https://lostplays.folger.edu/_mw/index.php?title=Category:Nicholas_Tooley&feed=atom&action=history
Category:Nicholas Tooley - Revision history
2024-03-28T14:38:15Z
Revision history for this page on the wiki
MediaWiki 1.39.6
https://lostplays.folger.edu/_mw/index.php?title=Category:Nicholas_Tooley&diff=25022&oldid=prev
Rlknutson at 16:44, 19 April 2022
2022-04-19T16:44:48Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:44, 19 April 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The only surviving document about Nicholas Tooley that conveys his "voice" is his will, which is dated 3 June 1623. It does not mention a wife or children. It ''does'' mention his theatrical family: the Cuthbert Burbages, the Richard Burbages, the Henry Condells, and other players (Richard Robinson, Joseph Taylor, John Underwood, William Ecclestone). Another notable feature of the will is its pattern of generosity. Tooley names the Cobb family (widow and sons) whose minor debts he forgives; in a more expansive passage, he sets up a kind of trust fund of £80 for "the perpetuall releife of the poore" of St. Leonard Shoreditch so that "on euerie Sunday after morninge prayer for euer there may out of the encrease ... be distributed amongst the poorer sort of people of the same p''ar''rishe Thirtie and Two penny Wheaten loaves for their releife" (Honigmann and Brock, p. 126). And, if St. Leonard's somehow squanders this legacy, Tooley asks that the gift be transferred to St. Giles without Cripplegate. The will also provides an alias for Tooley, "Wilkinson."</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The only surviving document about Nicholas Tooley that conveys his "voice" is his will, which is dated 3 June 1623. It does not mention a wife or children. It ''does'' mention his theatrical family: the Cuthbert Burbages, the Richard Burbages, the Henry Condells, and other players (Richard Robinson, Joseph Taylor, John Underwood, William Ecclestone). Another notable feature of the will is its pattern of generosity. Tooley names the Cobb family (widow and sons) whose minor debts he forgives; in a more expansive passage, he sets up a kind of trust fund of £80 for "the perpetuall releife of the poore" of St. Leonard Shoreditch so that "on euerie Sunday after morninge prayer for euer there may out of the encrease ... be distributed amongst the poorer sort of people of the same p''ar''rishe Thirtie and Two penny Wheaten loaves for their releife" (Honigmann and Brock, p. 126). And, if St. Leonard's somehow squanders this legacy, Tooley asks that the gift be transferred to St. Giles without Cripplegate. The will also provides an alias for Tooley, "Wilkinson."</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Other than his belonging to the company that played [[Second Part of the Seven Deadly Sins,The|The Second Part of the Seven Deadly Sins]], Tooley is associated with the Chamberlain's/King's most specifically from 1605 forward. Munro specifies several of his parts in the King's men's repertory (pp. 57, 196-7).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Other than his belonging to the company that played [[Second Part of the Seven Deadly Sins, The|The Second Part of the Seven Deadly Sins]], Tooley is associated with the Chamberlain's/King's most specifically from 1605 forward. Munro specifies several of his parts in the King's men's repertory (pp. 57, 196-7).</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Category:Nicholas_Tooley&diff=25021&oldid=prev
Rlknutson at 16:43, 19 April 2022
2022-04-19T16:43:52Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:43, 19 April 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l6">Line 6:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Roles'''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Roles'''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Lady ("Envy"), Pompeia ("Sloth") in [[Second Part of the Seven Deadly Sins,The|The Second Part of the Seven Deadly Sins]]<br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Lady ("Envy"), Pompeia ("Sloth") in [[Second Part of the Seven Deadly Sins, The|The Second Part of the Seven Deadly Sins]]<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Ananias in ''The Alchemist'' <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Ananias in ''The Alchemist'' <br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Forobosco and a madman in ''The Duchess of Malfi'' <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Forobosco and a madman in ''The Duchess of Malfi'' <br></div></td></tr>
</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Category:Nicholas_Tooley&diff=24884&oldid=prev
Rlknutson at 19:25, 26 March 2022
2022-03-26T19:25:33Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:25, 26 March 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The only surviving document about Nicholas Tooley that conveys his "voice" is his will, which is dated 3 June 1623. It does not mention a wife or children. It ''does'' mention his theatrical family: the Cuthbert Burbages, the Richard Burbages, the Henry Condells, and other players (Richard Robinson, Joseph Taylor, John Underwood, William Ecclestone). Another notable feature of the will is its pattern of <del style="font-weight: bold; text-decoration: none;">debt forgiveness</del>. Tooley names the Cobb family (widow and sons) whose minor debts he forgives; in a more expansive passage, he sets up a kind of trust fund of £80 for "the perpetuall releife of the poore" of St. Leonard Shoreditch so that "on euerie Sunday after morninge prayer for euer there may out of the encrease ... be distributed amongst the poorer sort of people of the same p''ar''rishe Thirtie and Two penny Wheaten loaves for their releife" (Honigmann and Brock, p. 126). And, if St. Leonard's somehow squanders this legacy, Tooley asks that the gift be transferred to St. Giles without Cripplegate. The will also provides an alias, "Wilkinson<del style="font-weight: bold; text-decoration: none;">,</del>" <del style="font-weight: bold; text-decoration: none;">for Tooley.</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The only surviving document about Nicholas Tooley that conveys his "voice" is his will, which is dated 3 June 1623. It does not mention a wife or children. It ''does'' mention his theatrical family: the Cuthbert Burbages, the Richard Burbages, the Henry Condells, and other players (Richard Robinson, Joseph Taylor, John Underwood, William Ecclestone). Another notable feature of the will is its pattern of <ins style="font-weight: bold; text-decoration: none;">generosity</ins>. Tooley names the Cobb family (widow and sons) whose minor debts he forgives; in a more expansive passage, he sets up a kind of trust fund of £80 for "the perpetuall releife of the poore" of St. Leonard Shoreditch so that "on euerie Sunday after morninge prayer for euer there may out of the encrease ... be distributed amongst the poorer sort of people of the same p''ar''rishe Thirtie and Two penny Wheaten loaves for their releife" (Honigmann and Brock, p. 126). And, if St. Leonard's somehow squanders this legacy, Tooley asks that the gift be transferred to St. Giles without Cripplegate. The will also provides an alias <ins style="font-weight: bold; text-decoration: none;">for Tooley</ins>, "Wilkinson<ins style="font-weight: bold; text-decoration: none;">.</ins>"</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Other than his belonging to the company that played [[Second Part of the Seven Deadly Sins,The|The Second Part of the Seven Deadly Sins]], Tooley is associated with the Chamberlain's/King's most specifically from 1605 forward</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Other than his belonging to the company that played [[Second Part of the Seven Deadly Sins,The|The Second Part of the Seven Deadly Sins]], Tooley is associated with the Chamberlain's/King's most specifically from 1605 forward<ins style="font-weight: bold; text-decoration: none;">. Munro specifies several of his parts in the King's men's repertory (pp. 57, 196-7).</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7">Line 7:</td>
<td colspan="2" class="diff-lineno">Line 7:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Lady ("Envy"), Pompeia ("Sloth") in [[Second Part of the Seven Deadly Sins,The|The Second Part of the Seven Deadly Sins]]<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Lady ("Envy"), Pompeia ("Sloth") in [[Second Part of the Seven Deadly Sins,The|The Second Part of the Seven Deadly Sins]]<br></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Ananias in ''The Alchemist'' <br></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Forobosco and a madman in ''The Duchess of Malfi'' <br></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Category:Nicholas_Tooley&diff=24883&oldid=prev
Rlknutson at 22:02, 25 March 2022
2022-03-25T22:02:24Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
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<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:02, 25 March 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Nicholas Tooley ...</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The only surviving document about </ins>Nicholas Tooley <ins style="font-weight: bold; text-decoration: none;">that conveys his "voice" is his will, which is dated 3 June 1623</ins>. <ins style="font-weight: bold; text-decoration: none;">It does not mention a wife or children</ins>. <ins style="font-weight: bold; text-decoration: none;">It ''does'' mention his theatrical family: the Cuthbert Burbages, the Richard Burbages, the Henry Condells, and other players (Richard Robinson, Joseph Taylor, John Underwood, William Ecclestone). Another notable feature of the will is its pattern of debt forgiveness. Tooley names the Cobb family (widow and sons) whose minor debts he forgives; in a more expansive passage, he sets up a kind of trust fund of £80 for "the perpetuall releife of the poore" of St. Leonard Shoreditch so that "on euerie Sunday after morninge prayer for euer there may out of the encrease ... be distributed amongst the poorer sort of people of the same p''ar''rishe Thirtie and Two penny Wheaten loaves for their releife" (Honigmann and Brock, p. 126). And, if St. Leonard's somehow squanders this legacy, Tooley asks that the gift be transferred to St. Giles without Cripplegate. The will also provides an alias, "Wilkinson," for Tooley</ins>.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Other than his belonging to the company that played [[Second Part of the Seven Deadly Sins,The|The Second Part of the Seven Deadly Sins]], Tooley is associated with the Chamberlain's/King's most specifically from 1605 forward</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Lady ("Envy"), Pompeia ("Sloth") in [[Second Part of the Seven Deadly Sins,The|The Second Part of the Seven Deadly Sins]]<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Lady ("Envy"), Pompeia ("Sloth") in [[Second Part of the Seven Deadly Sins,The|The Second Part of the Seven Deadly Sins]]<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><br><br></ins></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Honigmann, E. A. J. and Susan Brock. ''Playhouse Wills 1558-1642''. Manchester: Manchester University Press, 1993.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Honigmann, E. A. J. and Susan Brock. ''Playhouse Wills 1558-1642''. Manchester: Manchester University Press, 1993.</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Kathman, David. "Reconsidering ''The Seven Deadly Sins'', ''Early Theatre'' 7.1 (2004). 13-44.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Kathman, David. "Reconsidering ''The Seven Deadly Sins'', ''Early Theatre'' 7.1 (2004). 13-44.</div></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Nungezer, Edwin. ''A Dictionary of Actors''. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Nungezer, Edwin. ''A Dictionary of Actors''. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).</div></div></td></tr>
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Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Category:Nicholas_Tooley&diff=24882&oldid=prev
Rlknutson at 20:26, 25 March 2022
2022-03-25T20:26:25Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:26, 25 March 2022</td>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''Roles'''</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Lady ("Envy"), Pompeia ("Sloth") in [[Second Part of the Seven Deadly Sins,The|The Second Part of the Seven Deadly Sins]]<br></ins></div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">==Works Cited==</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div style="padding-left: 2em; text-indent: -2em">Honigmann, E. A. J. and Susan Brock. ''Playhouse Wills 1558-1642''. Manchester: Manchester University Press, 1993.</div></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div style="padding-left: 2em; text-indent: -2em">Kathman, David. "Reconsidering ''The Seven Deadly Sins'', ''Early Theatre'' 7.1 (2004). 13-44.</div></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div style="padding-left: 2em; text-indent: -2em">Nungezer, Edwin. ''A Dictionary of Actors''. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).</div></ins></div></td></tr>
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Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Category:Nicholas_Tooley&diff=24851&oldid=prev
Rlknutson: Created page with "Nicholas Tooley ..."
2022-03-19T23:49:07Z
<p>Created page with "Nicholas Tooley ..."</p>
<p><b>New page</b></p><div>Nicholas Tooley ...</div>
Rlknutson