the Two Famous Houses of York and Lancaster'' and ''The True Tragedy of Richard, Duke of York, and the Death of Good King Henry VI.'' <ins style="font-weight: bold; text-decoration: none;"><br></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:An anecdote that probably belongs to Burbage's early years as a Chamberlain's man, and which displays a different kind of confrontational behavior, was told in 1602-3 by John Manningham, a student of Middle Temple in his 1602-3 diary: "Vpon a tyme when Burbidge played Richard III. there was a citizen grone soe farr in liking with him, that before shee went from the play shee appointed him to come that night vnto hir by the name of Richard the Third. Shakespeare ouerhearing their conclusion went before, was intertained and at his game ere Burbidge came. Then message being brought that Richard the Third was at the dore, Shakespeare caused returne to be made that William the Conqueror was before Richard the Third. Shakespeare's name William" (Manningham, 13 March 1601). </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:An anecdote that probably belongs to Burbage's early years as a Chamberlain's man, and which displays a different kind of confrontational behavior, was told in 1602-3 by John Manningham, a student of Middle Temple in his 1602-3 diary: "Vpon a tyme when Burbidge played Richard III. there was a citizen grone soe farr in liking with him, that before shee went from the play shee appointed him to come that night vnto hir by the name of Richard the Third. Shakespeare ouerhearing their conclusion went before, was intertained and at his game ere Burbidge came. Then message being brought that Richard the Third was at the dore, Shakespeare caused returne to be made that William the Conqueror was before Richard the Third. Shakespeare's name William" (Manningham, 13 March 1601). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Richard_Burbage&diff=24972&oldid=prevRlknutson at 16:48, 7 April 20222022-04-07T16:48:22Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
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<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:48, 7 April 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4">Line 4:</td>
<td colspan="2" class="diff-lineno">Line 4:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Player'''<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Player'''<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Richard Burbage first appears in theatrical records not as a player but as a brawler. The records are depositions by John Alleyn (brother of Edward Alleyn) in a 1589-90 lawsuit filed in the Court of Chancery concerning business at the Shoreditch playhouse, the Theater. Alleyn said that Burbage hurled abuse at two complainants in the suit (Margaret Brayne, Robert Myles) and threatened them with a broomstick. Theater historians have deduced from this testimony that Richard was "probably playing with the Admiral's men" at the time (Nungezer, p. 68). Burbage does not appear in theatrical records again until 1594, when he is named in the Declared Accounts of the Treasurer of the Chamber for March 1594 along with William Kempe and William Shakespeare as payees of £20 for performances at court by the Lord Chamberlain's men on the previous holidays of St. Stephen's Day and Holy Innocents (26, 27 December 1594). In the absence of evidence for 1591 to mid-1594, theater historians have found it appealing to consider him with the earl of Pembroke's men (1592-3) in large part because that company had versions of several plays in which William Shakespeare had a hand including ''The First Part of the Contention betwixt the Two Famous Houses of York and Lancaster'' and ''The True Tragedy of Richard, Duke of York, and the Death of Good King Henry VI.'' </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Richard Burbage first appears in theatrical records not as a player but as a brawler. The records are depositions by John Alleyn (brother of Edward Alleyn) in a 1589-90 lawsuit filed in the Court of Chancery concerning business at the Shoreditch playhouse, the Theater. Alleyn said that Burbage hurled abuse at two complainants in the suit (Margaret Brayne, Robert Myles) and threatened them with a broomstick. Theater historians have deduced from this testimony that Richard was "probably playing with the Admiral's men" at the time (Nungezer, p. 68). Burbage does not appear in theatrical records again until 1594, when he is named in the Declared Accounts of the Treasurer of the Chamber for March 1594 along with William Kempe and William Shakespeare as payees of £20 for performances at court by the Lord Chamberlain's men on the previous holidays of St. Stephen's Day and Holy Innocents (26, 27 December 1594). In the absence of evidence for 1591 to mid-1594, theater historians have found it appealing to consider him with the earl of Pembroke's men (1592-3) in large part because that company had versions of several plays in which William Shakespeare had a hand including ''The First Part of the Contention betwixt the Two Famous Houses of York and Lancaster'' and ''The True Tragedy of Richard, Duke of York, and the Death of Good King Henry VI.'' </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:An anecdote that probably belongs to Burbage's early years as a Chamberlain's man, and which displays a different kind of confrontational behavior, was told in 1602-3 by John Manningham, a student of Middle Temple in his 1602-3 diary: "Vpon a tyme when Burbidge played Richard III. there was a citizen grone soe farr in liking with him, that before shee went from the play shee appointed him to come that night vnto hir by the name of Richard the Third. Shakespeare ouerhearing their conclusion went before, was intertained and at his game ere Burbidge came. Then message being brought that Richard the Third was at the dore, Shakespeare caused returne to be made that William the Conqueror was before Richard the Third. Shakespeare's name William" (<del style="font-weight: bold; text-decoration: none;">Gutenberg</del>, 13 March 1601). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:An anecdote that probably belongs to Burbage's early years as a Chamberlain's man, and which displays a different kind of confrontational behavior, was told in 1602-3 by John Manningham, a student of Middle Temple in his 1602-3 diary: "Vpon a tyme when Burbidge played Richard III. there was a citizen grone soe farr in liking with him, that before shee went from the play shee appointed him to come that night vnto hir by the name of Richard the Third. Shakespeare ouerhearing their conclusion went before, was intertained and at his game ere Burbidge came. Then message being brought that Richard the Third was at the dore, Shakespeare caused returne to be made that William the Conqueror was before Richard the Third. Shakespeare's name William" (<ins style="font-weight: bold; text-decoration: none;">Manningham</ins>, 13 March 1601). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:transition </ins>from <ins style="font-weight: bold; text-decoration: none;">Theater </ins>to <ins style="font-weight: bold; text-decoration: none;">Curtain to Globe </ins>and <ins style="font-weight: bold; text-decoration: none;">Blackfriars</ins>, Christmas 1598-1619</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Vpon a tyme when Burbidge played Richard III. there was a citizen grone soe farr in liking with him, that before shee went </del>from <del style="font-weight: bold; text-decoration: none;">the play shee appointed him </del>to <del style="font-weight: bold; text-decoration: none;">come that night vnto hir by the name of Richard the Third. Shakespeare ouerhearing their conclusion went before, was intertained </del>and <del style="font-weight: bold; text-decoration: none;">at his game ere Burbidge came. Then message being brought that Richard the Third was at the dore</del>, <del style="font-weight: bold; text-decoration: none;">Shakespeare caused returne to be made that William the Conqueror was before Richard the Third. Shakespeare's name William. </del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> </del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">anecdote about playing Richard III (John Manningham) <br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">June 1594-98<br></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Christmas<del style="font-weight: bold; text-decoration: none;">, </del>1598-<del style="font-weight: bold; text-decoration: none;">Sept </del>1619<del style="font-weight: bold; text-decoration: none;"><br> </del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>other: character with Kempe in ''2 Return from Parnasus''; appears as self in Induction to ''The Malcontent'' 1604 (with Condell and Lowin; 1618, pageant celebrating the announcement of Prince Henry as Prince of Wales<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>other: character with Kempe in ''2 Return from Parnasus''; appears as self in Induction to ''The Malcontent'' 1604 (with Condell and Lowin; 1618, pageant celebrating the announcement of Prince Henry as Prince of Wales<br></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l39">Line 39:</td>
<td colspan="2" class="diff-lineno">Line 34:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Richard (himself) buried 16 March 1619<br> </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Richard (himself) buried 16 March 1619<br> </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Numerous elegies and elegiac references followed Richard Burbage's death for years afterwards; the most succinct: "Exit Burbage" (Nungezer, p. 73) <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Numerous elegies and elegiac references followed Richard Burbage's death for years afterwards; the most succinct: "Exit Burbage" (Nungezer, p. 73)<ins style="font-weight: bold; text-decoration: none;">. </ins><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Closeness with brother Cuthbert: bought houses together in 1608, also 1617 (Eccles, 43)<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Closeness with brother Cuthbert: bought houses together in 1608, also 1617 (Eccles, 43)<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
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<td colspan="2" class="diff-lineno">Line 42:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:?Urganda ?King Egereon, ?Eschines, [[Dead Man's Fortune, The|"The Dead Man's Fortune"]] (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97). <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:?Urganda ?King Egereon, ?Eschines, [[Dead Man's Fortune, The|"The Dead Man's Fortune"]] (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97). <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:King Gorboduc ("Envy"), Tereus ("Lechery"), [[Second Part of the Seven Deadly Sins, The|"The Second Part of the Seven Deadly Sins"]]<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:King Gorboduc ("Envy"), Tereus ("Lechery"), [[Second Part of the Seven Deadly Sins, The|"The Second Part of the Seven Deadly Sins"]]<br></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:see anecdote above about his playing Richard II<br></ins></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
</table>Rlknutsonhttps://lostplays.folger.edu/_mw/index.php?title=Category:Richard_Burbage&diff=24971&oldid=prevRlknutson: /* Works Cited */2022-04-07T16:23:03Z<p><span dir="auto"><span class="autocomment">Works Cited</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:23, 7 April 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l59">Line 59:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Kathman, David. "Reconsidering ''The Seven Deadly Sins''," ''Early Theatre'' 7.1 (2004). 13-44.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Kathman, David. "Reconsidering ''The Seven Deadly Sins''," ''Early Theatre'' 7.1 (2004). 13-44.</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Manley, Lawrence and Sally-Beth MacLean. ''Lord Strange's Men and Their Plays''. New Haven and London: Yale University Press, 2014.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Manley, Lawrence and Sally-Beth MacLean. ''Lord Strange's Men and Their Plays''. New Haven and London: Yale University Press, 2014.</div></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div style="padding-left: 2em; text-indent: -2em">Manningham, John. "Diary of John Manningham." The Project Gutenberg EBook of Diary of John Manningham, by John Manningham. (Web)</div></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">McMillin, Scott. "The Plots of ''The Dead Man's Fortune'' and ''2 Seven Deadly Sins'': Inferences for Theatre Historians," ''Studies in Bibliography'' 26 (1973): 235-43.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">McMillin, Scott. "The Plots of ''The Dead Man's Fortune'' and ''2 Seven Deadly Sins'': Inferences for Theatre Historians," ''Studies in Bibliography'' 26 (1973): 235-43.</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Munro, Lucy. ''Shakespeare in the Theatre: The King's Men.'' The Arden Shakespeare. London: Bloomsbury, 2020.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Munro, Lucy. ''Shakespeare in the Theatre: The King's Men.'' The Arden Shakespeare. London: Bloomsbury, 2020.</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Nungezer, Edwin. ‘’A Dictionary of Actors’’. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Nungezer, Edwin. ‘’A Dictionary of Actors’’. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).</div></div></td></tr>
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</table>Rlknutson