Category:Domenico Lovascio: Difference between revisions

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'''Domenico Lovascio''' is Ricercatore of English Literature at Università degli Studi di Genova. He was awarded the A.I.A./Carocci Doctoral Dissertation Prize 2014 and was a Visiting Scholar at Sheffield Hallam University in 2016. In addition to the first English-Italian edition of Ben Jonson’s ''Catiline'' (Genova: ECIG, 2011) and his monograph ''Un nome, mille volti. Giulio Cesare nel teatro inglese della prima età moderna'' (Roma: Carocci, 2015) – winner in 2016 of the National Literary Award ‘Scriviamo Insieme’ and the Special Jury Prize at the National Literary Award ‘Franz Kafka Italia’ – his articles have been published in ''English Literary Renaissance'', ''The Ben Jonson Journal'', ''Renaissance Studies'', ''Early Theatre'', ''Medieval and Renaissance Drama in England'', ''Early Modern Literary Studies'' and ''Notes & Queries''. He has recently co-edited with Lisa Hopkins an issue of ''Textus. English Studies in Italy'' on 'The Uses of Rome in English Renaissance Drama' and is currently editing the Arden Early Modern Drama Guide to ''Antony and Cleopatra'', 'Shakespeare: Visions of Rome', a special issue of ''Shakespeare'', the journal of the British Shakespeare Association, as well as ''The Housholders Philosophie'' for a projected edition of ''The Collected Works of Thomas Kyd'' (gen. ed. Brian Vickers).
'''Domenico Lovascio''' is Ricercatore of English Literature at Università degli Studi di Genova. He was awarded the A.I.A./Carocci Doctoral Dissertation Prize 2014 and was a Visiting Scholar at Sheffield Hallam University in 2016. In addition to the first English-Italian edition of Ben Jonson’s ''Catiline'' (Genova: ECIG, 2011) and his monograph ''Un nome, mille volti. Giulio Cesare nel teatro inglese della prima età moderna'' (Roma: Carocci, 2015) – winner in 2016 of two National Literary Awards – his articles have been published or are forthcoming in ''English Literary Renaissance'', ''The Ben Jonson Journal'', ''Renaissance Studies'', ''Early Theatre'', ''Medieval and Renaissance Drama in England'', ''Early Modern Literary Studies'', ''Borrowers and Lenders'', ''Notes & Queries'' and the Arden Early Modern Drama Guide to Shakespeare’s ''Julius Caesar''. <br>
He is the Italian advisor for the Oxford edition of ''The Complete Works of John Marston'' (gen. ed. Martin Butler and Matthew Steggle). He edited with Lisa Hopkins an issue of ''Textus. English Studies in Italy'' on ‘The Uses of Rome in English Renaissance Drama’ and he is currently editing the Arden Early Modern Drama Guide to Shakespeare’s ''Antony and Cleopatra''; ‘Shakespeare: Visions of Rome’, a special issue of ''Shakespeare'' (the journal of the British Shakespeare Association); the collection of essays ''Roman Women in Early Modern English Drama'' for Medieval Institute Publications; and ''The Housholders Philosophie'' for a projected edition of ''The Collected Works of Thomas Kyd'' (gen. ed. Brian Vickers). Other current work in progress includes a monograph on the Roman plays in the John Fletcher canon.
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<div style="text-align: center;">[[Contributors|Back to Contributors]]</div>
<div style="text-align: center;">[[Contributors|Back to Contributors]]</div>

Latest revision as of 11:25, 16 October 2018

Domenico Lovascio is Ricercatore of English Literature at Università degli Studi di Genova. He was awarded the A.I.A./Carocci Doctoral Dissertation Prize 2014 and was a Visiting Scholar at Sheffield Hallam University in 2016. In addition to the first English-Italian edition of Ben Jonson’s Catiline (Genova: ECIG, 2011) and his monograph Un nome, mille volti. Giulio Cesare nel teatro inglese della prima età moderna (Roma: Carocci, 2015) – winner in 2016 of two National Literary Awards – his articles have been published or are forthcoming in English Literary Renaissance, The Ben Jonson Journal, Renaissance Studies, Early Theatre, Medieval and Renaissance Drama in England, Early Modern Literary Studies, Borrowers and Lenders, Notes & Queries and the Arden Early Modern Drama Guide to Shakespeare’s Julius Caesar.
He is the Italian advisor for the Oxford edition of The Complete Works of John Marston (gen. ed. Martin Butler and Matthew Steggle). He edited with Lisa Hopkins an issue of Textus. English Studies in Italy on ‘The Uses of Rome in English Renaissance Drama’ and he is currently editing the Arden Early Modern Drama Guide to Shakespeare’s Antony and Cleopatra; ‘Shakespeare: Visions of Rome’, a special issue of Shakespeare (the journal of the British Shakespeare Association); the collection of essays Roman Women in Early Modern English Drama for Medieval Institute Publications; and The Housholders Philosophie for a projected edition of The Collected Works of Thomas Kyd (gen. ed. Brian Vickers). Other current work in progress includes a monograph on the Roman plays in the John Fletcher canon.