Black Dog of Newgate, Parts 1 and 2: Difference between revisions

(Created page with 'John Day, Richard Hathaway, Wentworth Smith, and "the other poete" (1602) : ==Historical Records== <Reproduce relevant documentary evidence from historical records here. (For …')
 
No edit summary
Line 1: Line 1:
John Day, Richard Hathaway, Wentworth Smith, and "the other poete" (1602)
''Black Dog of Newgate'', Part I (1602)
:
John Day, Richard Hathaway, Wentworth Smith, and "the other poete"  
''Black Dog of Newgate'', Part 2 (1603)
John Day, Richard Hathaway, Wentworth Smith, and "the other poete" 




==Historical Records==
==Historical Records==
Henslowe's ''Diary''


<Reproduce relevant documentary evidence from historical records here. (For example, entries from Henslowe's Diary).>
<Reproduce relevant documentary evidence from historical records here. (For example, entries from Henslowe's Diary).>

Revision as of 14:24, 28 October 2009

Black Dog of Newgate, Part I (1602) John Day, Richard Hathaway, Wentworth Smith, and "the other poete" Black Dog of Newgate, Part 2 (1603) John Day, Richard Hathaway, Wentworth Smith, and "the other poete"


Historical Records

Henslowe's Diary

<Reproduce relevant documentary evidence from historical records here. (For example, entries from Henslowe's Diary).>


Theatrical Provenance

<Enter information about which company performed the play, and where/when it was performed, etc.>


Probable Genre(s)

<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>


Possible Narrative and Dramatic Sources or Analogues

<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>


References to the Play

<List any known or conjectured references to the lost play here.>


Critical Commentary

<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>


For What It's Worth

<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>


Keywords

<Key words that will help categorise this play.>


Works Cited

<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu.>


Site created and maintained by [your name, affiliation; updated DD Month YYYY].