https://lostplays.folger.edu/_mw/index.php?title=Category:B_samme&feed=atom&action=history
Category:B samme - Revision history
2024-03-28T18:10:51Z
Revision history for this page on the wiki
MediaWiki 1.39.6
https://lostplays.folger.edu/_mw/index.php?title=Category:B_samme&diff=25031&oldid=prev
Rlknutson at 15:36, 20 April 2022
2022-04-20T15:36:03Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 10:36, 20 April 2022</td>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>"b samme" is the inscription given to a player named Sam by whoever annotated the plot of [[Dead Man's Fortune, The|"Dead Man's Fortune"]] <del style="font-weight: bold; text-decoration: none;">("b" for "boy")</del>. W. W. Greg <del style="font-weight: bold; text-decoration: none;">provides authority for this guess </del>in ''Henslowe Papers'' <del style="font-weight: bold; text-decoration: none;">by expanding </del>the passage in the plot as follows: "B[oy] Sam [Gilburne?]" (p. 133). Twenty years later he <del style="font-weight: bold; text-decoration: none;">is </del>not so sure. He <del style="font-weight: bold; text-decoration: none;">sees </del>a conflict between interpreting the "b" as "boy" given that the actor (Sam) appears to have been assigned to the part of Euphrodore. He <del style="font-weight: bold; text-decoration: none;">considers </del>that "Euphrodore" might be a female character, though he <del style="font-weight: bold; text-decoration: none;">finds </del>"no reason to suppose" so (p. 101, n. 6). He then <del style="font-weight: bold; text-decoration: none;">considers </del>whether the "b" might stand for "black" as in the character of Black Dick in [[Frederick and Basilea|"Frederick and Basilea"]]. Nungezer <del style="font-weight: bold; text-decoration: none;">(influenced by the early Greg) drops </del>the "b" in alphabetizing the player, listing him as "Sam" <del style="font-weight: bold; text-decoration: none;">among the </del>"S<del style="font-weight: bold; text-decoration: none;">'s</del>." McMillin <del style="font-weight: bold; text-decoration: none;">appears inclined to consider </del>"'samme'" <del style="font-weight: bold; text-decoration: none;">as </del>one of the "regular supernumeraries" (<del style="font-weight: bold; text-decoration: none;">[</del>. 239). Bradley groups "b samme" with the adult players and does not specify him as one of the eight boys (95-7). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>"b samme" is the inscription given to a player named Sam by whoever annotated the plot of [[Dead Man's Fortune, The|"Dead Man's Fortune"]]. W. W. Greg in ''Henslowe Papers'' <ins style="font-weight: bold; text-decoration: none;">guessed that "b" stood for "boy," and he expanded </ins>the passage in the plot as follows: "B[oy] Sam [Gilburne?]" (p. 133). Twenty years later he <ins style="font-weight: bold; text-decoration: none;">was </ins>not so sure. He <ins style="font-weight: bold; text-decoration: none;">saw </ins>a conflict between interpreting the "b" as "boy" given that the actor (Sam) appears to have been assigned to the part of Euphrodore. He <ins style="font-weight: bold; text-decoration: none;">considered </ins>that "Euphrodore" might be a female character, though he <ins style="font-weight: bold; text-decoration: none;">found </ins>"no reason to suppose" so (p. 101, n. 6). He then <ins style="font-weight: bold; text-decoration: none;">considered </ins>whether the "b" might stand for "black" as in the character of Black Dick in [[Frederick and Basilea|"Frederick and Basilea"]]. Nungezer <ins style="font-weight: bold; text-decoration: none;">dropped </ins>the "b" in alphabetizing the player, listing him as "Sam" <ins style="font-weight: bold; text-decoration: none;">under </ins>"S." McMillin <ins style="font-weight: bold; text-decoration: none;">considered </ins>"'samme'" <ins style="font-weight: bold; text-decoration: none;">to be </ins>one of the "regular supernumeraries" (<ins style="font-weight: bold; text-decoration: none;">p</ins>. 239). Bradley groups "b samme" with the adult players and does not specify him as one of the eight boys (95-7). </div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
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Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Category:B_samme&diff=25030&oldid=prev
Rlknutson at 19:11, 19 April 2022
2022-04-19T19:11:58Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:11, 19 April 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>"b samme" is the inscription given to a player named Sam by whoever annotated the plot of [[Dead Man's Fortune, The|"Dead Man's Fortune"]] ("b" for "boy"). <del style="font-weight: bold; text-decoration: none;">The tendency </del>in <del style="font-weight: bold; text-decoration: none;">theater history has been to consider </del>the "<del style="font-weight: bold; text-decoration: none;">b</del>" <del style="font-weight: bold; text-decoration: none;">to indicate a boy player</del>. <del style="font-weight: bold; text-decoration: none;">Greg, however, Greg </del>sees a conflict between interpreting the "b" as "boy" given that the actor (Sam) appears to have been assigned to the part of Euphrodore. He considers that "Euphrodore" might be a female character, though he finds "no reason to suppose" so (p. 101, n. 6). He then considers whether the "b" might stand for "black" as in the character of Black Dick in [[Frederick and Basilea|"Frederick and Basilea"]]. McMillin appears inclined to consider "'samme'" as one of the "regular supernumeraries" ([. 239).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>"b samme" is the inscription given to a player named Sam by whoever annotated the plot of [[Dead Man's Fortune, The|"Dead Man's Fortune"]] ("b" for "boy"). <ins style="font-weight: bold; text-decoration: none;">W. W. Greg provides authority for this guess in ''Henslowe Papers'' by expanding the passage </ins>in the <ins style="font-weight: bold; text-decoration: none;">plot as follows: </ins>"<ins style="font-weight: bold; text-decoration: none;">B[oy] Sam [Gilburne?]</ins>" <ins style="font-weight: bold; text-decoration: none;">(p. 133). Twenty years later he is not so sure</ins>. <ins style="font-weight: bold; text-decoration: none;">He </ins>sees a conflict between interpreting the "b" as "boy" given that the actor (Sam) appears to have been assigned to the part of Euphrodore. He considers that "Euphrodore" might be a female character, though he finds "no reason to suppose" so (p. 101, n. 6). He then considers whether the "b" might stand for "black" as in the character of Black Dick in [[Frederick and Basilea|"Frederick and Basilea"]]. <ins style="font-weight: bold; text-decoration: none;">Nungezer (influenced by the early Greg) drops the "b" in alphabetizing the player, listing him as "Sam" among the "S's." </ins>McMillin appears inclined to consider "'samme'" as one of the "regular supernumeraries" ([. 239<ins style="font-weight: bold; text-decoration: none;">). Bradley groups "b samme" with the adult players and does not specify him as one of the eight boys (95-7</ins>). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Roles'''<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Roles'''<br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Attendant, Validore's man, and possibly Euphrodore in [[Dead Man's Fortune, The|"The Dead Man's Fortune"]]<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Attendant, Validore's man, and possibly Euphrodore in [[Dead Man's Fortune, The|"The Dead Man's Fortune"]]<br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Works Cited==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Works Cited==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Bradley, David. ''From Text to Performance in the Elizabethan Theatre''. Cambridge: Cambridge University Press, 1992.</div></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Bradley, David. ''From Text to Performance in the Elizabethan Theatre''. Cambridge: Cambridge University Press, 1992.</div> </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Greg, W. W. <del style="font-weight: bold; text-decoration: none;">‘’Dramatic </del>Documents from the Elizabethan <del style="font-weight: bold; text-decoration: none;">Playhouses’’</del>. Oxford: Clarendon Press, 1931, rpt. 1969.</div></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Greg, W. W. <ins style="font-weight: bold; text-decoration: none;">''Dramatic </ins>Documents from the Elizabethan <ins style="font-weight: bold; text-decoration: none;">Playhouses''</ins>. Oxford: Clarendon Press, 1931, rpt. 1969<ins style="font-weight: bold; text-decoration: none;">.</div></ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Nungezer, Edwin. <del style="font-weight: bold; text-decoration: none;">‘’A </del>Dictionary of <del style="font-weight: bold; text-decoration: none;">Actors’’</del>. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).</div></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div style="padding-left: 2em; text-indent: -2em">———, ed. ''Henslowe Papers: Being Documents Supplementary to Henslowe's Diary''. A. H. Bullen: London, 1907</ins>. </div></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Nungezer, Edwin. <ins style="font-weight: bold; text-decoration: none;">''A </ins>Dictionary of <ins style="font-weight: bold; text-decoration: none;">Actors''</ins>. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">McMillin, Scott. "The Plots of ''The Dead Man's Fortune'' and ''2 Seven Deadly Sins'': Inferences for Theatre Historians," ''Studies in Bibliography'' 26 (1973): 235-43.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">McMillin, Scott. "The Plots of ''The Dead Man's Fortune'' and ''2 Seven Deadly Sins'': Inferences for Theatre Historians," ''Studies in Bibliography'' 26 (1973): 235-43.</div></div></td></tr>
</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Category:B_samme&diff=25029&oldid=prev
Rlknutson: /* Works Cited */
2022-04-19T18:40:15Z
<p><span dir="auto"><span class="autocomment">Works Cited</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 13:40, 19 April 2022</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div style="padding-left: 2em; text-indent: -2em">Bradley, David. ''From Text to Performance in the Elizabethan Theatre''. Cambridge: Cambridge University Press, 1992.</div></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Greg, W. W. ‘’Dramatic Documents from the Elizabethan Playhouses’’. Oxford: Clarendon Press, 1931, rpt. 1969.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Greg, W. W. ‘’Dramatic Documents from the Elizabethan Playhouses’’. Oxford: Clarendon Press, 1931, rpt. 1969.</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Nungezer, Edwin. ‘’A Dictionary of Actors’’. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">Nungezer, Edwin. ‘’A Dictionary of Actors’’. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).</div></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">McMillin, Scott. "The Plots of ''The Dead Man's Fortune'' and ''2 Seven Deadly Sins'': Inferences for Theatre Historians," ''Studies in Bibliography'' 26 (1973): 235-43.</div></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="padding-left: 2em; text-indent: -2em">McMillin, Scott. "The Plots of ''The Dead Man's Fortune'' and ''2 Seven Deadly Sins'': Inferences for Theatre Historians," ''Studies in Bibliography'' 26 (1973): 235-43.</div></div></td></tr>
</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Category:B_samme&diff=25028&oldid=prev
Rlknutson at 18:25, 19 April 2022
2022-04-19T18:25:53Z
<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 13:25, 19 April 2022</td>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>"b samme" is the inscription given to <del style="font-weight: bold; text-decoration: none;">an apparently boy </del>player named Sam by whoever annotated the plot of [[Dead Man's Fortune, The|"Dead Man's Fortune"]] ("b" for "boy").</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>"b samme" is the inscription given to <ins style="font-weight: bold; text-decoration: none;">a </ins>player named Sam by whoever annotated the plot of [[Dead Man's Fortune, The|"Dead Man's Fortune"]] ("b" for "boy"). <ins style="font-weight: bold; text-decoration: none;">The tendency in theater history has been to consider the "b" to indicate a boy player. Greg, however, Greg sees a conflict between interpreting the "b" as "boy" given that the actor (Sam) appears to have been assigned to the part of Euphrodore. He considers that "Euphrodore" might be a female character, though he finds "no reason to suppose" so (p. 101, n. 6). He then considers whether the "b" might stand for "black" as in the character of Black Dick in [[Frederick and Basilea|"Frederick and Basilea"]]. McMillin appears inclined to consider "'samme'" as one of the "regular supernumeraries" ([. 239).</ins></div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''Roles'''<br></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Attendant, Validore's man, and possibly Euphrodore in [[Dead Man's Fortune, The|"The Dead Man's Fortune"]]<br></ins></div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">==Works Cited==</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div style="padding-left: 2em; text-indent: -2em">Greg, W. W. ‘’Dramatic Documents from the Elizabethan Playhouses’’. Oxford: Clarendon Press, 1931, rpt. 1969.</div></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div style="padding-left: 2em; text-indent: -2em">Nungezer, Edwin. ‘’A Dictionary of Actors’’. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).</div></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><div style="padding-left: 2em; text-indent: -2em">McMillin, Scott. "The Plots of ''The Dead Man's Fortune'' and ''2 Seven Deadly Sins'': Inferences for Theatre Historians," ''Studies in Bibliography'' 26 (1973): 235-43.</div></ins></div></td></tr>
</table>
Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Category:B_samme&diff=25027&oldid=prev
Rlknutson at 17:33, 19 April 2022
2022-04-19T17:33:33Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:33, 19 April 2022</td>
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Rlknutson
https://lostplays.folger.edu/_mw/index.php?title=Category:B_samme&diff=24946&oldid=prev
Rlknutson: Created page with ""b samme" is the inscription given to an apparently boy ("b" for "boy") player named Sam by whoever annotated the plot of "Dead Man's Fortune.""
2022-04-04T21:41:07Z
<p>Created page with ""b samme" is the inscription given to an apparently boy ("b" for "boy") player named Sam by whoever annotated the plot of "Dead Man's Fortune.""</p>
<p><b>New page</b></p><div>"b samme" is the inscription given to an apparently boy ("b" for "boy") player named Sam by whoever annotated the plot of "Dead Man's Fortune."</div>
Rlknutson